Therese Ritchie (born 11 April 1961) is an Australian contemporary artist, writer and graphic designer, based in Darwin in the Northern Territory.
Ritchie was born in Newcastle in New South Wales. After moving to the Northern Territory, she completed a Diploma of Arts and Bachelor of Fine Arts from the Northern Territory University now Charles Darwin University (CDU) in 1985. She was then awarded a Masters in Visual Arts from CDU in 2005. [1] [2] She co-founded established GreenAnt Research Arts and Publishing in the 1990s and her own commercial graphic design business, Black Dog Graphics.
Her work provides a rich social and political commentary and sometimes controversial representations of life in the Northern Territory.
It is featured in the collections of the National Gallery of Australia, Museum and Art Gallery of the Northern Territory, Araluen Arts Centre, Gallery of Modern Art Queensland, Artbank, Flinders University and Charles Darwin University. [3]
Ritchie produced a range of publications and exhibitions known as LittlePricks from 2012 to 2014 featuring work by many Top End artists in response to comments by Rob Knight, the then Northern Territory Minister for Young Territorians, who called Indigenous children "little pricks" for burning the Australian flag during the Australia Day demonstrations in Canberra. [4]
She collaborated with artists from the Borroloola region in 2016 on Open Cut: Jacky Green, Sean Kerins, Therese Ritchie an exploration of the complex relationship between Aboriginal people and the mining companies working on their land. [5] [6] [7]
A retrospective of her work with renown artist Chips Mackinolty, Not Dead Yet, was exhibited at the CDU Art Gallery in 2010. [1] A solo retrospective Burning Hearts was exhibited at the Museum and Art Gallery of the Northern Territory in 2019. [8] [9]
Charles Darwin University (CDU) is an Australian public university with a main campus in Darwin and eight satellite campuses in some metropolitan and regional areas. It was established in 2003 after the merger of Northern Territory University, the Menzies School of Health Research, and Centralian College.
Chips Mackinolty is an Australian artist. He was involved in the campaigns against the war in Vietnam by producing posters, and was a key figure in the radical poster movement.
Anatjari Tjakamarra was a Central Australian Aboriginal artist who was part of the Papunya Tula art movement. He came from the area of Kulkuta, southeast of Kiwirrkura in Western Australia. He was a Pintupi man.
The National Aboriginal & Torres Strait Islander Art Award (NATSIAA) is Australia's longest running Indigenous art award. Established in 1984 as the National Aboriginal Art Award by the Museum and Art Gallery of the Northern Territory in Darwin, the annual award is commonly referred to as the Telstra National Aboriginal & Torres Strait Islander Art Award, the Telstra Award or Telstra Prize. It is open to all Aboriginal and Torres Strait Islander artists working in all media.
The Museum and Art Gallery of the Northern Territory (MAGNT) is the main museum in the Northern Territory. The museum is located in the inner Darwin suburb of Fannie Bay. The MAGNT is governed by the Board of the Museum and Art Gallery of the Northern Territory and is supported by the Museums and Art Galleries of the Northern Territory Foundation. Each year the MAGNT presents both internally developed exhibitions and travelling exhibitions from around Australia. It is also the home of the annual Telstra National Aboriginal and Torres Strait Islander Art Award, Australia's longest-running set of awards for Indigenous Australian artists.
George Jiří Chaloupka OAM, FAHA was an expert on Indigenous Australian rock art. He identified and documented thousands of rock art sites, and was a passionate advocate for Aboriginal Australian art, as longest continuing art tradition in the world. He is especially known for the much-debated assignation of a four-phase style sequence to rock art in Arnhem Land, and the term "Dynamic Figures", which he assigned to rock art described by him in Mirrar country of western Arnhem Land.
Bernard Ollis OAM is a British-Australian artist, painter and advocate for arts education. He lives and works in Sydney and Paris.
Danelle Bergstrom is an Australian visual artist known for landscapes and portraits of significant Australians and International figures.
Geoff Todd is an Australian artist and social commentator and has a contemporary figurative style in drawing, painting and sculpture. Geoff Todd works between studios in Winnellie, NT, and Ararat, Victoria.
Banduk Mamburra Wananamba Marika, known after her death as Dr B Marika, was an artist, printmaker and environmental activist from Arnhem Land, Northern Territory, Australia, who was dedicated to the development, recognition and preservation of Indigenous Australian art and culture. She was the first Aboriginal person to serve on the National Gallery of Australia's board.
Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.
Nyapanyapa Yunupingu was an Australian Yolngu painter and printmaker who lived and worked in the community at Yirrkala, Arnhem Land, in the Northern Territory. Yunupingu created works of art that drastically diverge from the customs of the Yolngu people and made waves within the art world as a result. Due to this departure from tradition within her oeuvre, Yunupingu's work had varying receptions from within her community and the broader art world.
Nancy (Nan) Giese was an Australian leader in education and the visual and performing arts, who pioneered tertiary education in the Northern Territory, leading the Darwin Community College which eventually became Charles Darwin University.
Pantjiti Mary McLean is a Ngaatjajarra Aboriginal Australian artist.
Malaluba Gumana is an Australian Aboriginal artist from northeast Arnhem Land, who has gained prominence through her work in painting and the production of larrakitj, the memorial poles traditionally used by Yolngu people in a mortuary ceremony.
Yala Yala Gibbs Tjungarrayi was a Pintupi-speaking Indigenous Australian artist. He was born at Iltuturunga, south-west of Lake Macdonald, in the Western Desert, close to the border of Western Australia and the Northern Terriitory. In 1963, together with his family he moved to Papunya in the Northern Territory. Tjungarrayi was one of the first group of artists painting in the Papunya Tula cooperative from its beginnings in 1971. His wife was Ningura Napurrla, another Papunya Tula artist. He was a custodian of Pintupi sacred ceremonies and sites.
Wukun Wanambi was an Australian Yolngu painter, filmmaker and curator of the Marrakulu clan of northeastern Arnhem Land.
Milirrpum Marika, also known as Jacky and also referred to simply as Milirrpum, was a Yolngu artist and community leader from East Arnhem Land, Northern Territory of Australia. He was best known for his involvement in the landmark court case Milirrpum v Nabalco Pty Ltd (1971), aka the Gove land rights case, which was the first significant legal case for Indigenous land right and native title in Australia and led to the federal Aboriginal Land Rights Act 1976.
Nancy Gaymala Yunupingu was a senior Yolngu artist and matriarch, who lived in Arnhem Land in the Northern Territory, Australia. She worked at the Buku-Larrnggay Mulka Centre in Yirrkala, where her work is still held, and is known for her graphic art style, bark paintings and printmaking.
Graham Badari is an Aboriginal Australian artist from the Wardjak clan in West Arnhem Land. Graham Badari belongs to the Duwa moeity and speaks the Kunwinjku dialect. At Injalak Arts, Badari is a popular figure, a tour guide, and a font of community news. Art historian Henry Skerritt describes him as possessing a "impish smile and cheeky sense of humour" and a "unique and eccentric personality"
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