| The Voice of Conscience | |
|---|---|
 | |
| Directed by | |
| Written by | Raoul Roland Benda |
| Produced by | |
| Starring | |
Production company | |
Release date | 3 September 1920 |
| Country | Austria |
| Languages | |
The Voice of Conscience (German: Die Stimme des Gewissens) is a 1920 Austrian silent film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Wilhelm Klitsch. [1]
The Spendthrift is a 1917 Austrian silent historical film directed by Jacob Fleck and Luise Fleck and starring Marie Marchal, Wilhelm Klitsch and Hans Rhoden. It is an adaptation of Ferdinand Raimund's play of the same name.
The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade. The following year it was remade in French as Beauty Spot. A British remake is After the Ball (1932).
The Tragedy of Castle Rottersheim is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Hermann Benke, Liane Haid and Cordy Millowitsch.
With Heart and Hand for the Fatherland is a 1915 Austrian silent war drama film directed by Jacob Fleck and Luise Fleck and starring Hubert Marischka, Hermann Benke and Liane Haid. The composer Franz Lehár, better known for his operetta, created a score to accompany the film during screenings.
On the Heights is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Hermann Benke and Wilhelm Klitsch.
Summer Idyll is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Hermann Benke and Max Neufeld.
The Woman in White is a 1921 Austrian silent drama film directed by Max Neufeld and starring Liane Haid, Dora Kaiser and Eugen Neufeld. It is based on the 1860 novel The Woman in White by Wilkie Collins.
Rigoletto or The King Amuses Himself is a 1918 Austrian silent historical film directed by Jacob Fleck, Luise Fleck and starring Wilhelm Klitsch, Hermann Benke and Liane Haid. It is based on the 1832 play by the French writer Victor Hugo. To recreate the look of Paris in the early sixteenth century, location shooting took place at the neo-gothic Vienna City Hall.
Doctor Ruhland is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld and Liane Haid.
The Dancing Death is a 1920 Austrian silent film directed by Jacob Fleck and Luise Fleck and starring Karl Ehmann, Liane Haid and Max Neufeld.
The Films of Princess Fantoche is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid and Hermann Benke.
The Ancestress is a 1919 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Karl Ehmann. The same story had previously been shot in 1910.
Eva, The Sin is a 1920 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Karl Ehmann.
Let the Little Ones Come to Me is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld. Liane Haid and Karl Ehmann.
The Master of Life is a 1920 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Karl Ehmann, Liane Haid and Max Neufeld.
Light of His Life is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid, Eugen Neufeld and Karl Ehmann.
The Stain of Shame is a 1917 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Karl Ehmann and Anton Tiller.
The Black Hand is a 1917 Austrian silent crime film directed by Liane Haid, Max Neufeld and Hermann Benke.
Lebenswogen is a 1917 Austro-Hungarian silent film directed by Jacob Fleck and Luise Fleck and starring Wilhelm Klitsch, Liane Haid and Hermann Benke. The term "lebenswogen" translates to "life waves".
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