Location | 1110 Commonwealth Avenue, Boston (Allston), Massachusetts 42°21′5.31″N71°7′29.47″W / 42.3514750°N 71.1248528°W |
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Type | Music venue |
Genre(s) | Post-punk, punk rock, alternative rock, garage rock, rock and roll, new wave |
Opened | February 16, 1980 |
Closed | June 14, 1981 |
The Underground was a music club located in the Allston neighborhood of Boston that featured local, national and international acts performing independent and post-punk music. Although the emerging acts who played there included Mission of Burma, The Cure and New Order, its lifespan was short, from February 1980 until June 1981. [1]
Jim Coffman, a Boston University sophomore who was waiting tables at the nearby restaurant Our House, started the club after convincing the same owners of the pub Sweet Virginia's (whose boss was the infamous Boston club owner Henry Vara) to turn over the dying business at 1110 Commonwealth Avenue, an L-shaped wood-paneled venue (one-time home of music club Brandy's II.) [2]
As Doug Simmons wrote in his 1981 Boston Phoenix postmortem for the club, The Underground's opening launched "the city's most far-ranging search for underground talent," adding that "never had so many bands traveled so far to play in front of so few for so little." [3] As but one memorable example, The Cure performed their first time in Boston at the venue, playing virtually the entire Boys Don't Cry album before little more than a hundred people the night of Robert Smith's 21st birthday [4] which MIT film and video student Jan Crocker recorded along with warmup Mission of Burma. [5] [6]
"The effect on the local Boston scene was even more dramatic," Simmons also wrote. [3] The Underground provided support for a mix of Boston bands: among others, the teen rock of Boys Life and The Outlets, the punk-funk of the Suade Cowboys and Prince Charles and the City Beat Band, the new wave of Peter Dayton and The Neats and, most of all, the art-rock of Mission of Burma (whom Coffman would later manage), the all female group Bound and Gagged, and Someone and the Somebodies. [3]
In addition to nurturing homegrown talent, honed by the soundwork of Michael Whittaker, who later worked for many of the clubs headliners like Bush Tetras, Raybeats, and later toured with The Raincoats, Fad Gadget, Wah and others, the Underground booked many bands from across the U.S. and abroad. Whittaker later moved to Los Angeles and under the 'non-de-plume' "Spaceman" worked at SST, furthering the sounds of Black Flag, Sonic Youth, Dinosaur Jr., Slovenly and many others. Besides The Cure and New Order making their Boston debuts there, other out-of-towners headlining the club included such American indie acts as The Bongos, Lydia Lunch and 8-Eyed Spy, Shrapnel, Bush Tetras, Los Microwaves, The dB's, The Suburbs and Pylon. Brian Brain, Delta 5, Bauhaus, Au Pairs, Blurt, A Certain Ratio and Orchestral Manoeuvres in the Dark were among the British acts to play there, as did Canada's DOA and Northern Ireland's Protex. [3]
Although accounts vary on the specific reasons for the club's demise, all cite ongoing tension between the club, whose lease had an option through 1990, and Boston University, which had purchased the building housing The Underground shortly before it opened and turned the above-ground floors into a dormitory. [3] [7] [8] Landlord-tenant squabbles ensued, leaving CCCPTV, People in Stores, The Dark and headliners The Neats to play The Underground's final night on June 14, 1981. [7] The crowd in attendance pulled down the drop ceiling, punched through walls and flooded the bathrooms. [9] Dormitory students flooded through the shared entrance and confronted the club goers with some students dropping bottles from their dorm rooms. Members of the rock band "Jomo Birds" were seen cowering behind their amplifiers in the ensuing mayhem. [10]
Bauhaus were an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consisted of Daniel Ash, Peter Murphy, Kevin Haskins (drums) and David J (bass).
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and The Cure.
Mission of Burma was an American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band’s sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties.
Vs. is the debut studio album by American post-punk band Mission of Burma, following their 1981 EP, Signals, Calls, and Marches. It was released in October 1982 by record label Ace of Hearts. It is the only full-length studio album the band released during the 1980s – and until 2004, as soon afterward they disbanded due to guitarist Roger Miller's worsening tinnitus.
Bush Tetras are an American post-punk No Wave band from New York City, formed in 1979. They are best known for the 1980 song "Too Many Creeps", which exemplified the band's sound of "jagged rhythms, slicing guitars, and sniping vocals". Although they did not achieve mainstream success, the Bush Tetras were influential and popular in the Manhattan club scene and college radio in the early 1980s. New York's post-punk revival of the 2000s was accompanied by a resurgence of interest in the genre, with the Tetras' influence heard in many of that scene's bands.
Mistle Thrush was a female-fronted 1990s alternative rock band based in Boston, Massachusetts. They've been described by the Boston Herald as The Cure-meets-Fairport Convention. Steve Morse of The Boston Globe wrote that Valerie Forgione, the band's singer, has "some of the most versatile pipes since the dream-pop heyday of Kate Bush" and that the "band remains a local treasure". During the band's heyday, their songs frequently charted in CMJ's Top 200. According to the band's website, they're on hiatus but their last album was released in February 2002. In January 2011, they reunited to play their first concert since 2003. Forgione's current project is called Lovina Falls.
Let Them Eat Jellybeans!, subtitled "17 Extracts From America's Darker Side", is a compilation album released by Jello Biafra's Alternative Tentacles in 1981. It was one of the earliest compilations of underground music in the United States and its original release included an insert of all of the punk bands known to be playing in the U.S. and Canada at that time. The first side of the LP features songs by a number of bands that formed the canon of American hardcore punk in the 1980s, while the second side features more of an art rock sound.
