The Time Travelers | |
---|---|
Directed by | Ib Melchior |
Screenplay by | Ib Melchior |
Story by | Ib Melchior David L. Hewitt |
Produced by | Bill Redlin Samuel Z. Arkoff |
Starring | Preston Foster Philip Carey Merry Anders John Hoyt |
Cinematography | Vilmos Zsigmond |
Edited by | Hal Dennis |
Music by | Richard LaSalle |
Production companies | American International Pictures Dobil Productions Inc. |
Distributed by | American International Pictures |
Release date |
|
Running time | 82 minutes |
Country | United States |
Language | English |
Budget | $250,000 (estimated) [1] |
The Time Travelers is a 1964 American science fiction film directed by Ib Melchior and starring Preston Foster, Philip Carey, Merry Anders, Steve Franken, and John Hoyt. (Delores Wells, Playboy's Miss June 1960, has a bit part, as does superfan Forrest J Ackerman.) The film inspired the 1966 TV series The Time Tunnel , as well as the 1967 remake Journey to the Center of Time . The plot involves a group of scientists who find that due to an electrical overload their time-viewing screen suddenly allows them to travel through time. American International Pictures released the film as a double feature with Atragon . [2]
Scientists Dr. Erik von Steiner, Dr. Steve Connors, and Carol White are testing their time-viewing device, drawing enormous amounts of power. Danny McKee, a technician from the power plant, has been sent to tell them to shut down their experiment. During the test, odd shadows cross the room and the screen shows a stark, barren landscape. Danny discovers the screen has become a "time portal" and steps through.
The portal becomes unstable, and the others enter it to call him back. The portal disappears, stranding them. Pursued by hostile mutants, they seek refuge in a cave, which they discover leads to an underground city – all that is left of civilization in a future devastated by nuclear war.
They discover that the year is A.D. 2071. City leader Dr. Varno explains that the devastated Earth is now unable to support life, and that the residents, along with their androids, are frantically working on a spacecraft which will take them to a planet orbiting Alpha Centauri. Exploration, including by probe that looks like the Mars rover, has shown that no planets in the Solar System are habitable for humans. And while the future people have a Transporter it is of no use to reach distant planets.
The mutants, once peaceful, have become increasingly hostile as Earth's resources dwindle and now intend to obtain the city's food supply. The four time travelers, told they may not join the space voyage (due to weight, space, resource, and time restrictions), are allowed to work on recreating their time portal to return to their own time. Dr. Varno and others help von Steiner, Connors, White, and McKee race to build another time portal, while the rest of the community readies the spacecraft for liftoff. However, the mutants invade the complex and attack just as the spaceship is about to leave. The spacecraft is destroyed while trying to take off. The time portal shows the time travelers' point of origin, and the remaining humans realize their only chance for survival is to enter it. Along with a few people from the future, the travelers escape back to their own time. They throw objects back through the portal to damage the equipment on the other side and shut down the portal so the mutants cannot follow them.
The survivors return to the lab, where their past selves are still present but immobile. The travelers realize that due to mistakes in their calibration of the portal, they are experiencing time at an accelerated rate, and will therefore die of old age by the end of the day. Their only option is to travel to the date the portal had briefly been set to before it was switched to A.D. 2071. That previous date is over 100,000 years in the future, but the screen is dark; what lies ahead is unknown. They cross the room, casting the shadows seen before the portal appeared.
When they enter the portal, the screen flashes on and shows the travelers walking in a sunlit clearing with trees and grass; the surface of the Earth is habitable again. Their past selves are then shown moving at normal speed again, repeating their actions at an ever accelerating rate; the events of the entire movie rapidly cycle, repeating with ever briefer and fewer clips, until the film ends with a shot of the Andromeda Galaxy.
