The Tin Flute | |
---|---|
French | Bonheur d'occasion |
Directed by | Claude Fournier |
Written by | Marie-José Raymond Claude Fournier Gabrielle Roy (book) |
Produced by | Robert Verrall Marie-José Raymond |
Starring | Mireille Deyglun |
Cinematography | Savas Kalogeras |
Edited by | Yves Langlois |
Music by | François Dompierre |
Release dates |
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Running time | 123 minutes |
Country | Canada |
Languages | English, French |
The Tin Flute (French : Bonheur d'occasion) is a 1983 Canadian drama film directed by Claude Fournier and based on the Gabrielle Roy novel of the same name. [1]
The film was co-produced by the National Film Board of Canada's French-language branch, Ciné St-Henri Inc., and Société Radio-Canada, the French-language branch of the Canadian Broadcasting Corporation.
It was entered into the 13th Moscow International Film Festival. [2] The film was selected as the Canadian entry for the Best Foreign Language Film at the 56th Academy Awards, but it was not accepted as a nominee. [3]
Mon oncle Antoine is a 1971 French-language Canadian drama film directed by Claude Jutra for the National Film Board of Canada.
Carmen is a 1983 Spanish film adaptation of Prosper Mérimée's novel Carmen, incorporating music from Georges Bizet's opera of the same name. Directed and choreographed in the flamenco style by Carlos Saura and María Pagés, it constitutes the second installment of Saura's flamenco trilogy in the 1980s, preceded by Bodas de sangre and followed by El amor brujo. The film received an Academy Award nomination for Best Foreign Language Film at the 56th Academy Awards.
Alsino and the Condor is a 1982 Nicaraguan film directed by Chilean filmmaker Miguel Littín. It was nominated for the Academy Award for Best Foreign Language Film. It won the Golden Prize at the 13th Moscow International Film Festival. The film was a co-production between Nicaragua, Mexico and Cuba. The film is loosely based on the novel Alsino by Chilean writer Pedro Prado, and is set during the Nicaraguan Revolution. It starred Dean Stockwell.
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The Glass Cage is a 1965 internationally co-produced drama film directed by Philippe Arthuys and Jean-Louis Levi-Alvarès and written by Arthuys. The film was selected as the Israeli entry for the Best Foreign Language Film at the 38th Academy Awards, but was not accepted as a nominee. It was also entered into the 4th Moscow International Film Festival.
Our Daughter is a 1981 Cameroonian drama film directed by Daniel Kamwa. It was entered into the 12th Moscow International Film Festival. The film was also selected as the Cameroonian entry for the Best Foreign Language Film at the 53rd Academy Awards, but was not accepted as a nominee.
Vassa is a 1983 Soviet drama film directed by Gleb Panfilov. It is based on Maxim Gorky's 1910 play Vassa Zheleznova. Vassa won the Golden Prize at the 13th Moscow International Film Festival. The film was also selected as the Soviet entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee.
Return from Hell is a 1983 Romanian drama film directed by Nicolae Mărgineanu. It was entered into the 13th Moscow International Film Festival where it won a Special Diploma. The film was also selected as the Romanian entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee.
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Åke and His World is a 1984 Swedish drama film directed by Allan Edwall. It was entered into the 14th Moscow International Film Festival. The film was also selected as the Swedish entry for the Best Foreign Language Film at the 57th Academy Awards, but was not accepted as a nominee.
Scalpel, Please is a 1985 Czech psychological drama film directed by Jiří Svoboda. It was entered into the 14th Moscow International Film Festival. The film was selected as the Czechoslovakia entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee.
Homework is a 1991 Mexican drama film directed by Jaime Humberto Hermosillo. It was entered into the 17th Moscow International Film Festival where it won a Special Mention. The film was selected as the Mexican entry for the Best Foreign Language Film at the 64th Academy Awards, but was not accepted as a nominee.