The Upsetter: The Life and Music of Lee Scratch perry | |
---|---|
Directed by | Ethan Higbee Adam Bhala Lough |
Produced by | Ethan Higbee Adam Bhala Lough |
Starring | Lee Scratch Perry Bob Marley Paul McCartney Marcus Garvey The Clash Haile Selassie Beastie Boys Peter Tosh Carl Bradshaw |
Narrated by | Benicio Del Toro |
Distributed by | The Upsetter Films |
Release dates |
|
Running time | 93 minutes |
Country | United States |
Language | English |
The Upsetter: The Life and Music of Lee Scratch Perry is a documentary film about the Grammy Award-winning Jamaican music icon Lee "Scratch" Perry. The film is narrated by Academy Award winner Benicio Del Toro [1] and directed by American Filmmakers Ethan Higbee and Adam Bhala Lough. The film premiered at the SXSW Film Festival in March 2008 and had its theatrical release in March 2011, going on to screen at more than 80 theatres worldwide. [2] [3]
The filmmakers got Lee Perry's approval to begin making the documentary in early 2004 when they brought him $5,000 in a paper bag, per his request, to a dinner with Perry's ex-wives and all his children in London. The film was financed by an Argentinian trucking company. Higbee and Lough flew to Switzerland where Perry was living in a small town called Einsiedeln and interviewed Perry for eight days, getting him to recount his life story. [4]
The documentary relies singularly on the interviews with Perry and eschews the normal talking-head interviews to tell the story. Lough has stated this was a specific choice he and Higbee made.
"We only wanted Lee's voice in the film; we wanted Lee to tell his story. We really felt like the history of reggae has been, in a way, hijacked by a white perspective. It comes from such a painfully colonialist perspective. We actually went and interviewed tons of these people — from Adrian Sherwood to Chris Blackwell — as research in a way. But we just had no interest in trotting out the white man to tell the story or even comment on Lee. I think that the Caribbean voice, the Afro-Caribbean voice, is often kind of forgotten in the story of Black history. So to have an opportunity to have a Jamaican man tell his story, the way that he lived it — whether it's correct or incorrect, or, you know, revisionist, or whatever — is, I think, a duty of a filmmaker. - Adam Bhala Lough in Grammy.com interview. [5] '"
Higbee and Lough crafted the film much like a collage, taking turns editing small pieces and improving on top of each other's work over the course of many years.
Lee "Scratch" Perry was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
Lowell Fillmore "Sly" Dunbar is a Jamaican drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie.
The Black Ark was the recording studio of reggae and dub producer Lee "Scratch" Perry, built in 1973 and located behind his family's home in the Washington Gardens neighborhood of Kingston, Jamaica. Despite the rudimentary set-up and dated equipment, it was nonetheless the breeding ground for some of Jamaica's most innovative sounds and recording techniques in the latter half of the 1970s.
David Katz is an American author and documentary radio and film producer. He has been described as "one of the world's foremost authorities on reggae, dub, and dancehall". Originally from San Francisco, California, he has been a resident of London in England for many years.
Soul Rebels is the second studio album by the Wailers, their first album to be released outside Jamaica. The Wailers approached producer Lee "Scratch" Perry in August 1970 to record an entire album, and the sessions took place at Randy's recording studio above Randy's Record Mart at 17 North Parade in Kingston, Jamaica, until November. First issued in the UK by Trojan Records in December 1970, the album has since been re-released several times on several different labels. Perry's production is sparse and haunting, only featuring guitar, bass, drums, electronic organs, and vocals with no horns or other embellishments.
Aston Francis Barrett, CD, often called "Family Man" or "Fams" for short, was a Jamaican musician and Rastafarian. He was best known as the bandleader of Bob Marley's backing band, as well as co-producer of the albums, and the man in charge of the overall song arrangements.
"Police and Thieves" is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977.
Upsetter Records was a Jamaican record label set up by Lee "Scratch" Perry in 1968. Perry also opened the Upsetter Record Shop where he sold the records he produced.
Earl "Chinna" Smith, a.k.a. Earl Flute and Melchezidek the High Priest, is a Jamaican guitarist active since the late 1960s. He is most well known for his work with the Soul Syndicate band and as guitarist for Bob Marley & the Wailers, among others, and has recorded with many reggae artists, appearing on more than 500 albums.
Robert Nesta Marley was a Jamaican reggae singer, guitarist, and songwriter. Considered one of the pioneers of the genre, he fused elements of reggae, ska and rocksteady and was renowned for his distinctive vocal and songwriting style. Marley increased the visibility of Jamaican music worldwide and made him a global figure in popular culture. He became known as a Rastafarian icon, and he infused his music with a sense of spirituality. Marley is also considered a global symbol of Jamaican music and culture and identity and was controversial in his outspoken support for democratic social reforms. Marley also supported the legalisation of cannabis and advocated for Pan-Africanism. In 1976, Marley survived an attempted assassination in his home, which was believed to be politically motivated.
Wayne Jobson, also known as Native Wayne, is a Jamaican record producer of European ancestry. He has worked with such artists as No Doubt, Gregory Isaacs and Toots & the Maytals. He hosts the weekly radio show "Alter Native" every Sunday afternoon on Indie 103.1. He previously hosted a similar radio show, "Reggae Revolution", at Indie's main competitor KROQ-FM. Jobson is also known as a musician. He recorded an album in 1977 produced by Lee 'Scratch' Perry at the Black Ark.
Esther Anderson is a Jamaican filmmaker, photographer and actress, sometimes listed in credits as Ester Anderson.
"Small Axe" is a song now credited to Bob Marley though the first releases credited Lee "Scratch" Perry and Bob Marley. Perry said it was a collaboration. It was initially released in 1970 as a single by Perry on his Upsetter Records label, then later rerecorded for 1973's Burnin'. It has since been covered by several artists, among others Buju Banton, Deerhoof, Andrew Tosh, Greensky Bluegrass, The Aggrovators, U Roy, UB40, Trey Anastasio, and Peps Persson who made a Swedish version called "Liden såg".
Adam Bhala Lough is an American film director, screenwriter, and documentary filmmaker from Fairfax, Virginia. Known for his dramas about subcultures and popular youth cultures, several of Lough's films have been selected as part of the Sundance Film Festival, and is the only filmmaker with a feature film and a documentary in the festival, as well as a screenplay selected for the annual Sundance Screenwriter's Lab.
Ethan Higbee is an American filmmaker, music producer and gallerist living in Ojai, California. He is most known for his films Red Apples Falling and The Upsetter, a documentary about Lee Scratch Perry.
Neville O'Riley Livingston, known professionally as Bunny Wailer, was a Jamaican singer-songwriter and percussionist. He was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy Award winner, he is considered one of the longtime standard-bearers of reggae music. He was also known as Jah B, Bunny O'Riley, and Bunny Livingston.
Paul Douglas is a Jamaican musician, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, "dependable drummer Paul Douglas played on countless reggae hits."
Jérémie K. Dagnini is a French academic, specializing in Jamaican popular music.
"Cow Thief Skank" is a 1973 single written and produced by Jamaican reggae musician Lee Perry and credited to his studio band the Upsetters. Released in Jamaica through Justice League and in the United Kingdom through Upsetter Records, it is one of Perry's series of 'skank' singles and is a duet between him and deejay Charlie Ace. The song was written as a diss track against fellow producer Niney the Observer, mocking an incident in Niney's youth where his thumb was cut off by a farmer after he attempted to steal one of his cows.