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Author | Rudi Blesh and Harriet Janis |
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Country | United States |
Language | English |
Subject | Music - Ragtime |
Published | 1950 |
ISBN | 978-0825600913 |
They All Played Ragtime is a non-fiction book by journalist Rudi Blesh and author Harriet Janis, originally published by Grove Press in 1950. It was subsequently reissued in 1959, 1966, and 1971 by Oak Publications, and in 2007 by Nelson Press. [1] According to the Preface to the Fourth Edition, by Rudi Blesh, the book was conceived and researched largely by Harriet Janis, [2] who died in 1963. [3] It is generally recognized as the pioneering and first serious book to document the history and major composers of ragtime in America, and has been referred to as The Bible of Ragtime. [4]
The book is divided into a prelude and thirteen chapters. It is the first book to document what is now regarded as the early ragtime triumvirate: Scott Joplin, James Scott, and Joseph Lamb. In a recorded discussion between Rudi Blesh and pianist Milton Kaye, Blesh revealed that for a long time the authors were not able to find out any information about Joseph Lamb, and that some believed the name to be a pseudonym for Scott Joplin. Eventually, Janis and Blesh located Lamb living in Brooklyn. Lamb described his meeting Scott Joplin to Blesh and Janis (following Joplin's move from the Midwest to New York City). Blesh states how Lamb was initially unaware of the quality of his music and asked Blesh how much it would cost him to get into Blesh and Janis’ book. [5] In the 1966 Oak Publications edition, Blesh wrote a new acknowledgements section for the third edition. In it, he states how that edition includes sixteen complete ragtime piano scores, and that Donald Ashwander was the copyist for most of them. In addition to a new rag by Joseph Lamb, the scores included more recent ragtime compositions by Ashwander, Max Morath, Bob Darch, [6] and Peter Lundberg. [7]
Some historians regard They All Played Ragtime as the major impetus for the modern, post-1950 ragtime revival. [8] Some historians, however, have noted that Blesh and Janis’ skills were more as journalists rather than historians, which was more acceptable in 1960 than in the 21st century. This resulted in a number of inaccuracies in their research. [9]
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. "Maple Leaf Rag", "The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre.
Scott Joplin was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime". During his career, he wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music and largely disdained the practice of ragtime such as that in honky tonk.
Joseph Francis Lamb was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin's piano rags. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews.
James Sylvester Scott was an American ragtime composer and pianist. He is regarded as one of the "Big Three" composers of classical ragtime along with Scott Joplin and Joseph Lamb.
Circle Records is a jazz record label founded in 1946 by Rudi Blesh and Harriet Janis.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, and became the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. As a result, Joplin became dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
John Stillwell Stark was an American publisher of ragtime music, best known for publishing and promoting the music of Scott Joplin.
Louis Chauvin was an American ragtime musician.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos. The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar.
Clarence Homer Woods was an early and somewhat influential American ragtime composer.
The "Black and White Rag" is a 1908 ragtime composition by George Botsford.
Rudolph Pickett Blesh was an American jazz critic and enthusiast.
"Original Rags" was an early ragtime medley for piano. It was the first of Scott Joplin's rags to appear in print, in early 1899, preceding his "Maple Leaf Rag" by half a year.
William Henry Krell (1868–1933) composed what is regarded as the first rag or ragtime composition in 1897 called Mississippi Rag, published in New York by S. Brainard's Sons and copyrighted on January 27, 1897. The sheet music stated that it was the first rag-time two step ever written and was first played by Krell's Orchestra in Chicago although the structure is in the form of a patrol march. The cover shows a group of all ages dancing to a banjo player before onlookers sitting on a pile of stacked cotton bales on a dock on the Mississippi River. Krell also composed the rag Shake Yo' Dusters! or Piccaninny Rag in 1898. The popularity of "Mississippi Rag" resulted in the emergence of the genre known as ragtime.
"Bethena, A Concert Waltz" is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz".
Thomas William Shea was an American ragtime composer.
Elite Syncopations is a one-act ballet created in 1974 by Kenneth MacMillan for The Royal Ballet.
This Is Ragtime Now! is an album by American jazz pianist Hank Jones featuring interpretations ragtime tunes recorded in 1964 for the ABC-Paramount label.
Donald Ashwander (1929–1994) was an American composer in the contemporary ragtime movement. Much of his printed music was not available to the general public until 1996, two years after his death.