Theatre Royal may refer to:
Thomas Augustine Arne was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of The Beggar's Opera, which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas.
Welsh National Opera (WNO) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by The New York Times as "one of the finest operatic ensembles in Europe".
Marius Re Goring, was an English stage and screen actor. He is best remembered for the four films he made with Powell & Pressburger, particularly as Conductor 71 in A Matter of Life and Death and as Julian Craster in The Red Shoes. He is also known for playing the title role in the long-running TV drama series, The Expert. He regularly performed French and German roles, and was frequently cast in the latter because of his name, coupled with his red-gold hair and blue eyes. However, in a 1965 interview, he explained that he was not of German descent, stating that "Goring is a completely English name."
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet and the Birmingham Royal Ballet.
Sir Julius Benedict was a German-born composer and conductor, resident in England for most of his career.
Walter Charles Dance is an English actor. He is known for playing strict, authoritarian characters and villains. Dance started his career on stage with the Royal Shakespeare Company (RSC) before appearing in film and television. For his services to drama he was appointed an Officer of the Order of the British Empire (OBE) by Queen Elizabeth II in 2006.
Joan Carlyle was an English operatic soprano singer. She was born in Upton on the Wirral, Cheshire. After auditioning for the Royal Opera House, Covent Garden, London, she was put under contract by the musical director Rafael Kubelík and made her debut in 1955, appearing also under him in The Magic Flute in 1956 and as Ascagne in Les Troyens.
Natalia Romanovna Makarova is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."
Adrian Keith Noble is a theatre director, and was also the artistic director and chief executive of the Royal Shakespeare Company from 1990 to 2003.
Royal Opera or Royal Opera House may refer to:
Dennis O'Neill CBE is a Welsh operatic tenor and recording artist.
Thomas Quinlan, was a musical impresario, best known for founding the Quinlan Opera Company.
Ian McDiarmid is a Scottish actor and director of stage and screen. Making his stage debut in Hamlet in 1972, McDiarmid joined the Royal Shakespeare Company in 1974, and has since starred in a number of Shakespeare's plays. He has received an Olivier Award for Best Actor for Insignificance (1982) and a Tony Award for Best Featured Actor in a Play for Faith Healer (2006).
The British National Opera Company presented opera in English in London and on tour in the British provinces between 1922 and 1929. It was founded in December 1921 by singers and instrumentalists from Sir Thomas Beecham's Beecham Opera Company (1915–1920), which was disbanded when financial problems over buying The Bedford Estate forced Beecham to withdraw from the music scene for a short period. The new venture was financed by the issue of 40,000 preference shares at £1 each. Among the musicians who met at the inaugural meeting of the new enterprise at the Queen's Hall were Sir Alexander Mackenzie, Sir Charles Stanford, Harry Plunket Greene, Walter Hyde, Aylmer Buesst and Sir Henry Hadow. The new company bought the entire assets of the Beecham company, comprising the scenery, costumes, scores, instruments and performing rights for 48 operas.
David Parry is an English conductor who is particularly known for his work in opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandos record labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice
Motley Theatre Design Course is a one-year independent theatre design course in London. It was founded at Sadler's Wells Opera in 1966.
Walter Hyde was a British tenor, actor and teacher of voice whose career spanned genres from musical theatre to grand opera. In 1901 he sang Borrachio in the premiere of Stanford's Much Ado About Nothing and soon appeared in London's West End in light opera and Edwardian musical comedy. He appeared regularly at the Royal Opera House in Covent Garden between 1908 and 1924, becoming known for roles in Wagner operas, among others, both in Britain and America. He was also in demand as a concert artist. In his later years he was Professor of Voice at the Guildhall School of Music where his students included Geraint Evans and Owen Brannigan.