The Vigil (1914 film)

Last updated
The Vigil
Directed by George Osborne [1]
Story by Thomas H. Ince
Richard V. Spencer
Starring
Production
company
Release date
  • December 3, 1914 (1914-12-03)(USA)
Running time
20 min.

The Vigil is a 1914 American short silent drama film directed by George Osborne [2] and featuring Tsuru Aoki, Sessue Hayakawa, [3] [4] Thomas Kurihara and Mr. Yamato in prominent roles.

Related Research Articles

Sessue Hayakawa Japanese actor (1886–1973)

Kintarō Hayakawa, known professionally as Sessue Hayakawa, was a Japanese actor and a matinée idol. He was one of the most popular stars in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.

Tsuru Aoki Japanese actress (1892–1961)

Tsuru Aoki was a Japanese stage and screen actress whose career was most prolific in the United States during the silent film era of the 1910s through the 1920s. Aoki may have been the first Asian actress to garner top billing in American motion pictures.

<i>The Devils Claim</i> 1920 film by Charles Swickard

The Devil's Claim is a 1920 American silent drama film starring Sessue Hayakawa and Colleen Moore. A print of this film survives.

<i>The Wrath of the Gods</i> (1914 film) 1914 American film

The Wrath of the Gods is a 1914 American silent drama film directed by Reginald Barker and starring Sessue Hayakawa, Tsuru Aoki, Frank Borzage, Thomas Kurihara and Henry Kotani. This was the first feature film appearance of Hayakawa and the directorial debut of Barker.

<i>O Mimi San</i> 1914 film

O Mimi San is a 1914 American short silent drama film directed by Charles Miller, featuring Tsuru Aoki in the title role and Sessue Hayakawa, Kisaburo Kurihara, Chick Morrison and George Osborne in pivotal roles. It was preserved in 1995.

The Geisha is a 1914 American short silent film, directed by Raymond West and using music by Sidney Jones from the stage musical The Geisha. The film features Sessue Hayakawa, Tsuru Aoki, Frank Borzage, Ramona Radcliffe and Henry Kotani in important roles.

A Tragedy of the Orient is a 1914 American silent short drama film directed by Reginald Barker and featuring Sessue Hayakawa, Tsuru Aoki, Frank Borgaze and George Osborne in important roles.

A Relic of Old Japan is a 1914 American silent short drama film directed by Reginald Barker and Thomas H. Ince. Sessue Hayakawa, Tsuru Aoki, Frank Borzage and Henry Kotani played important roles in the film.

<i>The Village Neath the Sea</i> 1914 film

The Village 'Neath the Sea is a 1914 American silent short adventure film directed by Thomas H. Ince and Jay Hunt. Sessue Hayakawa, Tsuru Aoki, Lone Bear and Ernest Swallow played important roles in it.

<i>The Death Mask</i> 1914 film

The Death Mask is a 1914 American short drama film directed and produced by Thomas H. Ince and featuring Sessue Hayakawa and Tsuru Aoki in prominent roles.

<i>A Heart in Pawn</i> 1919 film by William Worthington

A Heart in Pawn is a 1919 American silent drama film directed by William Worthington. Sessue Hayakawa's Haworth Pictures Corporation produced the film and Worthington played the lead role along with Vola Vale and his wife Tsuru Aoki.

<i>Bonds of Honor</i> 1919 American silent film directed by William Worthington

Bonds of Honor is a 1919 American silent film directed by William Worthington. Sessue Hayakawa's Haworth Pictures Corporation produced the film and he himself played the leading roles along with his wife Tsuru Aoki. Marin Sais, Dagmar Godowsky, Herschel Mayall, Toyo Fujita and M. Foshida also appeared in the film.

<i>The Great Prince Shan</i> 1924 film

The Great Prince Shan is a 1924 British silent drama film directed by A.E. Coleby and featuring Sessue Hayakawa, Ivy Duke, Tsuru Aoki, Valia, David Hawthorne, Fred Raynham and Henry Vibart in important roles. The film is adapted from the 1922 novel of the same title by E. Phillips Oppenheim. It was made at Cricklewood Studios by Stoll Pictures, the largest British production company of the era. Location shooting took place on the French Riviera. It was one of two films former Hollywood star Hayakawa made for Stoll along with Sen Yan's Devotion released later the same year.

Sen Yan's Devotion is a 1924 British drama film directed and written by A.E. Coleby. Sessue Hayakawa, Tsuru Aoki, Fred Raynham, Jeff Barlow and Tom Coventry featured in the film.

Haworth Pictures Corporation was a film studio established by Japanese actor Sessue Hayakawa in March 1918.

<i>The Illustrious Prince</i> 1919 film by William Worthington

The Illustrious Prince is a 1919 American drama film directed by William Worthington and produced by Sessue Hayakawa's Haworth Pictures Corporation.

<i>The Tong Man</i> 1919 film by William Worthington

The Tong Man is a 1919 American thriller film directed by William Worthington and produced by Haworth Pictures Corporation.

<i>The Beggar Prince</i> 1920 film by William Worthington

The Beggar Prince is a lost 1920 film directed by William Worthington and produced by Sessue Hayakawa's Haworth Pictures Corporation.

<i>The Brand of Lopez</i> 1920 film by Joe De Grasse

The Brand of Lopez is a 1920 American film directed by Joseph De Grasse and produced by Sessue Hayakawa's Haworth Pictures Corporation. Although the main characters are a matador and an actress, there are no bull fighting or theater scenes portrayed in the film.

<i>Li Ting Lang</i> 1920 film by Charles Swickard

Li Ting Lang is a 1920 American silent drama film directed by Charles Swickard and produced by Sessue Hayakawa's Haworth Pictures Corporation.

References

  1. Cook, Samantha (1 July 1993). Writers and production artists. St James Pr. p. 394. ISBN   978-1-55862-040-7.
  2. Goble, Alan (1 January 1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. p. 152. ISBN   978-3-11-095194-3.
  3. Bernardi, Joanne (1 January 2001). Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Wayne State University Press. p. 120. ISBN   0-8143-2961-6.
  4. Miyao, Daisuke (28 March 2007). Sessue Hayakawa: Silent Cinema and Transnational Stardom. Duke University Press. p. 333. ISBN   978-0-8223-3969-4.