The Way We Were is a 1973 film starring Barbra Streisand and Robert Redford.
The Way We Were may also refer to:
A Star Is Born may refer to:
Barbara Joan "Barbra" Streisand is an American singer, actress, songwriter, producer, and director. With a career spanning over six decades, she has achieved success across multiple fields of entertainment, being among the first performers awarded an Emmy, Grammy, Oscar, and Tony (EGOT) of any kind and the first performer awarded a non-competitive EGOT.
The Prince of Tides is a 1991 American romantic drama film directed and co-produced by Barbra Streisand, from a screenplay written by Pat Conroy and Becky Johnston, based on Conroy's 1986 novel. It stars Streisand and Nick Nolte. It tells the story of the narrator's struggle to overcome the psychological damage inflicted by his dysfunctional childhood in South Carolina.
The Way We Were is a 1973 American romantic drama film directed by Sydney Pollack and starring Barbra Streisand and Robert Redford. Arthur Laurents adapted the screenplay from his own 1972 novel of the same name, which was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee.
Paul Hamilton Williams Jr. is an American composer, singer, songwriter, and actor. He is known for writing and co-writing popular songs performed by a number of acts in the 1970s, including Three Dog Night's "An Old Fashioned Love Song" and "Out in the Country", Helen Reddy's "You and Me Against the World", Biff Rose's "Fill Your Heart", and the Carpenters' "We've Only Just Begun" and "Rainy Days and Mondays". He also wrote "Cried Like a Baby" for teen idol Bobby Sherman.
Timeless or timelessness may refer to:
Guilty or The Guilty may refer to:
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
"Happy Days Are Here Again" is a 1929 song with music by Milton Ager and lyrics by Jack Yellen. The song is a standard that has been interpreted by various artists. It appeared in the 1930 film Chasing Rainbows and was the campaign song for Franklin D. Roosevelt's 1932 presidential campaign. It is the unofficial anthem of Roosevelt's Democratic Party. Its copyright was renewed in 1956, so it will enter the American public domain on January 1, 2025. Sound recordings from 1929 will follow on January 1, 2030, under the provisions of the Music Modernization Act.
Streisand was Barbra Streisand's Fall 2006 North American concert tour. Comprising 26 shows, it was Streisand's first United States tour since 2000 and her first live concert events since her supposed farewell concerts, Timeless in 2000. The 2006 tour also marked the singer's first time playing in Canadian markets.
Funny Girl may refer to:
The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. The album was released in January 1974, preceded by the commercial success of its lead single "The Way We Were" first released in September 1973.
Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975, by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".
ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
Reunion may refer to:
Alan Bergman and Marilyn Keith Bergman were an American songwriting duo. Married from 1958 until Marilyn's death, together they wrote music and lyrics for numerous celebrated television, film, and stage productions. The Bergmans enjoyed a successful career, honored with four Emmys, three Oscars, and two Grammys. They are in the Songwriters Hall of Fame.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
The Way We Were: Original Soundtrack Recording is the soundtrack album to the film of the same title by American singer Barbra Streisand. It was released by Columbia Records on January 30, 1974. The soundtrack comprises twelve songs, mostly written by Marvin Hamlisch, three of which are different versions of "The Way We Were". The album was mostly produced by Fred Salem, with the exception of the title track which was produced by Marty Paich. Hamlisch and Salem collaborated to create five new songs for the soundtrack, while the remaining ones are cover songs.