The Summer of Love was a social phenomenon that occurred during the summer of 1967, when as many as 100,000 people, mostly young people sporting hippie fashions of dress and behavior, converged in San Francisco's neighborhood of Haight-Ashbury. More broadly, the Summer of Love encompassed the hippie music, hallucinogenic drugs, anti-war, and free-love scene throughout the West Coast of the United States, and as far away as New York City.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during the mid-1960s and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, in San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson, Henry Vestine and later Harvey Mandel, Larry Taylor (bass), and Adolfo de la Parra (drums).
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
Richard Alden "Rick" Griffin was an American artist and one of the leading designers of psychedelic posters in the 1960s. As a contributor to the underground comix movement, his work appeared regularly in Zap Comix. Griffin was closely identified with the Grateful Dead, designing some of their best-known posters and album covers such as Aoxomoxoa. His work within the surfing subculture included both film posters and his comic strip, Murphy.
Chester Leo "Chet" Helms, often called the father of San Francisco's 1967 "Summer of Love," was a music promoter and a counterculture figure in San Francisco during its hippie period in the mid- to-late 1960s.
Psychedelic art is art, graphics or visual displays related to or inspired by psychedelic experiences and hallucinations known to follow the ingestion of psychedelic drugs such as LSD, psilocybin, and DMT. The word "psychedelic" means "mind manifesting". By that definition, all artistic efforts to depict the inner world of the psyche may be considered "psychedelic".
Victor Moscoso is a Spanish–American artist best known for producing psychedelic rock posters, advertisements, and underground comix in San Francisco during the 1960s and 1970s. He was the first of the rock poster artists of the 1960s era with formal academic training and experience. He was the first of the rock poster artists to use photographic collage in many of his posters.
Alton Kelley was an American artist known for his psychedelic art, in particular his designs for 1960s rock concert posters and album covers. Along with artists Rick Griffin, Stanley Mouse, Victor Moscoso and Wes Wilson, Kelley founded the Berkeley Bonaparte distribution agency in order to produce and sell psychedelic poster art.
While Denver may not be as recognized for historical musical prominence like such cities as Los Angeles, Detroit, Chicago or New York City, it still manages to have a very active popular, jazz, and classical music scene, which has nurtured many artists and genres to regional, national, and even international attention. Though nearby Boulder, Colorado has its own very distinct music scene, they are intertwined and often artists based there also play in Denver.
Robert Wesley Wilson was an American artist and one of the leading designers of psychedelic posters. Best known for designing posters for Bill Graham of The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, the psychedelic era and the 1960s. In particular, he was known for inventing and popularizing a "psychedelic" font around 1966 that made the letters look like they were moving or melting.
The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California, at 1244 Sutter Street. The space is known as the location of many concerts of the counterculture movement, from around 1966 to 1969. It also had a reopening 34 years later, from 2003 to 2005.
Gary Grimshaw was an American graphic artist active in Detroit and San Francisco who specialized in designing rock concert posters. He was also a radical political activist with the White Panther Party and related organizations.
Stanley George Miller, better known as Mouse or Stanley Mouse, is an American artist who is notable for his 1960s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands.
The KFRC Fantasy Fair and Magic Mountain Music Festival was an event held June 10 and 11, 1967, at the 4,000-seat Sidney B. Cushing Memorial Amphitheatre high on the south face of Mount Tamalpais in Marin County, California. Although 20,000 tickets were reported to have been sold for the event, as many as 40,000 people may have actually attended the two-day concert, which was the first of a series of San Francisco–area cultural events known as the Summer of Love. The Fantasy Fair was influenced by the popular Renaissance Pleasure Faire and became a prototype for large scale multi-act outdoor rock music events now known as rock festivals.
Roger McNamee is an American businessman, investor, venture capitalist and musician. He is the founding partner of the venture capital firm Elevation Partners. Prior to co-founding the firm, McNamee co-founded private equity firm Silver Lake Partners and headed the T. Rowe Price Science and Technology Fund.
Barry Fey was an American rock concert promoter from Colorado who was best known for bringing prominent music acts to the United States for the first time.
The Family Dog Denver was a concert dance hall located at 1601 West Evans Avenue in Denver, Colorado. Opened from September 1967 to July 1968, it is regarded as a seminal music venue that launched Denver on its trajectory to its current status as a major concert destination by introducing never-before-seen acts like The Doors, Van Morrison, Jimi Hendrix, Cream, Buffalo Springfield, Janis Joplin, Chuck Berry, and many others. Many acts, like The Doors and Van Morrison, for example, had yet to become famous when they played The Dog, evidenced by the poster artists having to stylize the names of their leading songs into the poster art for the shows. The Family Dog is also seen as a cultural turning point in Denver from the conservative, western-minded sensibility of the early and mid-20th century to the current, liberal-minded climate. The venue's history, surrounding drama and ultimate impact had been largely unknown and unrealized until it was unearthed and detailed for the first time in the 2021 documentary The Tale of the Dog, produced and directed by Dan Obarski & Scott Montgomery and distributed by Cinedigm. As there are no useful photos, no video and little written history remaining of the Family Dog Denver, the film's oral history format told in first person by the people who were there serves as a definitive reference for “The Dog.”
