Edith Madeleine Carroll was an English actress, popular both in Britain and in America in the 1930s and 1940s. At the peak of her success in 1938, she was the world's highest-paid actress.
Secret Agent is a 1936 British espionage thriller film directed by Alfred Hitchcock, adapted from the play by Campbell Dixon, which in turn is loosely based on two stories in the 1927 collection Ashenden: Or the British Agent by W. Somerset Maugham. The film stars Madeleine Carroll, Peter Lorre, John Gielgud, and Robert Young. It also features uncredited appearances by Michael Redgrave, future star of Hitchcock's The Lady Vanishes (1938), Michel Saint-Denis as the Coachman, and Michael Rennie in his film debut.
Lord Jim is a 1925 American silent drama film starring Percy Marmont, Noah Beery, and Duke Kahanamoku. The film was directed by Victor Fleming and based on the 1900 novel Lord Jim by Joseph Conrad.
Percy Marmont was an English film actor.
David Livingstone is a 1936 British historical adventure film directed by James A. FitzPatrick and starring Percy Marmont, Marian Spencer and James Carew. It portrays the expedition of the British explorer David Livingstone to Africa to discover the source of the Nile, his disappearance, and the expedition to find him led by Stanley. The film was made at Shepperton Studios for distribution by MGM.
The Captain's Table is a 1936 British crime film directed by and starring Percy Marmont. It also featured Marian Spencer and Louis Goodrich. The film was made at Shepperton Studios as a quota quickie for distribution by Metro-Goldwyn-Mayer.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
French Leave is a 1930 British comedy film directed by Jack Raymond and starring Madeleine Carroll, Sydney Howard and Arthur Chesney. It was made at British and Dominions Elstree Studios. It is based on a play by Reginald Berkeley, a "light comedy in three acts", set during the First World War. It was remade in 1937 by Norman Lee.
The School for Scandal is a 1930 British historical comedy film directed by Thorold Dickinson and Maurice Elvey and starring Basil Gill, Madeleine Carroll and Ian Fleming. It is the first sound film adaptation of Richard Brinsley Sheridan's play The School for Scandal. It is also the only feature-length film shot using the unsuccessful Raycol colour process, and marked the screen debut of Sally Gray. The film was shot at the Elstree Studios of British International Pictures with sets designed by the art director Lawrence P. Williams. It ended up being released as a second feature and is classified as a quota quickie.
Madame Guillotine is a 1931 British historical romance film directed by Reginald Fogwell and starring Madeleine Carroll, Brian Aherne and Henry Hewitt. It was shot at Isleworth Studios.
The Silver King is a 1929 British silent drama film directed by T. Hayes Hunter and starring Percy Marmont, Harold Huth and Chili Bouchier. The film is an adaptation of the 1882 play The Silver King by Henry Arthur Jones. It was made at Cricklewood Studios and Lime Grove Studios. The film was an ambitious production by the Welsh-Pearson company made at an estimated cost of around £60,000. However the company's decision to shoot it and other films that year as silents led to large financial losses due to the emergence of sound.
Her Imaginary Lover is a 1933 British comedy film directed by George King and starring Laura La Plante and Percy Marmont. It was produced and distributed by Warner Brothers and shot at the company's Teddington Studios as a quota quickie.
The Loves of Ariane is a 1931 British-German drama film directed by Paul Czinner starring Elisabeth Bergner, Charles Carson and Percy Marmont. Shot in Germany, it was an English-language version of the 1931 film Ariane. It was based on the 1920 novel Ariane, jeune fille russe by Claude Anet. The screenplay concerns a young woman studying at University who falls in love. A German version of the film, Ariane was also made.
Sir or Madam is a 1928 British-German silent comedy film directed by Carl Boese and starring Margot Armand, Percy Marmont and Ossi Oswalda. It was based on the 1923 novel Sir or Madame by Berta Ruck and shot at Elstree Studios near London. The film was a co-production between Germany and Britain, with separate versions released in the countries. In Britain it was not released until February 1930.
The Warning, also known as Introspection, is a 1928 British silent drama film directed by Reginald Fogwell and starring Percy Marmont, Fern Andra and Anne Grey. It was made at Welwyn Studios. It was originally released silent, but in 1930 it was re-released with added sound.
The Silver Greyhound is a 1932 British thriller film directed by William C. McGann and starring Percy Marmont, Anthony Bushell and Janice Adair. The film is a quota quickie, made at Teddington Studios by the British subsidiary of the Hollywood company Warner Brothers.
Blind Spot is a 1932 British crime film directed by John Daumery and starring Percy Marmont, Muriel Angelus and Warwick Ward. It was made at Teddington Studios by the British subsidiary of Warner Brothers.
The Squeaker is a 1930 British mystery crime film directed by Edgar Wallace and starring Percy Marmont, Anne Grey and Gordon Harker.
Cross Roads is a 1930 British drama film directed by Reginald Fogwell and starring Percy Marmont, Anne Grey and Betty Faire. It was shot at Welwyn Studios as a quota quickie. It is a melodrama about a wife killing her unfaithful husband.
Say It with Music is a 1932 British musical drama film directed by Jack Raymond and starring Jack Payne, Percy Marmont and Evelyn Roberts. It was produced by Herbert Wilcox's British and Dominions Films at Elstree Studios. It takes its title from the 1921 song Say It with Music by Irving Berlin which features in the soundtrack, and was an early example of a string of bandleader-centric films produced by British studios during the decade. It is also notable for providing an early acting role for the then-24-year-old William Hartnell, who decades later would go on to portray the First Doctor on Doctor Who.