Target Video is a San Francisco-based studio, founded by artist Joe Rees, collaborating with Jackie Sharp, Jill Hoffman, Sam Edwards and others. The studio archived early art performance, punk and hardcore bands on video and film. Performers such as the Sex Pistols, the Dead Kennedys, The Screamers, The Cramps, William S. Burroughs, The Clash, the Avengers, Mark Pauline, Survival Research Labs, The Go-Go's, John Cooper Clarke, Bauhaus, X, The Dils, Johanna Went, Talking Heads, Black Flag, Flipper, D.O.A and Crucifix were recorded in the late 1970s to the early 1980s. In addition, videos often included interviews with members of the bands.
The Rock 'n' Roll Rumble, begun in 1979, is a Greater Boston "battle of the bands" competition sponsored by Boston Emissions, an online local music program formerly broadcast on WBCN and WZLX. The Rumble remains the longest running event of its kind in the US.
The Channel was a music venue located in Boston, Massachusetts, that was part of the underground arts community of South Boston.
The Middle East is an entertainment complex consisting of five adjacent dining and live music venues in the Central Square neighborhood of Cambridge, Massachusetts. Its three dedicated concert spaces, Upstairs, Downstairs, and Sonia, sit alongside ZuZu and The Corner, two restaurants that also host live music. Having featured a huge variety of musicians since 1987, the establishment was described in 2007 as "the nexus of metro Boston's rock-club scene for local and touring bands" by the Boston Phoenix.
The Neats were a rock band from Boston, Massachusetts, which existed from the late 1970s to early 1990s. They first recorded for the independent Propeller label, on which the band released the song "Six" in 1981. The following year, their well-received debut The Monkey's Head in the Corner of the Room, a 7-song EP, was released on Boston's Ace of Hearts Records. It was voted one of the best EPs of 1982 in Village Voice's annual Pazz & Jop poll. Three full-length albums followed. They occasionally played on the same bill as Mission of Burma; they once toured nationally with R.E.M.
The Raybeats were an American instrumental neo-surf rock combo from New York City that arose from the No Wave musical scene. The original line-up consisted of Don Christensen (drums), Jody Harris (guitar), Pat Irwin, and George Scott III (bass).
Ace of Hearts Records is a Boston-based independent label founded in 1978 by Rick Harte, who also produced all its releases. It recorded and released Boston area post-punk and garage rock bands in the early 1980s, including Mission of Burma, Birdsongs of the Mesozoic, Roger Miller, Neats, Lyres, The Real Kids, John Felice, Nervous Eaters, Del Fuegos, The Neighborhoods, Martin Paul, Wild Stares, Infliktors, Classic Ruins, Crab Daddy, Chaotic Past, Tomato Monkey, and Heat from a DeadStar.
Human Switchboard was an American punk rock band formed in Cleveland, Ohio in 1977. According to a Rolling Stone review, Human Switchboard "was of its time — mixing Velvet Underground guitar churn, Sixties garage-rock organ, rubbery Pere Ubu-like baselines, skronky sax and athletically spazzy drumming."
Limbo Race was an American post-punk band formed in Boston, Massachusetts in 1979 by Randy Black on guitar, John Neidhart on bass, and Peter Keaveney on drums. In 1981, Keaveney was replaced by drummer Mark Poulin and the band added saxophonist Mark Chenevert. Limbo Race featured an angular, sometimes harsh sound that some critics compared to the Gang of Four and The Cure. Black's lyrics described an unsettled world where communication was difficult, and drew upon dark anthropological references, images from childhood, and intimate details of his relationships with friends and lovers.
Limbo Race developed a passionate cult following and, after winning the WBCN Rock & Roll Rumble in 1982, the band added keyboardist Catherine Coleman and toured extensively throughout the Northeastern United States until 1984 when the band finally broke up.
Certain General is an American post-punk band formed in 1980 by Parker Dulany, Phil Gammage, Marcy Saddy, and Russell Berke. BOMP! Records has called them "NYC's 80's cult favorite".
People in Stores was an American, Boston-based band, from the formative punk/new wave era of the early 1980s. Playing with Mission of Burma, Wild Stares, Vacuumheads, CCCP-TV, V; and The Neats, PiS performed its own unique brand of original post-punk pop music in storied clubs around Boston such as the Underground, The Rat, Storyville, and The Channel. Referred to as "the clipboard crowd" by Dan Salzman of the Maps, Art Yard and Christmas fame, PiS had a uniquely strange and intellectual approach to the crafting of a pop song. The band recorded a single, an EP and contributed to the Propeller Records compilation tape during its recording days. The band was started in 1979 and disbanded in 1983. Band members Margery Meadow and Karen Gickas, along with Thalia Zedek and Lori Green, went on to form the well-regarded, all-woman band Dangerous Birds, while David Drucker and Seven Coursen, along with Ramona Herboldsheimer and Andrew Joslin, formed the all-instrumental band the Post-Moderns.
Gallery East is an art and performance network based in Boston, Massachusetts notable for being one of the first venues to host hardcore punk rock shows for an all-ages audience. Founded in 1979 by Duane Lucia and Al Ford, it closed its location at 24 East St. in 1983, but re-emerged in 2006 as a driving force that continues to support up and coming artists and performers.
"Academy Fight Song" is a song written by Clint Conley and originally recorded by Mission of Burma. It is also known for having been performed and recorded by R.E.M.