Theatre or theater refers to representational performing arts, and semantically related to a stage.
It may also refer to:
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
A theatre in the round, arena theatre, or central staging is a space for theatre in which the audience surrounds the stage.
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training.
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the Great War. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.
Metro, short for metropolitan, may refer to:
Contact may refer to:
Gallery or The Gallery may refer to:
A rock musical is a musical theatre work with rock music. The genre of rock musical may overlap somewhat with album musicals, concept albums and song cycles, as they sometimes tell a story through the rock music, and some album musicals and concept albums become rock musicals. Notable examples of rock musicals include Next to Normal, Spring Awakening, Rent, Grease, and Hair. The Who's Tommy and other rock operas are sometimes presented on stage as a musical.
Pepper's ghost is an illusion technique, used in the theatre, cinema, amusement parks, museums, television, and concerts, in which an image of an object off-stage is projected so that it appears to be in front of the audience.
Victory is successful conclusion of a fight or competition.
Lifehouse is an unfinished science fiction rock opera by the Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend's solo albums. In 1978, aspects of the Lifehouse project were revisited by the Who on Who Are You. In 2000, Townshend revived the Lifehouse concept with his set Lifehouse Chronicles and the sampler Lifehouse Elements. On 1 May 2007, he released an online software called The Lifehouse Method in which any "sitter" could create a musical "portrait". The site is now defunct. The artwork and design of the box set was undertaken by designer Laurence Sutherland.
Blackout(s), black out, or The Blackout may refer to:
In theatre and performing arts, the stage is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point for the audience. As an architectural feature, the stage may consist of a platform or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.
Pink Floyd The Wall is a 1982 British live action/adult animated surrealist musical drama film directed by Alan Parker, based on Pink Floyd's 1979 album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. The Boomtown Rats vocalist Bob Geldof made his film debut as rock star Pink, who, driven to neurosis by the pressures of stardom and traumatic events in his life, constructs an emotional and mental wall to protect himself. However, this coping mechanism eventually backfires, and Pink demands to be set free.
A showboat, or show boat, was a floating theater that traveled along the waterways of the United States, especially along the Mississippi and Ohio rivers, to bring culture and entertainment to the river frontiers. This special type of riverboat was designed to carry passengers rather than cargo, and they had to be pushed by a small pusher or towboat attached to it. Showboats were rarely steam-powered because the steam engine had to be placed right in the auditorium for logistical reasons, therefore making it difficult to have a large theater.
A factory is an industrial site where goods are manufactured or processed.
The Commitments is a 1991 musical comedy-drama film based on the 1987 novel of the same name by Roddy Doyle. It was directed by Alan Parker from a screenplay written by Doyle, Dick Clement and Ian La Frenais. Set in the Northside of Dublin, the film tells the story of Jimmy Rabbitte, a young music fanatic who assembles a group of working-class youths to form a soul band named "The Commitments". The film is the first in a series known as The Barrytown Trilogy, followed by The Snapper (1993) and The Van (1996).
Wanted may refer to:
Beast most often refers to:
An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers". The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.
