The Toilers | |
---|---|
Directed by | Tom Watts |
Written by | R. C. Sherriff Eliot Stannard |
Based on | novel Toilers of the Sea by Victor Hugo [1] |
Produced by | Neville Bruce |
Starring | Manora Thew George Dewhurst Gwynne Herbert Ronald Colman |
Cinematography | E. G. Egrot |
Production company | Diamond Super Film Company |
Distributed by | Neville Bruce, Limited |
Release dates |
|
Running time | 5 reels [1] |
Country | United Kingdom |
Language | Silent |
The Toilers is a 1919 British romantic drama film starring Ronald Colman as a young man who leaves behind his family and girl in a Cornish fishing village to seek his fortune in London. [2] Two of five reels survive. [3]
Ronald Charles Colman was an English-born actor, starting his career in theatre and silent film in his native country, then emigrating to the United States where he had a highly successful Hollywood film career. He starred in silent films and successfully transitioned to sound, aided by a distinctive, pleasing voice. He was most popular during the 1920s, 1930s and 1940s. He received Oscar nominations for Bulldog Drummond (1929), Condemned (1929) and Random Harvest (1942). Colman starred in several classic films, including A Tale of Two Cities (1935), Lost Horizon (1937) and The Prisoner of Zenda (1937). He also played the starring role in the Technicolor classic Kismet (1944), with Marlene Dietrich, which was nominated for four Academy Awards. In 1947, he won an Academy Award for Best Actor and Golden Globe Award for Best Actor for the film A Double Life.
Toiler, Toilers, The Toiler or The Toilers may refer to:
Ronald Colman began his career as an actor on the stage following his service in the British Army during World War I. He made his film debut in an unreleased two-reeler titled The Live Wire (1917). After achieving minor success on the stage and in British films, he immigrated to the United States in 1920. There he continued his acting with only moderate success until he was offered the lead opposite Lillian Gish in The White Sister (1923). The film's popularity and critical acclaim led to Colman becoming a major star and also a romantic idol of the silent cinema. As a contract player for Samuel Goldwyn, Colman was cast as leading man to many of the top actress as the silent era. In five of his silents he formed a romantic team with Hungarian actress Vilma Bánky.
His Supreme Moment is a 1925 American silent drama film with sequences filmed in Technicolor, starring Blanche Sweet and Ronald Colman, directed by George Fitzmaurice, and produced by Samuel Goldwyn. Anna May Wong has a small role as a harem girl appearing in a play. The film is now considered lost.
The Night of Love is a 1927 American silent romantic drama film directed by George Fitzmaurice and produced by Samuel Goldwyn. Released by United Artists, the film stars Ronald Colman, Vilma Bánky, and Montagu Love. The screenplay by Lenore J. Coffee is based on the play by Pedro Calderón de la Barca.
Two Lovers is a 1928 American synchronized sound historical drama film directed by Fred Niblo. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars Vilma Bánky, Ronald Colman, and Noah Beery. Based on the novel Leatherface: A Tale of Old Flanders by Baroness Emma Orczy, it was produced by Samuel Goldwyn.
The Dark Angel is a 1925 American silent drama film, based on the play The Dark Angel, a Play of Yesterday and To-day by H. B. Trevelyan, released by First National Pictures, and starring Ronald Colman, Vilma Bánky, and Wyndham Standing.
The Magic Flame is a 1927 American silent drama film directed by Henry King, produced by Samuel Goldwyn, and based on the 1900 play Konig Harlekin by Rudolph Lothar. George Barnes was nominated at the 1st Academy Awards for Best Cinematography for his work in The Magic Flame, The Devil Dancer, and Sadie Thompson. The film promoted itself as the Romeo and Juliet of the circus upon its release.
Anna the Adventuress is a 1920 British silent drama film directed by Cecil Hepworth and starring Alma Taylor, Jean Cadell and James Carew. It is based on a novel by Phillips Oppenheim. Made by Hepworth Pictures at Walton Studios, it is now considered a lost film.
The Man from Mexico is a 1914 silent film produced by the Famous Players Film Company and Daniel Frohman. It starred John Barrymore in his second feature film and was remade in 1926 as Let's Get Married starring Richard Dix. The film was rereleased by Paramount in 1919 as part of the company's "Success Series" reissue of early successes. The Man from Mexico is now a lost film.
Here Comes the Bride is a lost 1919 American silent comedy film produced by Famous Players–Lasky and released by Paramount Pictures. This film is based on the 1917 Broadway play Here Comes the Bride by Max Marcin and Roy Atwell. The film was directed by John S. Robertson and stars John Barrymore.
Nearly a King is a 1916 silent film romantic comedy directed by Frederick A. Thomson, produced by Famous Players Film Company and distributed by Paramount Pictures. John Barrymore stars in a story written for the screen. Barrymore's first wife Katherine Corri Harris makes her screen debut with him in this picture. Frederick Thomson directed and this is now a lost film.
A Daughter of Eve is a 1919 British silent crime film directed by Walter West and starring Violet Hopson, Stewart Rome and Cameron Carr. Ronald Colman made an early screen appearance. The film is now considered a lost film.
A Son of David is a 1920 British silent sports film directed by Hay Plumb and starring Poppy Wyndham, Ronald Colman, and Arthur Walcott.
The Toilers is a 1928 American synchronized sound drama film starring Douglas Fairbanks, Jr. and Jobyna Ralston and directed by Reginald Barker. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The soundtrack was recorded using the Tiffany-Tone process using RCA Photophone equipment. The film is important historically as being Tiffany's first sound feature. In the film, Fairbanks plays one of the toilers, while Ralston plays his sweetheart.
Handcuffs or Kisses is a 1921 American silent drama film directed by George Archainbaud and starring Elaine Hammerstein, Julia Swayne Gordon, and Dorothy Chappell. It was future Hollywood star Ronald Colman's first film in America. This is presumed to be a lost film.
Tarnish is a lost 1924 American silent drama film directed by George Fitzmaurice based upon the play of the same name by Gilbert Emery and starring May McAvoy, Ronald Colman, and Marie Prevost.