Le Déjeuner sur l'herbe – originally titled Le Bain – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863.
The Arnolfini Portrait is an oil painting on oak panel by the Early Netherlandish painter Jan van Eyck, dated 1434 and now in the National Gallery, London. It is a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges.
Jacques Joseph Tissot, better known as James Tissot, was a French painter, illustrator, and caricaturist. He was born to a drapery merchant and a milliner and decided to pursue a career in art at a young age, coming to incorporate elements of realism, early Impressionism, and academic art into his work. He is best known for a variety of genre paintings of contemporary European high society produced during the peak of his career, which focused on the people and women's fashion of the Belle Époque and Victorian England, but he would also explore many medieval, biblical, and Japoniste subjects throughout his life. His career included work as a caricaturist for Vanity Fair under the pseudonym of Coïdé.
A Private View at the Royal Academy, 1881 is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait by John Everett Millais was included on a screen at the special request of Queen Victoria. The room is Gallery III, the largest and most imposing room at Burlington House.
John Reinhard Weguelin was an English painter and illustrator, active from 1877 to after 1910. He specialized in figurative paintings with lush backgrounds, typically landscapes or garden scenes. Weguelin emulated the neo-classical style of Edward Poynter and Lawrence Alma-Tadema, painting subjects inspired by classical antiquity and mythology. He depicted scenes of everyday life in ancient Greece and Rome, as well as mythological subjects, with an emphasis on pastoral scenes. Weguelin also drew on folklore for inspiration, and painted numerous images of nymphs and mermaids.
The Gallant Conversation is an oil-on-canvas painting from circa 1654 by Gerard ter Borch. A late 18th century French print of the work is titled The Paternal Admonition, apparently believing it showed a father reprimanding his daughter, but modern art historians see it as a conversation between two prospective lovers, either a discussion of a betrothal or, more likely, a customer propositioning a prostitute in a brothel. There are two versions made by the painter, one at the Rijksmuseum, in Amsterdam, and the other at the Gemäldegalerie Berlin. The two paintings are dated to around 1654. The Amsterdam version is 71 cm by 73 cm, with the extra centimeters on the right being taken up by a dog and a door. The dimensions of the Berlin painting is smaller, 70 by 60 cm.
The Awakening Conscience (1853) is an oil-on-canvas painting by the English artist William Holman Hunt, one of the founders of the Pre-Raphaelite Brotherhood, which depicts a woman rising from her position in a man's lap and gazing transfixed out the room's window.
Officer and Laughing Girl, also known as Officer and a Laughing Girl, Officer With a Laughing Girl or, in Dutch, De Soldaat en het Lachende Meisje, is an oil painting on canvas executed ca. 1657 by the Dutch artist Johannes Vermeer. Its dimensions are 50.5 by 46 cm. It is now one of three pictures by Vermeer in The Frick Collection in New York.
Woman Reading a Letter is a painting by the Dutch Golden Age painter Johannes Vermeer, produced in around 1663. It has been part of the collection of the City of Amsterdam since the Van der Hoop bequest in 1854, and in the Rijksmuseum in Amsterdam since it opened in 1885, the first Vermeer it acquired.
Hotel Lobby is a 1943 oil painting on canvas by American realist painter Edward Hopper; it is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
The Umbrellas is an oil-on-canvas painting by Pierre-Auguste Renoir, painted in two phases in the 1880s. It is owned by the National Gallery in London as part of the Lane Bequest but is displayed alternately in London and at the Dublin City Gallery The Hugh Lane. From May 2013 to 2019, it returned to Dublin for a six-year period. It is now in the National Gallery London.
I Am Half-Sick of Shadows, Said the Lady of Shalott is a painting by John William Waterhouse completed in 1915. It is the third painting by Waterhouse that depicts a scene from the Tennyson poem, "The Lady of Shalott". The title of the painting is a quotation from the last two lines in the fourth and final verse of the second part of Tennyson's poem:
Young Mother Sewing aka Little Girl Leaning on her Mother's Knee is a 1900 painting by the American artist Mary Cassatt. It is in the collection of the Metropolitan Museum of Art.
Portsmouth Dockyard is an 1877 oil painting by French artist James Tissot. It is a reworking of his 1876 painting On The Thames, which also depicts a man and two women in a boat. It measures 15.0 by 21.5 inches.
The Gallery of HMS 'Calcutta' (Portsmouth), also known as Officer and Ladies on Board HMS Calcutta, is an 1876 oil painting by the French artist James Tissot. It depicts two ladies in fashionable clothing and a young naval lieutenant, standing on the quarter gallery at the stern of the Royal Navy warship HMS Calcutta. The Tate Gallery in London holds the painting and measures 68.6 by 91.8 centimetres (27.0 in × 36.1 in).
Le déjeuner sur l'herbe: les trois femmes noires is a massive painting created by the African-American visual artist Mickalene Thomas. The painting is both a critique of and reference to Édouard Manet's 1863 painting Le Déjeuner sur l'herbe. Thomas' piece portrays three bold, black women adorned with rich colors, patterned clothing, and radiant Afro-styled hair; the women's positioning and posing is reminiscent of the subjects of Manet's piece, but the gazes of all three women are fixed on the viewer. Thomas created the painting, her largest piece at the time, in 2010 after being commissioned by the Museum of Modern Art (MoMA) in New York City to create a display piece for 53rd street window of the museum's restaurant The Modern.
Walter Robert Hickling was a Canadian artist, poet, composer and educator. Hickling was a graduate of the Ontario College of Art, an active member of local and regional art clubs, and a founding member of Hamilton Artists Inc.
Woman with Umbrella in Front of a Hat Shop is an oil-on-canvas painting executed in 1914 by the German painter August Macke. It depicts a woman peeking into a hat shop, painted in an Expressionist style. The painting is in the collection of the Museum Folkwang in Essen.
The Sacrifice of Iphigenia is a 1968 painting by the Belgian artist Paul Delvaux. Inspired by Iphigenia's sacrifice in Greek mythology, it depicts five people on a boardwalk. In the foreground are three women, two of whom might be the same person who watches herself, and behind them appears to be a scene of human sacrifice where a man overlooks a woman with an exposed breast.
