This article needs additional citations for verification .(October 2016) |
The Unwritten Law: A Thrilling Drama Based on the Thaw-White Tragedy | |
---|---|
Produced by | Siegmund Lubin |
Production company | Lubin Manufacturing Company |
Release date |
|
Running time | 12 min. |
Country | USA |
The Unwritten Law: A Thrilling Drama Based on the Thaw-White Case is a 1907 film produced by the Lubin Manufacturing Company in the true crime genre, about Harry Kendall Thaw's killing of Stanford White over his involvement with model and actress Evelyn Nesbit. [1] [2] Produced and released concurrently with Thaw's trial, its depiction of a recent sexual scandal led to widespread controversy, becoming "the first film in the United States to be widely construed as 'scandalous'". [3]
The plot closely follows Nesbit's own testimony regarding White's seduction and assault, followed by a scene of the killing and Thaw's imprisonment in New York prison The Tombs. Finally, the film shows Thaw's acquittal, though in reality, he had not yet been acquitted at the time of the film's release. [2]
The film was denounced in the motion picture press and banned in several cities.
In his book Policing Cinema: Movies and Censorship in Early-Twentieth Century America, film scholar Lee Grieveson situates the film within the broader discourse on sexuality, morality, and cinema in the United States.
Jam Session is a 1942 short film, directed by Josef Berne, which shows Duke Ellington and his orchestra performing "C Jam Blues".
The nickelodeon was the first type of indoor exhibition space dedicated to showing projected motion pictures in the United States and Canada. Usually set up in converted storefronts, these small, simple theaters charged five cents for admission and flourished from about 1905 to 1915.
Ragtime is a 1981 American drama film directed by Miloš Forman, based on the 1975 historical novel Ragtime by E.L. Doctorow. The film is set in and around turn-of-the-century New York City, New Rochelle, and Atlantic City, and includes fictionalized references to actual people and events of the time. The film stars James Cagney, Mary Steenburgen, Howard Rollins, Brad Dourif, James Olson and Elizabeth McGovern.
Stanford White was an American architect and a partner in the architectural firm McKim, Mead & White, one of the most significant Beaux-Arts firms at the turn of the 20th century. White designed many houses for the wealthy, in addition to numerous civic, institutional and religious buildings. His temporary Washington Square Arch was so popular that he was commissioned to design a permanent one. White's design principles embodied the "American Renaissance".
Harry Kendall Thaw was the son of American coal and railroad baron, William Thaw Sr. Heir to a multimillion-dollar fortune, the younger Thaw is most notable for murdering the renowned architect Stanford White in front of hundreds of witnesses at the rooftop theatre of New York City's Madison Square Garden on June 25, 1906.
Evelyn Nesbit was an American artists' model, chorus girl, and actress. She is best known for her career in New York City, as well as the obsessive and abusive fixation of her husband, railroad scion Harry Kendall Thaw on both Nesbit and architect Stanford White, which resulted in White's murder by Thaw in 1906.
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
The cinema of Hong Kong is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
Thetus Willrette Sims was an American politician and a member of the United States House of Representatives for the 8th congressional district of Tennessee.
Germany has taken many forms throughout the history of censorship in the country. Various regimes have restricted the press, cinema, literature, and other entertainment venues. In contemporary Germany, the Grundgesetz generally guarantees freedom of press, speech, and opinion.
Clifton Ko is a Hong Kong film director, actor, producer and scriptwriter.
Telephone tapping in the Eastern Bloc was a widespread method of the mass surveillance of the population by the secret police.
An amnesty law is any legislative, constitutional or executive arrangement that retroactively exempts a select group of people, usually military leaders and government leaders, from criminal liability for the crimes that they committed. More specifically, in the 'age of accountability', amnesty laws have come to be considered as granting impunity for the violation of human rights, including institutional measures that preclude the prosecution for such crimes and reprieve those crimes already convicted, avoiding any form of accountability.
The Girl in the Red Velvet Swing is a 1955 American film directed by Richard Fleischer from a screenplay by Walter Reisch and Charles Brackett, and starring Joan Collins, Ray Milland, and Farley Granger. The CinemaScope film was released by Twentieth Century-Fox, which had originally planned to put Marilyn Monroe in the title role, and then suspended her when she refused to do the film.
At various points in South Korea's history, the social influence of film prompted the government to place strict regulations setting out guidelines that films must follow in order to be viewed by the public. There are two major periods where film censorship strongly impacted the growth of the film industry in South Korea: the period of colonial Korea under Japanese rule and the period of military dictatorship in the mid-twentieth century, when the film industry was placed under heavy surveillance. During these two periods, filmmakers were barred from freely expressing their creativity, thoughts, and ideas, some believe these restrictions led to the decline of the film industry in South Korea.
Kiaps, known formally as district officers and patrol officers, were travelling representatives of the British and Australian governments with wide-ranging authority, in pre-independence Papua New Guinea.
Traffic in Souls is a 1913 American silent crime drama film focusing on forced prostitution in the United States. Directed by George Loane Tucker and starring Jane Gail, Ethel Grandin, William H. Turner, and Matt Moore, Traffic in Souls is an early example of the narrative style in American films. The film consists of six reels, which was longer than most American film of the era.
In Amethyst Color is a 2005 Iranian film directed by Ebrahim Hatamikia and starring Hamid Farokhnezhad and Farhad Ghaemian.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)