Related Research Articles
Squire Trelooby is a 1704 farce by the writers William Congreve, John Vanbrugh and William Walsh. All were members of the Kit-Cat Club and another member Samuel Garth wrote a prologue. It was inspired by the French play Monsieur de Pourceaugnac by Molière.
The What D'Ye Call It is a 1715 farce by the British writer John Gay. It was written as a parody of tragic plays, with particular reference to Thomas Otway's Venice Preserv'd.
Money the Mistress is a 1726 comedy play by the Irish writer Thomas Southerne. It was his final play.
The Generous Conqueror is a 1701 tragedy by the English writer Bevil Higgons. It was published in January the following year, and is sometimes dated 1702 by this. Higgons was a well-known Jacobite who had been implicated in the 1696 Jacobite assassination plot against William III. In this play he effectively called for the peaceful succession of the pretender to the throne as James III.
As You Find It is a 1703 comedy play by the English writer Charles Boyle, later Earl of Orrery. His grandfather Roger Boyle, 1st Earl of Orrery had also been a playright. In style it is much closer to traditional Restoration comedy, than the developing trend for Sentimental comedy.
The Fair Quaker of Deal is a 1710 comedy play by the British writer Charles Shadwell. A popular hit running for thirteen nights, it was revived a number of times.
The Confederacy is a 1705 comedy play by the English writer John Vanbrugh. It is also known as The City Wives' Confederacy. The plot was inspired by a 1692 farce by the French writer Florent Carton Dancourt. Two years before Vanbrugh's work, another writer Richard Estcourt had produced another play The Fair Example based on Dancourt's original.
The Devil to Pay is a 1731 ballad opera by the Irish writer Charles Coffey and British writer John Mottley. Also known by the longer title The Devil to Pay: Or, The Wives Metamorphos'd, it was part of a group of ballad operas produced in the wake of the success of John Gay's The Beggar's Opera. The work is inspired by Thomas Jevon's 1686 play The Devil of a Wife.
Periander is a 1731 tragedy by the British writer John Tracy. It is based on the life of Periander, the Ancient Greek ruler of Corinth.
Merope is a 1731 tragedy by the British writer George Jeffreys. It takes place in Ancient Greece, based around the myth of Merope. Voltaire wrote his own play Mérope on the subject in 1743.
Sylvia is a 1730 ballad opera by the British writer George Lillo, written as part of a boom in ballad operas in the wake of John Gay's 1728 hit The Beggar's Opera.
Love Betrayed is a 1703 comedy play by the English writer William Burnaby. It is also known by the longer title Love Betray'd; Or, The Agreeable Disappointment. It was a reworking of Shakespeare's Twelfth Night.
The Unhappy Penitent is a 1701 tragedy by the English writer Catherine Trotter. It is set at the French court of the late fifteenth century where Charles III plans to break his marriage agreement with Margaret of Austria so that he can make a dynastic union with Anne of Brittany acquiring the Duchy of Brittany for France.
The Married Philosopher is a 1732 comedy play by the writer John Kelly. It was inspired by the 1727 play Le Philosophe Marié by the French writer Philippe Néricault Destouches.
She Would and She Would Not is a 1702 comedy play by the English actor-writer Colley Cibber.
The Patriot, or, The Italian Conspiracy is a 1702 tragedy by the English writer Charles Gildon. Based on the life of Cosimo de' Medici but also inspired by Nathaniel Lee's 1680 work Lucius Junius Brutus set during the Roman Republic.
The Governour of Cyprus is a 1703 play by the English writer John Oldmixon. It premiered at the Lincoln's Inn Fields Theatre in London, but the exact date was unclear with some sources putting the first performance in December 1702.
Love's Victim: or, the Queen of Wales is a 1701 tragedy by the English writer Charles Gildon.
The Fine Lady's Airs is a 1708 comedy play by the British writer Thomas Baker.
Henry IV of France is a 1719 tragedy by the British writer Charles Beckingham. It portrays the reign of Henry IV of France, who was assassinated in 1610.
References
- ↑ Burling p.31
