The Shan Van Vocht, (a phonetic rendering of the Irish phrase An tSean bhean Bhocht - "The Poor Old Woman") was the name of a song, dating to the period of the Irish rebellion of 1798 that, once printed, gained notoriety in nineteenth century Ireland as a seditious text. In the 1890s it was adopted as the title of a popular historical novel and of a nationalist magazine, both of which, in the face of the growing sectarian division over Irish Home rule, sought to vindicate the republican legacy of the United Irishmen.
The earliest reference to the song dates from 1797, and is clearly contemporary: The Shan Van Vogt declares that the French are at hand, and will rescue Ireland. The troops are called together; they will wear green; they will free Ireland and proclaim liberty. [1] Written versions (in which it was sometimes spelt Shan van Vough) appeared first in the 1820, and were employed in the campaigns Daniel O'Connell led, first for Catholic Emancipation, and then, in the 1830s and '40s, for the restoration of an Irish parliament through a repeal of the 1800 Acts of Union. The journalist and nationalist politician A. A. Sullivan observed that in thirty years he "never knew an Irish election poet that did not invoke the Shan Van Vocht". [2]
The public was reminded of the song's original association with the United Irishmen and the '98 rebellion when, in 1885, the Weekly News serialised James Murphy's novel The Shan Van Vocht: the story of the United Irishmen. Set to the background of the French expedition to Lough Swilly, County Donegal, in October 1798, it relates the circumstances that led to the death of the United Irish leader, Theobald Wolfe Tone. It went through several editions as a popular book. [3]
In 1896 in Belfast, Alice Milligan and Anna Johnston (pseud. Ethna Carbery) chose The Shan Van Vocht as the title for their independent monthly. The two-penny journal followed the formula that in the 1840s had launched Gavan Duffy's Young Ireland paper The Nation: a mixture of poetry, serialised fiction, Irish history, political analysis and announcements.
The cover page of the January 1896 inaugural issue, featured "a version of the song that clarified for the modern reader that the title alluded to the female personification of the nation: 'for old Ireland is the name of the Shan Van Vocht'." The line that most clearly expressed the aspiration for republican separatism was adopted as the journal's motto: "Yes Ireland shall be free, from the centre to the sea, and hurrah for liberty says the Shan van Vocht". [3]
After forty issues, in 1899 Milligan and Johnston passed their subscription list to Arthur Griffith's new Dublin-based weekly, the United Irishman, organ of Cumann na nGaedheal , the forerunner of Sinn Féin. [4]
Irish nationalism is a nationalist political movement which, in its broadest sense, asserts that the people of Ireland should govern Ireland as a sovereign state. Since the mid-19th century, Irish nationalism has largely taken the form of cultural nationalism based on the principles of national self-determination and popular sovereignty. Irish nationalists during the 18th, 19th, and 20th centuries such as the United Irishmen in the 1790s, Young Irelanders in the 1840s, the Fenian Brotherhood during the 1880s, Fianna Fáil in the 1920s, and Sinn Féin styled themselves in various ways after French left-wing radicalism and republicanism. Irish nationalism celebrates the culture of Ireland, especially the Irish language, literature, music, and sports. It grew more potent during the period in which all of Ireland was part of the United Kingdom, which led to most of the island gaining independence from the UK in 1922.
The Society of United Irishmen was a sworn association in the Kingdom of Ireland formed in the wake of the French Revolution to secure "an equal representation of all the people" in a national government. Despairing of constitutional reform, in 1798 the United Irishmen instigated a republican insurrection in defiance of British Crown forces and of Irish sectarian division. Their suppression was a prelude to the abolition of the Protestant Ascendancy Parliament in Dublin and to Ireland's incorporation in a United Kingdom with Great Britain. An attempt to revive the movement and renew the insurrection following the Acts of Union was defeated in 1803.
Irish republicanism is the political movement for the unity and independence of Ireland under a republic. Irish republicans view British rule in any part of Ireland as inherently illegitimate.
The Irish Rebellion of 1798 was a major uprising against British rule in Ireland. The main organising force was the Society of United Irishmen, a republican revolutionary group influenced by the ideas of the American and French revolutions: originally formed by Presbyterian radicals angry at being shut out of power by the Anglican establishment, they were joined by many from the majority Catholic population.
Alice Letitia Milligan [pseud. Iris Olkyrn] was an Irish writer and activist in Ireland's Celtic Revival; an advocate for the political and cultural participation of women; and a Protestant-unionist convert to the cause of Irish independence. She was at the height of her renown at the turn of the 20th century when in Belfast, with Anna Johnston, she produced the political and literary monthly The Shan Van Vocht (1896-1899), and when in Dublin the Irish Literary Theatre's performed "The Last Feast of the Fianna” (1900), Milligan's interpretation of Celtic legend as national drama.
Ethna Carbery, born Anna Bella Johnston, was an Irish journalist, writer and poet. She is best known for the ballad Roddy McCorley and the Song of Ciabhán; the latter was set to music by Ivor Gurney. In Belfast in the late 1890s, with Alice Milligan she produced The Shan Van Vocht, a nationalist monthly of literature, history and comment that gained a wide circulation in Ireland and in the Irish diaspora. Her poetry was collected and published after her death under the pen name Ethna Carberry, adopted following her marriage to the poet Seumas MacManus in 1901.
Kathleen Ni Houlihan is a mythical symbol and emblem of Irish nationalism found in literature and art, sometimes representing Ireland as a personified woman. The figure of Kathleen Ni Houlihan has also been invoked in nationalist Irish politics. Kathleen Ni Houlihan is sometimes spelled as Cathleen Ni Houlihan, and the figure is also sometimes referred to as the Sean-Bhean Bhocht, the Poor Old Woman, and similar appellations. Kathleen Ni Houlihan is generally depicted as an old woman who needs the help of young Irish men willing to fight and die to free Ireland from colonial rule, usually resulting in the young men becoming martyrs for this cause, the colonial power being the United Kingdom. After the Anglo-Irish War, Kathleen Ni Houlihan became associated with the Irish Republican Army in Northern Ireland, especially during the Troubles.
Roddy McCorley was an Irish nationalist from the civil parish of Duneane, County Antrim, Ireland. Following the publication of the Ethna Carbery poem bearing his name in 1902, where he is associated with events around the Battle of Antrim, he is alleged to have been a member of the United Irishmen and claimed as a participant in their rebellion of 1798.
Croppy was a nickname given to United Irishmen rebels during the Irish Rebellion of 1798 against British rule in Ireland.
The Curragh Camp is an army base and military college in The Curragh, County Kildare, Ireland. It is the main training centre for the Irish Defence Forces and is home to 2,000 military personnel.
William Sampson was a lawyer and jurist who in his native Ireland, and in later American exile, identified with the cause of democratic reform. In the 1790s, in Belfast and Dublin he associated with United Irishmen, defending them in Crown prosecutions, contributing to their press and, according to government informants, participating on the eve of rebellion in their inner councils. In New York, from 1806 he won renown as a trial lawyer representing the abolitionist Manumission Society and disputing race as a legal disability; challenging the conspiracy charges against organised labor; and, in the name of religious liberty, establishing Catholic auricular confession as privileged. Maintaining that the tradition of common law denied citizens equal access to the law, and was a systematic source of injustice, Sampson pioneered the American codification movement.
"The Sean-Bhean bhocht", often spelled phonetically as "Shan Van Vocht", is a traditional Irish song from the period of the Irish Rebellion of 1798, and dating in particular to the lead up to a French expedition to Bantry Bay, that ultimately failed to get ashore in 1796.
Events from the year 1798 in Ireland.
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