Theodor Matham, also Theodoor Matham (1589 Haerlem -) was a Dutch engraver. He was the younger son of the better known engraver Jacob Matham, and the brother of the engravers Jan and Adriaen Matham. [1] [2]
He went to Italy and studied under Cornelius Bloemaert, and then returned to Haerlem, where he engraved an important number of plates. He signed his plates T.M. fecit or T.M. sculpsit. [2]
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Geertgen tot Sint Jans, also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low Countries in the Holy Roman Empire. No contemporary documentation of his life has been traced, and the earliest published account of his life and work is from 1604, in Karel van Mander's Schilder-boeck.
Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print, where the parts of the matrix that make the image stand above the main surface.
Kannadasan was an Indian philosopher, poet, film song lyricist, producer, actor, script-writer, editor, philanthropist, and is heralded as one of the greatest and most important lyricists in India. Frequently called Kaviarasu, Kannadasan was most familiar for his song lyrics in Tamil films and contributed around 5000 film lyrics apart from 6000 poems and 232 books, including novels, epics, plays, essays, his most popular being the 10-part religious book on Hinduism, Arthamulla Indhu Matham. He won the Sahitya Akademi Award for his novel Cheraman Kathali in the year 1980 and was the first to receive the National Film Award for Best Lyrics, given in 1969 for the film Kuzhanthaikkaga.
Events from the year 1571 in art.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp.
Jacob Matham, of Haarlem, was a famous engraver and pen-draftsman.
Jan van de Velde the younger was a Dutch Golden Age painter and engraver of animal, landscape and still-life subjects. He was the son of Jan van de Velde the Elder and the father of the still life painter Jan Jansz van de Velde.
Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. He collaborated with J. M. W. Turner on the early plates of the same's Liber Studiorum.
Reinier van Persijn was a Dutch Golden Age engraver of portraits and bookplates.
Hendrik Hondius I was a Flemish-born and trained engraver, cartographer, and publisher who settled in the Dutch Republic in 1597.
Adriaen Matham (1590–1660) was a Dutch Golden Age painter, engraver and art dealer.
Antonius de Liedekerke, also Antonie Charles de Liedekercke (1587–1661) was a Dutch sea captain and ambassador to the court of the king of Morocco Mohammed esh Sheikh es Seghir in the 17th century.
Theodorus Schrevelius was a Dutch Golden Age writer and poet.
Gilliam van der Gouwen was a Dutch engraver.
Banquet of the officers of the Calivermen Civic Guard, Haarlem formerly known as The Banquet of the Officers of the St Adrian Militia Company in 1627, refers to a schutterstuk painted by Frans Hals for the St. Adrian civic guard of Haarlem. Today it is considered one of the main attractions of the Frans Hals Museum.
In early 18th century Colonial America, engravers began experimenting with copper plates as an alternative medium to wood. Applied to the production of paper currency, copper-plate engraving allowed for greater detail and production during printing. It was the transition to steel engraving that enabled banknote design and printing to rapidly advance in the United States during the 19th century.
Cornelis Coning or Koning, was an engraver and mayor of Haarlem.
Nicolaes Grisz Grauwert, was a Dutch Golden Age member of the Haarlem schutterij.
Antony van der Does was a Flemish engraver and print maker.
Charles Kennedy Burt was a Scottish-born American artist known for line engraving.
