The White Slave (1927 film)

Last updated

The White Slave
The White Slave 1927.jpg
Directed by Augusto Genina
Written by
Produced by Lothar Stark
Starring
Cinematography Gustave Preiss
Music by Gustav Gold
Production
companies
  • Lothar Stark-Film
  • Wolfe Productions
Release date
  • 22 September 1927 (1927-09-22)
Running time
96 minutes
CountryGermany
Languages
  • Silent
  • German intertitles

The White Slave (German : Die weisse Sklavin) is a 1927 German silent drama film directed by Augusto Genina and starring Liane Haid, Vladimir Gajdarov and Harry Hardt. [1] The film's sets were designed by Otto Erdmann and Hans Sohnle.

Contents

Cast

Related Research Articles

<span class="mw-page-title-main">Liane Haid</span> Austrian actress and singer

Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.

<span class="mw-page-title-main">Rik Battaglia</span> Italian actor

Rik Battaglia was an Italian film actor. He was born at Corbola, near Rovigo, Veneto. He mainly used the stage name of Rik Battaglia although alternate names he used for his films included Rick Austin, Riccardo Battaglia and Rick Battaglia. He would go on to appear in over 100 films from the 1955 to 1999.

<span class="mw-page-title-main">Ágnes Esterházy</span> Hungarian actress

Ágnes Esterházy was a Hungarian film actress who worked mainly in Austria and Germany. She appeared in 32 films between 1918 and 1943.

<span class="mw-page-title-main">Vladimir Gajdarov</span>

Vladimir Georgievich Gajdarov was a Russian film actor and star of Russian and German silent cinema.

<i>Madame Makes Her Exit</i> 1932 film

Madame Makes Her Exit is a 1932 German romantic comedy film directed by Wilhelm Thiele and starring Liane Haid, Hans Brausewetter, Hilde Hildebrand. It was shot at the Epinay Studios of Tobis Film in Paris. It premiered on 12 January 1932. A separate French-language version Amourous Adventure was also released, directed by Thiele with a largely different cast.

<i>The Prince of Arcadia</i> 1932 film

The Prince of Arcadia is a 1932 Austrian-German romance film directed by Karl Hartl and starring Willi Forst, Liane Haid and Hedwig Bleibtreu. It was shot at the Sievering Studios of Sascha Film in Vienna with sets designed by the art director Hans Ledersteger. Location filming took place at Ragusa in Sicily. It premiered on 18 May 1932.

<i>The White Devil</i> (1930 film) 1930 film

The White Devil is a 1930 German historical drama film directed by Alexandre Volkoff and starring Ivan Mozzhukhin, Lil Dagover and Betty Amann. It was based on Leo Tolstoy's 1912 novella Hadji Murat. It was originally made as a silent film, with a soundtrack added later. Anatole Litvak worked as the film's assistant director and production manager. It was shot at the Bebelberg Studios in Berlin. The film's sets were designed by the art directors Alexandre Lochakoff and Vladimir Meingard. After location shooting in Nice, Switzerland and the French Alps during 1929, it premiered at the Ufa-Palast am Zoo in January 1930.

<i>The Opera Ball</i> 1931 film

The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It was part of a large group of operetta films made during the decade, although he film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.

<i>Fire of Love</i> (1925 film) 1925 film

Fire of Love is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Alfons Fryland, and Walter Rilla.

<i>The Uncle from the Provinces</i> 1926 film

The Uncle from the Provinces is a 1926 German silent film directed by Manfred Noa and starring Jakob Tiedtke, Margarete Kupfer and Liane Haid.

The Dollar Princess and Her Six Admirers is a 1927 German silent film directed by Felix Basch and starring Liane Haid, Georg Alexander, and Elisabeth Pinajeff.

The Island of Dreams is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Harry Liedtke, and Alfons Fryland.

<i>The Immortal Vagabond</i> (1930 film) 1930 film

The Immortal Vagabond is a 1930 German musical film directed by Gustav Ucicky and Joe May and starring Liane Haid, Gustav Fröhlich and Hans Adalbert Schlettow. It is an operetta film, made by German's largest film company UFA. Interiors were shot at the Babelsberg Studios in Berlin. The film's sets were designed by Robert Herlth and Walter Röhrig. The film was remade in 1953.

<i>Sword and Shield</i> (film) 1926 film

Sword and Shield is a 1926 German silent historical romance film directed by Victor Janson and Rudolf Dworsky and starring Mady Christians, William Dieterle and Albert Steinrück. It is in the Prussian films tradition.

<i>The Csardas Princess</i> (1927 film) 1927 film

The Csardas Princess is a 1927 German-Hungarian silent romance film directed by Hanns Schwarz and starring Liane Haid, Imre Ráday and Ferenc Vendrey. It is based on the 1915 operetta The Csardas Princess, the title referring to the popular Hungarian Csárdás dance.

Grock is a 1931 German drama film directed by Carl Boese and starring Grock, Liane Haid, and Betty Bird. Grock, a famous circus performer, appears as himself.

I Love You is a 1925 German silent drama film directed by Paul L. Stein and starring Liane Haid, Alfons Fryland, and Anny Ondra.

Money in the Streets is a 1922 Austrian-German silent drama film directed by Reinhold Schünzel and starring Liane Haid, Liesl Stillmark and Max Ralph-Ostermann.

The Woman in White is a 1921 Austrian silent drama film directed by Max Neufeld and starring Liane Haid, Dora Kaiser and Eugen Neufeld. It is based on the 1860 novel The Woman in White by Wilkie Collins.

<i>Tell Me Who You Are</i> (1933 film) 1933 film

Tell Me Who You Are is a 1933 German comedy film directed by Georg Jacoby and starring Liane Haid, Viktor de Kowa and Olly Gebauer.

References

  1. Grange p. 265

Bibliography