The Velvet Underground is a paperback by journalist Michael Leigh, published in September 1963, that reports on paraphilia in the US.
The Velvet Underground is a paperback by journalist Michael Leigh, published in September 1963, that reports on paraphilia in the US.
Leigh investigates "aberrant" sexual behavior between consenting adults; that is, everything other than simple intercourse conducted in privacy by a heterosexual couple, e.g., husband and wife swapping, group sex, sex orgy parties, homosexual activities, sado-masochism. The author reports on the various ways in which such practices are solicited (newspaper advertisements, clubs, etcetera), and by following these leads, manages to get into touch with many of its participants, usually through written correspondence. The book liberally includes quotations from this material. This is complemented with quotes from various magazines.
The author's general aim is to establish that a shift in attitude toward sexuality is taking place in society that not only allows a large cross-section of the American population to partake in such non-standard sexual practices, but also allows them to believe that what they are doing is perfectly healthy and normal. A central passage in the book is a quote/paraphrase from a 1961 article in the French Esprit magazine, which calls this liberal attitude toward sex the sexual revolution, and attributes it to the general availability of contraceptives.
The book is ambiguous in tone, posing as an objective investigative report on a social phenomenon, while being, at the same time, full of subjective language reflecting the author's seeming moral bias against the practices and attitudes observed.
The Velvet Underground was republished in 1967 in the United Kingdom under the title Bizarre Sex Underground.
In 1968, Harry Roskolenko (1907-1980) brought out a sequel, The Velvet Underground Revisited, though it was attributed to Michael Leigh again (Michael Leigh had died in 1965). [1]
The New York band the Velvet Underground, founded in 1964, was named after the book. Lou Reed and Sterling Morrison's friend, filmmaker Tony Conrad, found a copy lying in the street. Morrison has reported the group liked the name, considering it evocative of "underground cinema," and fitting, due to Reed's already having written "Venus in Furs", inspired by Leopold von Sacher-Masoch's book of the same name, dealing with sado-masochism.
BDSM is a variety of often erotic practices or roleplaying involving bondage, discipline, dominance and submission, sadomasochism, and other related interpersonal dynamics. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves to be practising BDSM, inclusion in the BDSM community or subculture often is said to depend on self-identification and shared experience.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour, and was produced by Warhol and Tom Wilson, with the album featuring a record sleeve that Warhol designed. The album features elements of avant-garde music incorporated into brash, minimal and groove-driven rock music, with the singer, Lou Reed, delivering explicit lyrics spanning themes of drug abuse, prostitution, sadomasochism and urban life.
Bondage pornography, also referred to as bondage erotica is the depiction of sexual bondage or other BDSM activities using photographs, stories, films or drawings. Though often described as pornography, the genre involves the presentation of bondage fetishism or BDSM scenarios and does not necessarily involve the commonly understood pornographic styles. In fact, the genre is primarily interested with the presentation of a bondage scene and less with depictions of sexuality, such as nudity or sex scenes, which may be viewed as a distraction from the aesthetics and eroticism of the sex scenario itself.
Sadism and masochism, known collectively as sadomasochism, are the derivation of pleasure from acts of respectively inflicting or receiving pain or humiliation. The term originates from Marquis de Sade, a French nobleman known for his libertine sexuality, and Leopold von Sacher-Masoch, an Austrian writer who described masochistic tendencies in his works. Sadomasochism is a subset of BDSM, a variety of erotic practices or roleplaying involving bondage, discipline, dominance, submission, sadism, and masochism.
The role of sadism and masochism in fiction has attracted serious scholarly attention. Anthony Storr has commented that the volume of sadomasochist pornography shows that sadomasochistic interest is widespread in Western society; John Kucich has noted the importance of masochism in late-19th-century British colonial fiction. This article presents appearances of sadomasochism in literature and works of fiction in the various media.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track “Candy Says” and the closing track "After Hours" is sung by drummer Maureen Tucker.
