Theodor Rogalski | |
---|---|
Born | |
Died | [1] | February 2, 1954
Nationality | Romanian |
Occupation(s) | composer, conductor, pianist |
Years active | 1918 - 1954 |
Notable work | Three Romanian Dances, Symphonic Suite (1950), Two Symphonic Sketches (1929) |
Children | 2 |
Theodor Rogalski (April 11, 1901 - February 2, 1954) was a Romanian composer, conductor and pianist of Polish origin. He played an important role in the development of Romanian musical culture in the first half of the twentieth century. [2]
After studying in Bucharest with Alfonso Castaldi and Dimitrie Cuclin, he studied at the Leipzig Conservatory (1920 - 1923) and then at the Schola Cantorum [3] in Paris (1923-1926), where he was a disciple of Vincent d'Indy (composition, conducting) and of Maurice Ravel (orchestration). In 1926, he won First Prize at the "George Enescu" National Composition Competition (established in 1913) with the work String Quartet in F major. He also entered the concert programs of the Philharmonic with Two Romanian Dances for Winds, Piano and Drums (1927) and Two Symphonic Sketches (1929), whose value has determined George Enescu to select it for the concert held at the International Exhibition in New York in 1939. [4]
While continuing to explore the line opened by Burial at the outskirts and Dances for rain-Paparudele-, see Rainmaking (ritual) (both from the Two symphonic sketches) through the new technical approach of capitalizing the folk vein, with emphasis on rhythmic diversity, poly-tonal overlaps and a unique harmonic color, Theodor Rogalski composes, two decades later, in 1950, the symphonic suite Three Romanian Dances, which is a landmark of the Romanian music school of the time. [5]
The two decades, 1930-1950, in which composing remained in the background, were dedicated by the musician to conducting and building an ensemble, from its establishment to the level of a prestigious orchestra, today bearing the name of National Radio Orchestra of Romania. As such, he was the first conductor of the orchestra starting from 1930. [6]
The baton of first conductor was also offered to him at the "George Enescu" Philharmonic (1950-1954). In these last years of his life he also held the position of orchestration teacher at the Bucharest Conservatory.
- Sonata for piano (1921 - first mention of the "George Enescu" Composition Prize)
- (1919 - 2nd mention of the "George Enescu" Composition Prize)
- Paysage for piano - Pastoral for piano - Berceuse for cello and piano - Piece for cello and piano - Historiette for cello and piano - Minuetto for cello and piano - Parfum exotique for cello and piano - "Pavanne" for cello and piano - Idylle and Tambourin (For the motif "O du lieber Augustin") for string quartet - The song "Le Silence", on lyrics by CH. Batillot - Orchesterstuck (1923 - 2nd prize of the "George Enescu" Composition Prize) - Operetta Nina
- Rondo - Sonet for piano - Aubade for piano
- Romanzetta for piano - Suite for violin and piano: Aubade, Interlude, Sonet (1922 - mention of the "George Enescu" Composition Prize) - Andante from a projected Sonata for cello and piano - Vieille Chanson for two violins and viola - Fruhlingsnacht for 2 violins and cello - Andantino for string quartet - Dance for string quartet - 2 lieds for voice and piano on lyrics by R. Dehmel: Erlengang , Einst im Herbst - 2 lieds for voice and orchestra: lied on lyrics by Heine, untitled, Helle Nacht on lyrics by R. Dehmel
- Idylle for piano
- Retrospective Serenade for piano
- Ballad on Romanian themes for violin and piano - Bourree for cello and piano - Canon , for violin, cello and piano - String Quartet (1925 - 1st prize of the "George Enescu" Composition Prize) - Four Evocations for the soprano: The Song of the Wise, The Song of the Lover, The Song of the Rain, The Song of the Swing - Two Romanian Dances for winds, piano and percussion (1927 - mention in Venice) - Fresque Antique, ballet music [7]
- La Chef (on romanian themes), for string quartet
- Two Symphonic Sketches: Burial at the outskirts, Dances for rain-Paparudele- (Rainmaking ritual)
- Stage music for the "Don Juan" play by Victor Eftimiu
- Three pieces for cello
- Suite for oboe and piano
- Two Capriccios for Orchestra
- Three songs on folk lyrics for soprano and orchestra: Hora Ciciului, Willow, The Lazar
- Three Romanian Ballads for tenor and orchestra: Iancu Jianu, Mihu the Child, Toma Alimoș
- Festive March for Orchestra
- 3 Pieces of Mechanical Music for Orchestra
- Symphonic suite Three Romanian dances [8]
- Soundtrack for the film Life Triumphs
George Enescu, known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher and is regarded as one of the greatest musicians in Romanian history.
Walter Hamor Piston, Jr., was an American composer of classical music, music theorist, and professor of music at Harvard University.
Grażyna Bacewicz Biernacka was a Polish composer and violinist of Lithuanian origin. She is the second Polish female composer to have achieved national and international recognition, the first being Maria Szymanowska in the early 19th century.
Aarre Merikanto was a Finnish composer.
Cyril Meir Scott was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets and books on occult topics and natural health.
Chen Yi is a Chinese-American composer of contemporary classical music and violinist. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association. She was elected to the American Academy of Arts and Letters in 2019.
Pascal Bentoiu was a Romanian modernist composer.
Valentin Gheorghiu was a Romanian classical pianist and composer. He is regarded as a leading Romanian pianist of the twentieth century, focused on both piano concertos of the Romantic period and chamber music. He won the prize for the best performance of Enescu's Violin Sonata No. 3 at the first George Enescu International Competition in 1958, with his brother Ștefan as the violinist. He made recordings with international orchestras and conductors.
Carmen Petra Basacopol was a Romanian composer, pianist, musicologist and academic teacher. She taught at the National University of Music Bucharest, between 1962 and 2003, and at the Rabat Conservatoire in Morocco in the 1970s. As a musicologist, she achieved a PhD from the Sorbonne University in Paris in 1976, with a dissertation about three Romanian composers who had influenced her, George Enescu, Mihail Jora and Paul Constantinescu, composers representing essential features of Romanian music.
Hermann Zilcher was a German composer, pianist, conductor, and music teacher. His compositional oeuvre includes orchestral and choral works, two operas, chamber music and songs, études, piano works, and numerous works for accordion.
Gerhard Präsent is an Austrian composer, conductor and academic teacher.
William (Willy) Ostijn, also seen as Ostyn, was a classical Belgian composer of the 20th century.
Eda Rothstein Rapoport was a Jewish-American composer and pianist born in the Russian Empire.
Radu Paladi was a Romanian composer, pianist, and conductor. His compositions include stage and film music, choral works, vocal music and vocal-symphonic works, chamber music, symphonic music as well as concertos.
Piano Quartet No. 2 in D minor, Op. 30, is a chamber-music composition by the Romanian composer George Enescu, written in 1943–44.
Sigismund Toduță was a Romanian composer, musicologist, and professor.
Manolache, Laura (2006). Theodor Rogalski [Theodor Rogalski] (in Romanian). Bucharest: Casa Radio. ISBN 973-42-0442-4.