The Wife's Relief | |
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Written by | Charles Johnson |
Date premiered | 12 November 1711 [1] |
Place premiered | Drury Lane Theatre |
Original language | English |
Genre | Comedy |
The Wife's Relief, or, The Husband's Cure is a 1711 comedy play by the British writer Charles Johnson. The plot revolves around a virtuous wife who tries to mend her husband's rakish ways. [2]
The cast included Robert Wilks as Volatil, Colley Cibber as Riot, Anne Oldfield as Arabella, Barton Booth as Horatio, Thomas Doggett as Sir Tristram Cash, Lacy Ryan as Valentine, Henry Norris as Spitfire, Christopher Bullock as Hazard, Mary Willis as Teraminta and Jane Rogers as Cynthia. It lasted seven nights, considered a good run for a play at the time.
The Drummer is a 1716 comedy play by the British writer Joseph Addison, also known as The Drummer, or, The Haunted House.
The Double Distress: A Tragedy is a 1701 play by the English writer Mary Pix. Despite its title, it is a comedy.
The Artful Husband is a 1717 comedy play by the British writer William Taverner. Staged at the Lincoln's Inn Fields Theatre, it ran for fifteen nights. It was frequently revived during the eighteenth century.
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. Robert Wilks, a celebrated actor and manager of the Drury Lane Theatre, appeared as Chaucer. The title role of the wife was played by Margaret Bicknell with Mary Porter as Myrtilla and the cast rounded out by William Bullock, Lacy Ryan, Christopher Bullock, William Pinkethman, Susanna Mountfort and Henry Norris.
Dione is a 1720 tragedy by the British writer John Gay.
The Female Fortune Teller is a 1726 comedy play by the British writer Charles Johnson. It is a reworking of Edward Ravenscroft's 1683 restoration comedy Dame Dobson.
The Modish Husband is a 1702 comedy play by the English writer William Burnaby. It is in the Restoration-style comedy of manners.
The Fair Example, or the Modish Citizen is a 1703 comedy play by the English writer Richard Estcourt, originally staged at the Drury Lane Theatre. It was part of a growing trend of plays to feature a plot of an honest wife reforming her rakish husband along with Sir Harry Wildair, As You Find It, The Wife's Relief and The Modish Couple. It is a reworking of the 1693 French play Les Bourgeoises à la Mode by Florent Carton Dancourt. In 1705 a separate English adaptation of the French work John Vanbrugh's The Confederacy appeared at the rival Queen's Theatre in the Haymarket.
Frederick, Duke of Brunswick-Lunenburgh is a 1729 historical tragedy by the British writer Eliza Haywood. It is based on the life medieval ruler Frederick I, Duke of Brunswick-Wolfenbüttel.
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The Universal Gallant, or The Different Husbands is a 1735 comedy play by the British writer Henry Fielding.
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All for the Better is a 1702 comedy play by the English writer Francis Manning.
She Would and She Would Not is a 1702 comedy play by the English actor-writer Colley Cibber.
The Faithful Bride of Granada is a 1704 tragedy by the English writer William Taverner. It was the only tragedy by Tarverner, better known for his comedies.
The Man's Bewitched is a 1709 comedy play by the British writer Susanna Centlivre. It is known by the longer title The Man's Bewitch'd; or, The Devil to do about Her.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
Adventures in Madrid or The Adventures in Madrid is a 1706 comedy by the English writer Mary Pix. It was her final staged work.
The Lying Lover; Or, The Lady's Friendship is a 1703 comedy play by the Irish writer Richard Steele. It was his second play, written while he was an army office doing garrison duty in Harwich during the War of the Spanish Succession. It is described as being both a restoration comedy and a sentimental comedy, and marked the transition between the two.