Open marriage is a form of non-monogamy in which the partners of a dyadic marriage agree that each may engage in extramarital sexual or romantic relationships, without this being regarded by them as infidelity, and consider or establish an open relationship despite the implied monogamy of marriage. There are variant forms of open marriage such as swinging and polyamory, each with the partners having varying levels of input into their spouse's activities.
White Light/White Heat is the second studio album by the American rock band the Velvet Underground. Released on January 30, 1968, by Verve Records, it was the band's last studio album with multi-instrumentalist and founding member John Cale. Recorded after band leader Lou Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired producer Tom Wilson, who had worked on the band's debut. White Light/White Heat was engineered by Gary Kellgren.
Erotic literature, or literotica, comprises fictional and factual stories and accounts of eros intended to arouse similar feelings in readers. This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text.
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
R v Glad Day Bookshops Inc, (2004) is a leading Ontario Superior Court of Justice decision on pornography and homosexuality. The court found that a statutory scheme requiring the approval of the Ontario Film Review Board before films can be distributed or shown in Ontario violated the guarantee of freedom of expression in section 2 of the Canadian Charter of Rights and Freedoms.
Mary Gaitskill is an American novelist, essayist, and short story writer. Her work has appeared in The New Yorker, Harper's Magazine, Esquire, The Best American Short Stories, and The O. Henry Prize Stories. Her books include the short story collection Bad Behavior (1988) and Veronica (2005), which was nominated for both the National Book Award for Fiction and the National Book Critics Circle Award for Fiction.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
BDSM is a frequent theme in culture and media, including in books, films, television, music, magazines, public performances and online media.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
Criminalization of consensual BDSM practices is usually not with explicit reference to BDSM, but results from the fact that such behavior as spanking or cuffing someone could be considered a breach of personal rights, which in principle constitutes a criminal offense. In Germany, Netherlands, Japan and Scandinavia, such behavior is legal in principle. In Austria the legal status is not clear, while in Switzerland and parts of Australia some BDSM practices can be considered criminal.
According to some classification systems, Sexual masochism disorder is the condition of experiencing recurring and intense sexual arousal in response to enduring moderate or extreme pain, suffering, or humiliation. The Diagnostic and Statistical Manual (DSM-5) of the American Psychiatric Association indicates that a person may have a masochistic sexual interest but that the diagnosis of sexual masochism disorder would only apply to individuals who also report psychosocial difficulties because of it.
Masochism: Coldness and Cruelty is a 1967 book by the philosopher Gilles Deleuze, originally published in French as Le Froid et le Cruel, in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch. In the Foreword Deleuze states that Masoch has a particular way of "desexualising love while at the same time sexualizing the entire history of humanity". Deleuze attempts to "cut through" the various forms of expression and content that are the artistic creation of Leopold von Sacher-Masoch. He also attempts to develop a problematic of masochism in contradistinction to sadism, concluding that the two forms of 'pornology' are non-communicating, and cannot be integrated into Sadomasochistic entity. Deleuze argues that Masochism is something far more subtle and complex than the enjoyment of pain and that Masochism has nothing to do with Sadism.
Sexuality and Its Discontents: Meanings, Myths, and Modern Sexualities is a 1985 book about the politics and philosophy of sex by the sociologist Jeffrey Weeks. The book received positive reviews, crediting Weeks with explaining the theories of sexologists and usefully discussing controversial sexual issues. However, Weeks was criticised for his treatment of feminism and sado-masochism.
Studies in the Psychology of Sex Vol. 2 is a book published in 1900 written by Havelock Ellis (1859–1939), an English physician, writer and social reformer. The book deals with the phenomenon of sexual inversion, an outdated term for homosexuality. It is part of Ellis' seven-volume series Studies in the psychology of sex. The book has seven chapters describing the prevalence, nature and theories in the 19th century about sexual inversion in men and women. Various case studies are presented and discussed. Ellis recognised a need to address the topic of sexual inversion especially in England:
... in England, more than in any other country, the law and public opinion combine to place a heavy penal burden and a severe social stigma on the manifestations of an instinct which to these persons who possess it frequently appears natural and normal.
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