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Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
Eileen is a comic opera in 3 Acts with music by Victor Herbert and lyrics and book by Henry Blossom, based loosely on the 1835 novel Rory O'More by Herbert's grandfather, Samuel Lover. Set in 1798, the story concerns an Irish revolutionary arrested by the British for treason. Eileen, his nobly born sweetheart, helps him to escape by disguising him as a servant.
Herbert David Ross was an American actor, choreographer, director and producer who worked predominantly in theater and film. He was nominated for two Academy Awards and a Tony Award.
Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and Buddy DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film Du Barry Was a Lady, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his orchestra.
Edith Day was an American actress and singer best known for her roles in Edwardian musical comedies and operettas, first on Broadway and then in London's West End.
The Ambassador Theatre is a Broadway theater at 219 West 49th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Ambassador Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,125 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark.
George Howells Broadhurst was an Anglo-American theatre owner/manager, director, producer and playwright. His plays were most popular from the late 1890s into the 1920s.
Henry Martyn Blossom Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.
Rida Johnson Young was an American playwright, songwriter and librettist. In her career, Young wrote over 30 plays and musicals and approximately 500 songs. She was inducted into the Songwriters Hall of Fame in 1970. Some of her better-known lyrics include "Mother Machree" from the 1910 show Barry of Ballymore, "Italian Street Song", "I'm Falling in Love with Someone" and "Ah! Sweet Mystery of Life" from Naughty Marietta, and "Will You Remember?" from Maytime.
Bijou Fernandez was an American stage and silent film actress. Her theatrical career endured for seven decades, from the 1880s until the mid 20th century. She appeared in a few movies in the silent film era.
William LeBaron was an American film producer, lyricist, librettist, playwright, and screenwriter.
Edward Ray Goetz was an American composer, lyricist, playwright, theatre director, and theatrical producer. A Tin Pan Alley songwriter, he published more than 500 songs during his career, many of them originally written for the New York stage. His songs were recorded by several artists, including Judy Garland, Al Jolson, and Blossom Seeley. He was active as both a lyricist and composer for Broadway musicals from 1906 through to 1930, collaborating with artists like George Gershwin, Cole Porter, Sigmund Romberg, and A. Baldwin Sloane to create material for the theatre.
Bertha Belmore was an English stage and film actress. Part of the Belmore family of British actors through her marriage to actor Herbert Belmore, she began her career as a child actress in British pantomimes and music hall variety acts. As a young adult she was one of the Belmore Sisters in variety entertainment before beginning a more serious acting career performing in classic plays by William Shakespeare with Ben Greet's Pastoral Players in a 1911 tour of the United States. She made her Broadway debut as Portia in Shakespeare's Julius Caesar in 1912. She returned to Broadway numerous times in mainly comedic character roles over the next 40 years, notably creating parts in the original Broadway productions of Lorenz Hart and Richard Rodgers's By Jupiter (1942) and Anita Loos's Gigi (1951). She worked in several productions mounted by Florenz Ziegfeld Jr., including appearing in the Ziegfeld Follies of 1925 with W.C. Fields and Will Rogers, and starring as Parthy Ann Hawks in the 1929 Australian tour and 1932 Broadway revival of Jerome Kern and Oscar Hammerstein II's Show Boat.
Dorothy Agnes Donnelly was an actress, playwright, librettist, producer, and director. After a decade-long acting career that included several notable roles on Broadway, she turned to writing plays, musicals and operettas, including more than a dozen on Broadway including several long-running successes. Her most famous libretto was The Student Prince (1924), in collaboration with composer Sigmund Romberg.
Miss 1917 is a musical revue with a book by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, Jerome Kern and others, and lyrics by Harry B. Smith, Otto Harbach, Henry Blossom and others. Made up of a string of vignettes, the show features songs from such musicals as The Wizard of Oz, Three Twins, Babes in Toyland, Ziegfeld Follies and The Belle of New York.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
Fred de Gresac, born Frédérique Rosine de Grésac, was a French librettist, playwright and screenwriter. She was the wife of opera singer Victor Maurel.
Herbert Sparling (1864–1944) was a British comedy and musical theatre actor and director.
Orange Blossoms is a 1922 musical comedy with music by Victor Herbert, lyrics by Buddy DeSylva, and a book by Fred de Gresac, based on her own 1902 French play La Passerelle which had also been translated and staged on Broadway in 1903 as The Marriage of Kitty.
A Full House is a farce in three acts by Frederick J. Jackson. A comedy of errors, the play centers around the theft of a ruby necklace and relies heavily upon slapstick and physical comedy. It premiered on Broadway at the Longacre Theatre on May 10, 1915. It closed at that theatre in August 1915 after 112 performances. The production was produced by Harry Frazee, directed by Edward MacGregor, and starred Edgar Norton as Parkes, May Vokes as Susie, Ralph Morgan as Ned Pembroke Jr., Elizabeth Nelson as Ottilie Howell, Maude Turner Gordon as Mrs. Winnecker, Claiborne Foster as Daphne Charters, Herbert Corthell as Nicholas King, George Parsons as George Howell, Bernice Buck as the show girl Vera Venon, and Hugh Cameron as the policeman Jim Mooney. It was adapted by Henry Blossom and Victor Herbert into the 1919 Broadway musical The Velvet Lady. It was also adapted into a 1920 silent film, A Full House.
References
- 1 2 3 Dan Dietz (2021). "The Velvet Lady". The Complete Book of 1910s Broadway Musicals. Rowman & Littlefield Publishers. pp. 466–468. ISBN 9781538150283.
- 1 2 John Corbin (February 4, 1919). "Drama; Musical Velvet". The New York Times . p. 11.
- ↑ "H.M. Blossom, Author, Dies; Playwright and Librettist of Many Famous Broadway Shows". The New York Times . March 24, 1919. p. 13.
