| Thieves on Strike | |
|---|---|
 | |
| Directed by | Alfred Abel |
| Written by | Alfred Fekete |
Production company | Artifex-Film |
Release date |
|
| Country | Germany |
| Languages |
|
Thieves on Strike (German:Der Streik der Diebe) is a 1921 German silent film directed by Alfred Abel. [1]
| Thieves on Strike | |
|---|---|
| | |
| Directed by | Alfred Abel |
| Written by | Alfred Fekete |
Production company | Artifex-Film |
Release date |
|
| Country | Germany |
| Languages |
|
Thieves on Strike (German:Der Streik der Diebe) is a 1921 German silent film directed by Alfred Abel. [1]
In alphabetical order
The House of Dora Green is a 1933 German thriller film directed by Henrik Galeen and starring Mady Christians, Paul Hartmann, and Leonard Steckel. It was based on the novel Diplomatische Unterwelt by Hans Rudolf Berndorff. It was the final German film made by Galeen, before being forced into exile following the Nazi Party's takeover of power. In 1937 it was released in the United States.
The Fate of Renate Langen is a 1931 German drama film directed by Rudolf Walther-Fein and starring Mady Christians, Francis Lederer and Hilde Hildebrand.
The Man with the Limp is a 1928 German silent film directed by Willy Reiber and Franz Seitz and starring Christa Tordy, Alfred Abel and Carmen Cartellieri.
The Sacrifice of Ellen Larsen is a 1921 German silent film directed by Paul L. Stein and starring Alfred Abel and Marija Leiko.
Comrades is a 1919 German silent film directed by Johannes Guter. It is based on the play Marauders by August Strindberg.
Who Invented Divorce? is a 1928 German silent film directed by Wolfgang Neff and starring Alfred Abel, Hans Albers and Caleb Glenn.
The Office Manager is a 1931 German comedy film directed by Hans Behrendt and starring Felix Bressart, Hermann Thimig and Maria Meissner.
Decoy is a 1934 German adventure film directed by Hans Steinhoff and starring Jakob Tiedtke, Viktor de Kowa, and Jessie Vihrog. A separate French-language version, The Decoy, was released the following year with a largely different cast. It was shot at the Babelsberg Studios and on location in Hamburg, Turkey and the North Sea. The film's sets were designed by the art directors Artur Günther and Fritz Maurischat.
The Bank Crash of Unter den Linden is a 1926 German silent film directed by Paul Merzbach and starring Alfred Abel, Hans Albers, and Margarete Schlegel. It was produced by the German subsidiary of the Fox Film Company.
The Vice of Gambling is a 1923 German silent film directed by Dimitri Buchowetzki and starring Alfred Abel, Willy Kaiser-Heyl, and Theodor Loos.
The Confessions of the Green Mask is a 1916 German silent film directed by Max Mack and starring Alfred Abel and Reinhold Schünzel.
The Silent Mill or The Story of the Silent Mill is a 1914 German silent drama film directed by Richard Oswald and starring Alfred Abel, Ferdinand Bonn and Robert Valberg.
The Vice is a 1915 German silent drama film directed by Richard Oswald and starring Alfred Abel, Rosa Valetti and Arthur Wellin.
The Woman Without a Soul is a 1920 German silent film directed by Léo Lasko and starring Edith Meller, Werner Krauss and Alfred Abel.
The Black Count is a 1920 German silent film directed by Otz Tollen and starring Olga Engl, Alfred Abel, and Rudolf Klein-Rogge.
The Terror of the Red Mill is a 1921 German silent film directed by Carl Boese and starring Aud Egede-Nissen, Otto Gebühr, and Alfred Abel.
The Game of Love is a 1924 German silent film directed by Guido Parish and starring Marcella Albani, Alfred Abel, and Carl de Vogt.
The Director General is a 1925 German silent film directed by Fritz Wendhausen and starring Albert Bassermann, Hanna Ralph and Alexandra Sorina.
Tragedy of a Marriage is a 1927 German silent drama film directed by Maurice Elvey and starring Isobel Elsom, Alfred Abel and Paul Richter. It is also known by the alternative title of Human Law. It is still extant.
Ways to a Good Marriage is a 1933 German drama film directed by Adolf Trotz and starring Olga Chekhova, Alfred Abel and Hilde Hildebrand. It was shot at the EFA Studios in Halensee in Berlin. The film's sets were designed by the art directors Heinz Fenchel and Botho Hoefer. The film was based on the ideas of the sexologist Theodore H. Van de Velde and was in the tradition of the enlightenment films of the Weimar Republic. Although his work had already been forbidden by the new Nazi regime, it was not formally banned until 1937 despite protests by Nazi students in Kiel who were successful in having the film pulled from cinemas there.
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