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The Time Traveller was one of the earliest science-fiction fanzines, started in 1932. [1] The title was inspired by the protagonist of The Time Machine by H.G. Wells. [2]
| | This article needs additional citations for verification .(March 2016) |
The Time Traveller was one of the earliest science-fiction fanzines, started in 1932. [1] The title was inspired by the protagonist of The Time Machine by H.G. Wells. [2]
The Time Traveller grew out of a New York City fan club called The Scienceers and was started by Mort Weisinger, Julius Schwartz, Allen Glasser, and Forrest J Ackerman. Initially, Glasser was the "Editor" of the fanzine, Weisinger "Associate Editor," Schwartz "Managing Editor," and Ackerman "Contributing Editor." (Three of the four editors were 15–17 years old at the time. Allen Glasser was born in 1908.)
According to SF historian Sam Moskowitz, The Time Traveller was the first fanzine to be devoted exclusively to science fiction. [3] It was also the first fanzine not strictly associated with a club and, starting with its third issue, the first to be typeset. [1] : 26–29
The publication went through a two major changes. First, beginning in late 1932, the fanzine was absorbed by Science Fiction Digest, which was founded by earlier Time Traveller editors Schwartz, Ackerman, and Weisinger. Then, in 1933, in an attempt to attract more readers interested in weird fiction, SFD became Fantasy Magazine. It ceased publication in January 1937. [1] : 62–75
The fanzine's chief claim to fame[ according to whom? ] was its publication of a 17-part round-robin story called Cosmos (July 1933 – December 1934), each part written by a different writer. The roster of Cosmos writers included many of the leading lights of SF, fantasy, horror, and adventure fiction in that era, including A. Merritt, E.E. "Doc" Smith, Edmond Hamilton, John W. Campbell, E. Hoffmann Price, and Otis Adelbert Kline. The others involved were David H. Keller, P. Schuyler Miller, Arthur J. Burks, Ralph Milne Farley, "Eando Binder," Francis Flagg, Lloyd Arthur Eshbach, Bob Olsen, J. Harvey Haggard, and Abner J. Gelula; Raymond A. Palmer wrote one installment under his own name, and another under the pseudonym "Rae Winters." Hamilton composed the final episode of the serial, and finished with a bang, destroying the planets Pluto, Neptune, and Uranus with an atomic disintegrator ray.[ citation needed ]
Donald Allen Wollheim was an American science fiction editor, publisher, writer, and fan. As an author, he published under his own name as well as under pseudonyms, including David Grinnell, Martin Pearson, and Darrell G. Raynor. A founding member of the Futurians, he was a leading influence on science fiction development and fandom in the 20th-century United States. Ursula K. Le Guin called Wollheim "the tough, reliable editor of Ace Books, in the Late Pulpalignean Era, 1966 and '67", which is when he published her first two novels in Ace Double editions.
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
First Fandom is an informal association of early, active and well-known science fiction fans.
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Sam Moskowitz was an American writer, critic, and historian of science fiction.
Mortimer Weisinger was an American magazine and comic book editor best known for editing DC Comics' Superman during the mid-1950s to 1960s, in the Silver Age of comic books. He also co-created such features as Aquaman, Green Arrow, Johnny Quick, and the original Vigilante, served as story editor for the Adventures of Superman television series, and compiled the often-revised paperback 1001 Valuable Things You Can Get Free.
A strong element in contemporary Canadian culture is rich, diverse, thoughtful and witty science fiction.
The Sir Julius Vogel Awards are awarded each year at the New Zealand National Science Fiction Convention to recognise achievement in New Zealand science fiction, fantasy, horror, and science fiction fandom. They are commonly referred to as the Vogels.
First Fandom Hall of Fame is an annual award for contributions to the field of science fiction dating back more than 30 years. Contributions can be as a fan, writer, editor, artist, agent, or any combination of the five. It is awarded by First Fandom and is usually presented at the beginning of the World Science Fiction Convention's Hugo Award ceremony.
The Comet, later known as "?" and Cosmology, was an American science fiction fanzine released between 1930 and 1933. It consisted of seventeen issues, with each gradually shifting focus from science to science fiction.
Andrew Ian Porter is an American editor, publisher and active science fiction fan.
The Fantasy Amateur Press Association or FAPA ("FAP-uh") is science fiction fandom's longest-established amateur press association ("apa"). It was founded in 1937 by Donald A. Wollheim, John B. Michel and others to facilitate the circulation of fanzines. They were inspired to create FAPA by their memberships in some of the non-science fiction amateur press associations, which they learned about from H. P. Lovecraft.
The Fantasy Fan was the first fan magazine in the weird fiction field and therefore holds an important place in the history of the American fantasy and horror fiction pulp magazine. Issued monthly, it was first published in September 1933, and discontinued 18 issues later in February 1935. The magazine was edited by Charles Hornig.
Strange Stories was a pulp magazine which ran for thirteen issues from 1939 to 1941. It was edited by Mort Weisinger, who was not credited. Contributors included Robert Bloch, Eric Frank Russell, C. L. Moore, August Derleth, and Henry Kuttner. Strange Stories was a competitor to the established leader in weird fiction, Weird Tales. With the launch, also in 1939, of the well-received Unknown, Strange Stories was unable to compete. It ceased publication in 1941 when Weisinger left to edit Superman comic books.
Charles Hornig was one of the earliest contributors to the science fiction genre. He not only created one of the first fanzines in 1933, as a teenager, he became the managing editor for Wonder Stories magazine from November, 1933 to April, 1936.
Captain Future was a science fiction pulp magazine launched in 1940 by Better Publications, and edited initially by Mort Weisinger. It featured the adventures of Captain Future, a super-scientist whose real name was Curt Newton, in every issue. All but two of the novels in the magazine were written by Edmond Hamilton; the other two were by Joseph Samachson. The magazine also published other stories unrelated to the title character, including Fredric Brown's first science fiction sale, "Not Yet the End".
Cosmos is a serial novel consisting of seventeen chapters written by seventeen authors. The novel appeared in issues of the science fiction fan publication Science Fiction Digest published from July, 1933 through January, 1935.
Futuria Fantasia was an American science fiction fanzine created by Ray Bradbury in 1938, when he was 18 years old. Though only four issues of the fanzine were published, its list of contributors included Hannes Bok, Forrest J. Ackerman, Henry Kuttner, Damon Knight, and Robert A. Heinlein.
Myrtle Rebecca Smith Gray Nolan, known to science fiction history as Morojo or sometimes Myrtle R Douglas, was a science fiction fan, fanzine publisher, and cosplay pioneer from Los Angeles.
Marvel Tales and Unusual Stories were two related American semi-professional science fiction magazines published in 1934 and 1935 by William L. Crawford. Crawford was a science fiction fan who believed that the pulp magazines of the time were too limited in what they would publish. In 1933, he distributed a flyer announcing Unusual Stories, and declaring that no taboos would prevent him from publishing worthwhile fiction. The flyer included a page from P. Schuyler Miller's "The Titan", which Miller had been unable to sell to the professional magazines because of its sexual content. A partial issue of Unusual Stories was distributed in early 1934, but Crawford then launched a new title, Marvel Tales, in May 1934. A total of five issues of Marvel Tales and three of Unusual Stories appeared over the next two years.