The Sydney Front

Last updated

Sydney Front was an Australian performance group formed in 1986 particularly known for integrating the audience into their productions. [1] They combining elements of performance art and experimental theatre in their work. [2] In 1999 John McCallum, theatre critic in The Australian newspaper wrote,'The Sydney Front is still Australia's most influential contemporary performance company, although they disbanded in 1993. [3]

The core of the group were performers John Baylis, Andrea Eloise, Clare Grant, Nigel Kellaway and Chris Ryan. Kellaway had been the first Australian to train with Japanese director Tadashi Suzuki. [4] Premiering many of their works at the Performance Space, Sydney, they toured the UK, Europe and Hong Kong. [5]

Their work The Pornography of Performance became a cause célèbre when it was performed at London's Riverside Studios. [6] Along with the work of the Wooster Group and Forced Entertainment, [7] Sydney Front were cited as Anglophonic examples of postdramatic theatre in the English edition of Hans-Thies Lehmann's Postdramatic Theatre, 2006. [8] The group briefly reformed in 2004 to perform at the 21st birthday event for the Performance Space in Sydney. [9] [10]

A two DVD set and streaming program, Staging the Audience: The Sydney Front documenting The Sydney Front's work was released by Artfilms in 2012. [11]

Major works

Related Research Articles

Stanisław Ignacy Witkiewicz Polish artist

Stanisław Ignacy Witkiewicz, commonly known as Witkacy, was a Polish writer, painter, philosopher, theorist, playwright, novelist, and photographer active before World War I and during the interwar period.

Experimental theatre Genre of theater

Experimental theatre, inspired largely by Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical.

Elizabeth LeCompte is an American director of experimental theater, dance, and media. A founding member of The Wooster Group, she has directed that ensemble since its emergence in the late 1970s.

Genevieve Lemon is an Australian actress and singer who has appeared in a number of Australian television series and international film, including a frequent collaboration with Jane Campion for Academy Award-winning The Piano (1993) and The Power of the Dog (2021), which earned her a Satellite Award as cast member and a Critic's Choice Awards nomination. In television Lemon is best known as Zelda Baker in The Young Doctors, Marlene "Rabbit" Warren in Prisoner and Brenda Riley in Neighbours.

Gordon Maitland Chater AM was an English Australian comedian and actor, and recipient of the Gold Logie, he appeared in revue, theatre, radio, television and film, with a career spanning almost 50 years.

Riverside Studios Arts centre and television studios in Hammersmith, London, England

Riverside Studios is an arts centre on the banks of the River Thames in Hammersmith, London, England. The venue plays host to contemporary performance, film, visual art exhibitions and television production.

Barry Dickins is a prolific Australian playwright, author, artist, actor, educator and journalist, probably best known for his historical dramas and his reminisces about growing up and living in working class Melbourne. His most well-known work is the award-winning stage play Remember Ronald Ryan, a dramatization of the life and subsequent death of Ronald Ryan, the last man executed in Australia. He has also written dramas and comedies about other controversial figures such as poet Sylvia Plath, opera singer Joan Sutherland, criminal Squizzy Taylor, actor Frank Thring, playwright Oscar Wilde and artist Brett Whiteley.

Robyn Nevin Australian actress

Robyn Anne Nevin is an Australian actress, director, and stage producer, recognised with the Sidney Myer Performing Arts Awards and the JC Williamson Award at the Helpmann Awards for her outstanding contributions to Australian theatre performance art. Former head of both the Queensland Theatre Company and the Sydney Theatre Company, she has directed more than 30 productions and acted in more than 80 plays, collaborating with internationally renowned artists, including Richard Wherrett, Simon Phillips, Geoffrey Rush, Julie Andrews, Aubrey Mellor, Jennifer Flowers, Cate Blanchett and Lee Lewis.

The Messingkauf Dialogues is an incomplete theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. John Willett translates "Der Messingkauf" as "Buying Brass". According to one Brecht scholar "Brecht worked on [the Messingkauf] primarily during the late 1930s and early 1940s. In Brecht’s words it contains, “a lot of theory in dialog form.”"

