Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.
Musicology is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books An Actor Prepares, Building a Character, and Creating a Role.
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
The Nāṭya Shāstra is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.
The distancing effect, also translated as alienation effect, is a concept in performing arts credited to German playwright Bertolt Brecht.
Performance studies is an interdisciplinary academic field that teaches the development of performance skills and uses performance as a lens and a tool to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. Performance studies draws from theories and methods of the performing arts, anthropology, sociology, literary theory, culture studies, communication, and others.
The Meisner technique is an approach to acting developed by American theatre practitioner Sanford Meisner.
The Russian Institute of Theatre Arts (GITIS) is the largest and oldest independent theatrical arts school in Russia. Located in Moscow, the school was founded on 22 September 1878 as the Shostakovsky Music School. It became the School of Music and Drama of the Moscow Philharmonic Society in 1883, was elevated to the status of a conservatory in 1886 during which time the institution was colloquially referred to as the Philharmonic Conservatory. It was renamed the Institute of Music and Drama in 1918, and was known as the Lunacharsky State Institute for Theatre Arts (GITIS) from 1934 to 1991.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
John Ramsay Allardyce Nicoll was a Scottish literary scholar and teacher.
"Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark.
The Russian State Institute of Performing Arts, formerly known as St Petersburg Theatre Arts Academy, formerly Leningrad State Institute of Theatre, Music, and Cinema (LGITMiK), is a theatre school in Saint Petersburg. It is the oldest Russian state theatre school, being founded in 1779, and has incorporated several mergers of other institutions during its history, including the Ostrovsky Leningrad Theatre Institute and the Leningrad Institute of Art History.
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg's play Miss Julie, which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Emile Zola.
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
John Emigh is professor emeritus from the Departments of Theatre, Speech and Dance and of English at Brown University, Providence, Rhode Island. Emigh taught at Brown from 1967 to 2009. Since his retirement, he has mainly been teaching and directing in the Brown/Trinity Rep MFA program.
Raymond Monelle. was a music theorist, teacher, music critic, composer and jazz pianist. Monelle wrote three books, dozens of articles on music, and many music criticism reviews in newspapers, mainly for Opera and The Independent His main field of research was Music Signification or, as it is also known, Music Semiotics. Towards the end of his life, he wrote a novel, yet to be published, entitled Bird in the Apple Tree, about the adolescence of the composer Alban Berg.
Presentational acting and the related representational acting are opposing ways of sustaining the actor–audience relationship. With presentational acting, the actor acknowledges the audience. With representational acting, the audience is studiously ignored and treated as voyeurs.
Anton Michailovič Milenin is a Russian theatre actor, director and teacher who has worked in Italy and Russia for more than fifteen years, rector of Universal Academy of Hermeneutics.
Laurence Senelick is an American scholar, educator, actor and director. He is the author, editor, or translator of many books.
