The Still Point (film)

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The Still Point
Directed byBarbara Boyd-Anderson
Written by Rosa Colosimo
Barbara Boyd-Anderson
Produced by Rosa Colosimo
Starring Nadine Garner
Lynn Semmler
Robin Cuming
Steve Bastoni
Alex Menglet
Ben Mendelsohn
Cinematography Kevin Anderson [1]
Edited byZbigniew Friedrich
Music byPierre Pierre
Distributed by Rosa Colosimo (self-distributed)
Release date
  • 1986 (1986)
Running time
85 mins
CountryAustralia
LanguageEnglish
BudgetAU$262,000 [2]

The Still Point is a 1986 Australian film directed by Barbara Boyd-Anderson. Sarah (Nadine Garner), a 15-year-old girl with a hearing impairment, is trying to emerge from the sheltered world her mother has created for her. In doing this, she puts aside the self-imposed isolation of her deafness, and learns the value of her own identity. [3]

Contents

Plot

Hearing-impaired Sarah (Nadine Garner) is an unhappy loner. Her father Bill is on the road for work, and her mother Barbara who was unhappy in her marriage to Bill, is dating Paul. When Sarah inadvertently discovers their relationship, she is angry.

Barbara sends Sarah to stay with her grandfather, Warren. While there, Sarah spots some teenagers, including the handsome David (Steve Bastoni). Warren urges her to befriend the teens, but Sarah resists, revealing that her hearing impairment is a big insecurity.

Barbara visits Sarah, but she is unreceptive, berating her mother for concealimg her courtship with Paul.

Sarah is invited to a party on the weekend, but immediately feels out of place. David arrives and asks Sarah to dance, amgering his ex-girlfriend Simone. The following day, Sarah joins David and his friends at the beach, but Simone taunts Sarah for hearing impairmenf. Sarah flees and David berates his friends for being unkind. He later visits Sarah to apologise, and the pair kiss.

David then takes Sarah on a date to a sideshow, where they encounter a jealous Simone. David reprimands Simone, but she tries to seduce him, and Sarah misinterprets it as a consensual act. David tries to make amends, but Sarah rejects his apology. She later reconsiders, and decides to forgive him.

Sarah’s relationship with her mother comes to a head when Paul arrives, resulting in an explosive fight. Barbara reveals to Sarah that when she was young, she had hoped to marry Bill, only to discover that they had nothing in common. They thought having a baby might fix everything, but it only caused more issues. Sarah asks whether her hearing impairment was the reason for their break up, but Barbara reveals it was because she pushed Bill away, as Sarah was her everything. [4]

Cast

Production

Producer Rosa Colosimo had been trying to raise finance for a film Blowing Hot and Cold and had found an investor who was willing to give her $100,000 provided the money was spent by the end of the financial year. This was April and Colosimo had until 30 June she was unlikely to be able to raise funds for Blowing Hot and Cold so she wrote a new script with an old friend of hers, Barbara Boyd-Anderson and raised some more money. [2] The first draft was written in three days, with two more drafts the following week. [5]

The film was shot in Melbourne on 16mm. [6]

Filming Locations

Melbourne and surrounds – the credits thank Malvern, Victoria and Melbourne City Councils and the Shire of Bulla; Cinema Papers locates the sea-side town where the heroine's grand-dad lives as being Mount Martha, Victoria, some 60 kilometres south-east of Melbourne.

Reception

Colosimo distributed the film herself, which performed well in Canberra but poorly in Sydney and Melbourne. [2]

Awards

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References

  1. Peter Cowie (1986). International Film Guide, 1987. Tantivy Press. p. 82. ISBN   978-0-900730-38-2.
  2. 1 2 3 David Stratton, The Avocado Plantation: Boom and Bust in the Australian Film Industry, Pan MacMillan, 1990 p362-363
  3. "The Still Point (1986)".
  4. "The Still Point - Review - Photos - Ozmovies".
  5. Nick Roddick, "For deaf, read Italian", Cinema Papers, September 1985 p13-14
  6. Adrian Martin, "The Still Point", Australian Film 1978-1992, Oxford Uni Press, 1993 p176