The notion of postdramatic theatre was established by German theatre researcher Hans-Thies Lehmann in his book Postdramatic Theatre, summarising a number of tendencies and stylistic traits occurring in avant-garde theatre since the end of the 1960s. The theatre which Lehmann calls postdramatic is not primarily focused on the drama in itself, but evolves a performative aesthetic in which the text of the performance is put in a special relation to the material situation of the performance and the stage. The postdramatic theatre attempts to mimic the unassembled and unorganized literature that a playwright sketches in the novel.

Josef Szeiler is an Austrian theatre director. As co-founder of the group TheaterAngelusNovus he is first of all known for his experimental approach to texts by Heiner Müller, Bertolt Brecht, Homer and Greek dramas.

The ELISION Ensemble is a chamber ensemble specialising in contemporary classical music, concentrating on the creation and presentation of new works. The ensemble comprises a core of around 20 virtuoso musicians from Australia and around the world.

Alma De Groen is an Australian feminist playwright, born in New Zealand on 5 September 1941.

<i>The Black Sequin Dress</i> 1996 play written by Jenny Kemp

The Black Sequin Dress is a play by Australian playwright Jenny Kemp.

The Institute for Applied Theatre Studies is part of the Justus Liebig University Gießen. It offers three different degree programs: a three-year Bachelor's program, Applied Theatre Studies, and two two-year Master's programs, Applied Theatre Studies and Choreography and Performance (CuP). Each course places equal importance on academic and artistic practice. In seminars, reading courses and tutorials, students asked to engage with theoretical issues, while in performance projects, practical courses and workshops they experiment with different artistic approaches. Courses in the humanities and cultural studies offered by the university are also incorporated into each program. In choreography and performance, certain practical classes are organized in cooperation with the Frankfurt University of Music and Performing Arts, where these classes will also be held.

<i>Variations</i> (musical) 1982 musical by Nick Enright and Terence Clarke

Variations is a musical with book and lyrics by Nick Enright and music and arrangements by Terence Clarke.

John Gillies is an Australian visual artist, filmmaker and musician, particularly known for his "multi-layered and complex" video works and installations. He has also curated a number of video art programs.

Jenny Kemp is an Australian director and writer.

Roslyn Oades is an Australian actress, puppeteer and theater maker.

References

  1. Body show/s : Australian viewings of live performance. Tait, Peta, 1953-. Amsterdam: Rodopi. 2000. ISBN   9042014830. OCLC   46776338.{{cite book}}: CS1 maint: others (link)
  2. Margaret., Hamilton (2011). Transfigured stages : major practitioners and theatre aesthetics in Australia. Amsterdam: Rodopi. ISBN   978-9042033566. OCLC   743298882.
  3. John, McCallum (December 18–19, 1999). "The Shock of the Few". The Weekend Australian.
  4. Hamilton, Margaret. Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, Editions Rodopi, Amsterdam 2011, ISBN   978-90-420-3356-6
  5. Hamilton, Margaret. Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, Editions Rodopi, Amsterdam 2011, ISBN   978-90-420-3356-6
  6. Hamilton, Margaret. Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, Editions Rodopi, Amsterdam 2011. ISBN   978-90-420-3356-6
  7. Hans-Thies, Lehmann (2006). Postdramatic theatre. Jürs-Munby, Karen. London. ISBN   0415268133. OCLC   61229777. p. 5
  8. Hans-Thies, Lehmann (2006). Postdramatic theatre. Jürs-Munby, Karen. London. ISBN   0415268133. OCLC   61229777.
  9. "Anything goes". The Sydney Morning Herald. 2004-11-05. Retrieved 2019-03-19.
  10. "AusStage". www.ausstage.edu.au. Retrieved 2019-03-19.
  11. "Staging the Audience: The Sydney Front". artfilms.com.au. Retrieved 2017-09-19.
  12. Margaret., Hamilton (2011). Transfigured stages : major practitioners and theatre aesthetics in Australia. Amsterdam: Rodopi. ISBN   978-9042033566. OCLC   743298882.
  13. "AusStage". www.ausstage.edu.au. Retrieved 2019-03-19.