Production began in 1963 under the working title Time Trap.[ citation needed ] Director Melchior was unable to secure an adequate budget to fully exploit the potential of the story line.[ citation needed ] In some scenes conjuring tricks are used to compensate for the lack of visual effects; for instance, in one uncut shot, a mask-wearing actor playing an android appears to have his head removed and replaced by another, before walking away.[ citation needed ]
At 44 minutes into the film Forrest J Ackerman appears briefly in a scene depicting several technicians. Ackerman's only line is "Don't worry. I'm keeping our spacemen happy. Getting things squared away." The joke is a self-referential sight gag; his character is working on a device that turns a circular frame into a square frame. At the time, Ackerman was editing a science-fiction magazine titled Spacemen. The Time Travelers was heavily promoted in his magazine on the basis of Ackerman's cameo appearance.
The Time Travelers was a B film, evident by its meagre production values, although both the plot and actors were singled out for mention by critics. Leonard Maltin considered the film "not bad with a downbeat ending, one of the first American films photographed by Vilmos Zsigmond". [3] [N 1] It was lampooned decades later in the Netflix revival of Mystery Science Theater 3000 .
In an early 2010s retrospective review, Graeme Clark of The Spinning Image wrote, "In spite of the low budget, this still looks pretty good thanks to intelligent use of the resources available. The portal the scientists create, as Danny discovers, is more than a mere window on the coming years, because they can actually walk through it and pass through the decades to exist in the future." [5]
Forrest James Ackerman was an American magazine editor; science fiction writer and literary agent; a founder of science fiction fandom; a leading expert on science fiction, horror, and fantasy films; a prominent advocate of the Esperanto language; and one of the world's most avid collectors of genre books and film memorabilia. He was based in Los Angeles, California.
Invasion of the Body Snatchers is a 1956 American science-fiction horror film produced by Walter Wanger, directed by Don Siegel, and starring Kevin McCarthy and Dana Wynter. The black-and-white film was shot in 2.00:1 Superscope and in the film noir style. Daniel Mainwaring adapted the screenplay from Jack Finney's 1954 science-fiction novel The Body Snatchers. The film was released by Allied Artists Pictures as a double feature with the British science-fiction film The Atomic Man.
Leonard Michael Maltin is an American film critic, film historian, and author. He is known for his book of film capsule reviews, Leonard Maltin's Movie Guide, published from 1969 to 2014. Maltin was the film critic on Entertainment Tonight from 1982 to 2010. He currently teaches at the USC School of Cinematic Arts and hosts the weekly podcast Maltin on Movies. He served two terms as President of the Los Angeles Film Critics Association, and votes for films to be selected for the National Film Registry.
Millennium is a 1989 science fiction drama film directed by Michael Anderson and starring Kris Kristofferson, Cheryl Ladd, Robert Joy, Brent Carver, Al Waxman and Daniel J. Travanti.
László KovácsASC was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors including Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese. Known for his work on Easy Rider (1969) and Five Easy Pieces (1970), Kovács was the recipient of numerous awards, including three Lifetime Achievement Awards. He was an active member of the American Society of Cinematographers and was a member of the organization's board of directors.
Blow Out is a 1981 American neo-noir mystery thriller film written and directed by Brian De Palma. The film stars John Travolta as Jack Terry, a movie sound effects technician from Philadelphia who, while recording sounds for a low-budget slasher film, unintentionally captures audio evidence of an assassination involving a presidential hopeful. Nancy Allen stars as Sally Bedina, a young woman involved in the crime. The supporting cast includes John Lithgow and Dennis Franz. The film's tagline in advertisements was, "Murder has a sound all of its own".
Famous Monsters of Filmland is an American genre-specific film magazine, started in 1958 by publisher James Warren and editor Forrest J Ackerman.
Hangar 18 is a 1980 American science fiction action film directed by James L. Conway and written by Ken Pettus, from a story by Thomas C. Chapman and Conway. It stars Darren McGavin, Robert Vaughn, Gary Collins, James Hampton and Pamela Bellwood.
They Saved Hitler's Brain is a 1968 TV movie directed by David Bradley. It was adapted for television from a shorter 1963 theatrical feature film, Madmen of Mandoras, directed by Bradley and produced by Carl Edwards. The film was lengthened by about 20 minutes with additional footage shot by UCLA students at the request of the distributor. It is often cited as being one of the worst films ever made.
