The Streets of New York is a musical with book and lyrics by Barry Alan Grael and music by Richard B. Chodosh. Based on the play of the same name by Dion Boucicault, it was originally written for the 1948 Varsity Show at Columbia University, with music by Chodosh and Philip Springer and book by Alan Koehler and Joseph Meredith. After its premiere, it was revived three times for the Varsity Show in 1952, 1958, and 1961. Due to its success, a new book was written for it by Gael, also a student at Columbia, while Chodosh added new music to it. This edited version opened on October 29, 1963 at the Maidman Playhouse. [1] The play was a "critical and popular hit", with nearly unanimously favorable reviews. [2] Howard Taubman praised the production in The New York Times , writing that "Barry Alan Grael's lyrics are nimble and occasionally witty, and Richard B. Chodosh's music sustains the mood of well-bred spoofing," though he criticized the Boucicault story the musical was adapted from. [3] Newsweek called the show "the brightest musical of this season and maybe next." [4] The Streets of New York ran for over ten months, with 318 performances, [2] and was awarded a 1964 Drama Desk Special Award. [1] [5] In December 1963, it became the first musical and the first off-Broadway production to be taped and aired on pay television. [6]
Alan Jay Lerner was an American lyricist and librettist. In collaboration with Frederick Loewe, and later Burton Lane, he created some of the world's most popular and enduring works of musical theatre both for the stage and on film. Lerner won three Tony Awards and three Academy Awards, among other honors.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Fred Ebb was an American musical theatre lyricist who had many successful collaborations with composer John Kander. The Kander and Ebb team frequently wrote for such performers as Liza Minnelli and Chita Rivera.
Maury Yeston is an American composer, lyricist and music theorist.
Alan Irwin Menken is an American composer and conductor, best known for his scores and songs for films produced by Walt Disney Animation Studios and Skydance Animation. Menken's contributions to The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) won him two Academy Awards for each film. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), and Disenchanted (2022), among others. His accolades include winning eight Academy Awards — becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of twenty-one people to have won an Emmy, a Grammy, an Oscar and a Tony.
William Alan Finn is an American composer and lyricist. He is best known for his musicals, which include Falsettos, for which he won the 1992 Tony Awards for Best Original Score and Best Book of a Musical, A New Brain (1998), and The 25th Annual Putnam County Spelling Bee (2005).
How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
Flora the Red Menace is a musical with a book by George Abbott and Robert Russell, music by John Kander, and lyrics by Fred Ebb. The original 1965 production starred Liza Minnelli in the title role in her Broadway debut, for which she won a Tony Award for Best Actress in a Musical. This was the first collaboration between Kander and Ebb, who later wrote Broadway and Hollywood hits such as Cabaret and Chicago.
Hot Spot is a musical with the book by Jack Weinstock and Willie Gilbert, lyrics by Martin Charnin, music by Mary Rodgers, and additional lyrics and music by Stephen Sondheim. It had a brief run on Broadway in 1963. The musical is a political satire.
Martin Charnin was an American lyricist, writer, and theatre director. Charnin's best-known work is as conceiver, director, and lyricist of the musical Annie.
I Can Get It for You Wholesale is a musical originally produced by David Merrick, with music and lyrics by Harold Rome, and book by Jerome Weidman, based on his 1937 novel of the same title. Its 1962 production marked the Broadway debut of 19-year-old Barbra Streisand, who was nominated for the Tony Award for Best Featured Actress in a Musical. The story is set in the New York City Garment District in 1937, during the Great Depression, and the songs utilize traditional Jewish harmonies evocative of the setting and the period of the show.
The Varsity Show is one of the oldest traditions at Columbia University. Founded in 1893 as a fundraiser for the university's fledgling athletic teams, the Varsity Show now draws together the entire Columbia undergraduate community for a series of performances every April. Dedicated to producing a unique full-length musical that skewers and satirizes many dubious aspects of life at Columbia, the Varsity Show is written and performed exclusively by university undergraduates. Various renowned playwrights, composers, authors, directors, and actors have contributed to the Varsity Show, either as writers or performers, while students at Columbia, including Richard Rodgers, Oscar Hammerstein II, Lorenz Hart, Herman J. Mankiewicz, I. A. L. Diamond, Herman Wouk, Greta Gerwig, and Kate McKinnon.
Skyscraper is a musical that ran on Broadway in 1965 and 1966. The book was written by Peter Stone, and the music by Jimmy Van Heusen with lyrics by Sammy Cahn. Based on the 1945 Elmer Rice play Dream Girl, the Broadway production starred Julie Harris in her first musical.
Enter Laughing is a 1963 play by Joseph Stein.
Jennie is a musical with a book by Arnold Schulman, music by Arthur Schwartz, and lyrics by Howard Dietz, and starred Mary Martin.
The Irish Repertory Theatre is an Off-Broadway theatre company founded in 1988.
Sail Away is a musical with a book, music and lyrics by Noël Coward. The show was the last musical for which Coward wrote both the book and music, although he wrote the music for one last "book" musical in 1963.
Daly's Theatre was a Broadway theatre at 1221 Broadway and 30th Street. It was built in 1867 and opened that year as Banvard's Museum but changed its name the following year to Wood's Museum and Metropolitan. In 1876 it became the Broadway Theatre, and finally was named Daly's Theatre in 1879 when it was acquired by Augustin Daly. After 1899, it was operated by the Shubert family. The building was demolished in 1920, after serving as a burlesque theatre and cinema.
Bruce Howard Sussman is an American lyricist and librettist. Though he has collaborated with numerous composers, he is probably best known for his work with his long-time collaborator, Barry Manilow. Together, they have written over two hundred songs for numerous recording artists, films, stage musicals and television programs.