Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar.
Musique concrète is a type of music composition that utilizes recorded sounds as raw material. Sounds are often modified through the application of audio signal processing and tape music techniques, and may be assembled into a form of montage. It can feature sounds derived from recordings of musical instruments, the human voice, and the natural environment as well as those created using computer-based digital signal processing. Compositions in this idiom are not restricted to the normal musical rules of melody, harmony, rhythm, metre, and so on. The technique exploits acousmatic sound, such that sound identities can often be intentionally obscured or appear unconnected to their source cause.
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
Meet the Residents is the debut studio album by the American art rock group the Residents, released on April 1, 1974, through Ralph Records. Most of the album was recorded throughout 1973 during breaks from production on Vileness Fats, the group's film project and main focus at the time. The album is said to adhere to N. Senada's "Theory of Phonetic Organization," in which music composition should be based on individual sounds rather than traditional musical notes.
Sync sound refers to sound recorded at the time of the filming of movies. It has been widely used in movies since the birth of sound movies.
People Like Us is the stage name of London DJ multimedia artist Vicki Bennett. She has released a number of albums featuring collages of music and sound since 1992. In recent years, she has performed at a number of modern art galleries, festivals and universities.
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album. The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison. Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen.
Overdubbing is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers.
"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP. The song marked a radical departure for the Beatles, as the band fully embraced the potential of the recording studio without consideration for reproducing the results in concert.
"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.
Staalplaat is an independent record label that is located in Amsterdam with a separate store in Berlin. Founded in 1982, the company's mission was to create a sound forum for sound artists, who write and perform new and experimental music.
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.
Nocturnal Emissions is Nigel Ayers's sound art project that has released numerous records and CDs in music styles ranging from electro-acoustic, musique concrète, hybridised beats, sound collage, post-industrial music, ambient and noise music. Their sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilizing video art, film, hypertext and other media, particularly collage. Nocturnal Emissions were depicted by the novelist Stewart Home.
Escape Mechanism is the title of a sound collage project instigated by Minneapolis based artist Jonathan Nelson. Using fragments of audio from a variety of previously recorded sound sources, the project is an experiment in recycled media.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
Lloyd John Dunn is a founding member of the mixed-media and experimental sound art group the Tape-beatles and founder, publisher and editor of several small-press magazines, such as PhotoStatic and Retrofuturism. Since the early 1980s, he has been making work for a variety of media, including film, video, audio, print, and the web.
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his Grayfolded album. Plunderphonics can be considered a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity.
Jon Nelson is a sound collage artist and a radio show host for Some Assembly Required. He "mashes music and found sound — from old movies, laugh tracks, the news — to make what he calls the audio dreamscape of the media age." Jon Nelson has been championing the genre of mashup music for more than 10 years; Some Assembly Required is now syndicated throughout the United States and Canada. 262 episodes were produced from 1999 to 2011.
Send tape echo echo delay is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers.
In music, a tape phase is a recorded composition using a tape loop or its electronic simulation to produce and vary sounds. It is a form of tape music.