Looker is a 1981 American science fiction thriller film written and directed by Michael Crichton, starring Albert Finney, James Coburn, Susan Dey, and Leigh Taylor-Young. It follows a series of mysterious deaths plaguing female models who have undergone cosmetic surgery from a renowned Los Angeles physician. The film explores media, advertising and television's impact on the public in creating a ridiculous standard of beauty.
Invaders from Mars is a 1953 American independent science fiction film directed by William Cameron Menzies and starring Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. It was produced by Edward L. Alperson Jr. and released by 20th Century-Fox in SuperCinecolor. The film follows David MacLean, a young boy who witnesses a flying saucer behind his home one night. When his father investigates, he returns a changed man; soon David's mother, his neighbors, and others begin to act in the same way. David's panicked story is heard by Dr. Pat Blake, who takes him to astronomer Dr. Stuart Kelston. David convinces Kelston that this is an invading vanguard from Mars.
Island of Terror is a 1966 British horror film directed by Terence Fisher and starring Peter Cushing and Edward Judd. The screenplay was by Edward Mann and Al Ramsen. It was produced by Planet Film Productions. The film was released in the United States by Universal Studios on a double bill with The Projected Man (1966).
Yor, the Hunter from the Future is a 1983 science fiction fantasy film directed by Antonio Margheriti and starring Reb Brown, Corinne Cléry, Luciano Pigozzi, and John Steiner. A co-production between Italy, France, and Turkey, the film is based on the Argentinian comic Yor the Hunter, created by writer Eugenio Juan Zappietro and artist Juan Zanotto.
Equinox is a 1970 American supernatural horror film directed by Jack Woods, and starring Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher. Though uncredited, producer Dennis Muren also served as a second director. The film focuses on four young people picnicking in a California canyon, where they stumble upon an ancient book used to conjure demons; soon they unleash a plethora of evil creatures.
Curly Sue is a 1991 American comedy drama film written, produced, and directed by John Hughes, and starring James Belushi, Kelly Lynch and Alisan Porter. It tells the story of a homeless con artist and his young orphan companion who gain shelter with a rich divorce lawyer. This was the final film directed by Hughes before his death in 2009. The film received generally negative reviews from critics.
The Monster of Piedras Blancas is a 1959 American horror monster film. It was produced by Jack Kevan, directed by Irvin Berwick, and stars Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis, and Pete Dunn. The film was released by Filmservice Distributors Corporation as a double feature with Okefenokee.
Night of the Blood Beast is a 1958 American science-fiction horror film about a team of scientists who are stalked by an alien creature, which implants its embryos in an astronaut's body during a space flight. Produced by exploitation filmmaker Roger Corman and his brother Gene, it was one of the first films directed by Bernard L. Kowalski and was written by first-time screenwriter Martin Varno, who was 21 years old. It starred several actors who had regularly worked with Roger Corman, including Michael Emmet, Ed Nelson, Steve Dunlap, Georgianna Carter and Tyler McVey. The film was theatrically released in December 1958 as a double feature with She Gods of Shark Reef.
Cuba is a 1979 American adventure thriller film directed by Richard Lester and starring Sean Connery, portraying the build-up to the 1958 Cuban Revolution, filmed in Panavision. Neil Sinyard in his The Films of Richard Lester wrote that the film, "developed originally out of an idea of Lester's own, inspired by a conversation with a friend about great modern leaders. From there, Lester's thoughts began to formulate in complex ways around Castro and Casablanca (1942), and out of that audaciously bizarre combination comes Cuba.
The Terror Within II is a 1991 American science fiction horror film and a sequel to the 1989 film The Terror Within. It is written and directed by star Andrew Stevens, and also stars R. Lee Ermey, Chick Vennera, Barbara Alyn Woods, Gordon Currie, and Stella Stevens.
Istanbul is a 1957 American CinemaScope film noir crime film directed by Joseph Pevney, and starring Errol Flynn and Cornell Borchers. It is a remake of the film Singapore, with the location of the action moved to Turkey. The plot involves an American pilot who becomes mixed up with various criminal activities in Istanbul.