Thomas Rice Burnham (1834-1893) or T.R. Burnham was an American photographer. In the 1860s he worked in Maine with Asa Marsh Burnham as "Burnham Bros."He later moved to Boston, Massachusetts and operated from a studio on Washington Street until at least 1885. He belonged to the Boston Photographic Society and/or Boston Association of Photographers; among his contemporaries were J.W. Black, E.J. Foss, and E.F. Smith. Portrait subjects included Edwin Booth, Alvan Clark & Sons, Edw M Endicott, Clement Granch, Ulysses S. Grant, William Stevens Perry, George Antony Smalley, and Nathan and Mary Barrett Warren. Burnham showed photos in the 1876 Philadelphia Centennial Exposition and the 1887 exhibition of the Massachusetts Charitable Mechanic Association.
Richard Upjohn was a British-born American architect who emigrated to the United States and became most famous for his Gothic Revival churches. He was partially responsible for launching the movement to popularity in the United States. Upjohn also did extensive work in and helped to popularize the Italianate style. He was a founder and the first president of the American Institute of Architects. His son, Richard Michell Upjohn, (1828-1903), was also a well-known architect and served as a partner in his continued architectural firm in New York.
Peabody & Stearns was a premier architectural firm in the Eastern United States in the late 19th century and early 20th century. Based in Boston, Massachusetts, the firm consisted of Robert Swain Peabody (1845–1917) and John Goddard Stearns Jr. (1843–1917). The firm worked on in a variety of designs but is closely associated with shingle style.
John Adams Whipple was an American inventor and early photographer. He was the first in the United States to manufacture the chemicals used for daguerreotypes. He pioneered astronomical and night photography. He was a prize-winner for his extraordinary early photographs of the moon and he was the first to produce images of stars other than the sun. Among those was the star Vega and the Mizar-Alcor stellar sextuple system, which was thought to be a double star until 2009.
James Wallace Black, known professionally as J.W. Black, was an early American photographer whose career was marked by experimentation and innovation.
James Presley Ball, Sr. was a prominent African-American photographer, abolitionist, and businessman.
Albert Levy was a French photographer active in Europe and the United States. Most active in the 1880s and 1890s, he was a pioneer of architectural photography.
James Ambrose Cutting (1814–1867) was an American photographer and inventor, sometimes called the inventor of the Ambrotype photographic process.
John Payson Soule (1828–1904) was a photographer and publisher in Boston, Massachusetts, and Seattle, Washington.
Samuel Masury was a photographer in 19th-century Boston, Massachusetts. He trained with photographer John Plumbe around 1842. In 1853-1855 he partnered with G.M. Silsbee as "Masury & Silsbee", daguerreotypists, on Washington Street. Masury "traveled to Paris in 1855 to learn the glass negative process from the Bisson brothers, whose landscapes and architectural views were internationally celebrated." By 1858 he ran his own studio in Boston, on Washington Street. He presented work in the 1860 exhibition of the Massachusetts Charitable Mechanic Association.
John Plumbe Jr. was a Welsh-born American entrepreneurial photographer, gallerist, publisher, and an early advocate of an American transcontinental railroad in the mid-19th century. He established a franchise of photography studios in the 1840s in the U.S., with additional branches in Paris and Liverpool. He created a lithographic process for reproducing photographic images, called the "plumbeotype."
Alexander Rice Esty was an American architect known for designing many Gothic Revival churches in New England, however his work also encompassed university buildings, public buildings, office buildings, and private residences across the Northeastern United States.
Deloss Barnum (1825–1873) was a photographer in New York and Boston, Massachusetts in the mid-19th century. Around 1857 he kept a daguerreotype studio on Winter Street in Boston; by 1858 he had moved to Commercial Street. In 1856-1860 he lived in Roxbury. He participated in the 1860 exhibition of the Massachusetts Charitable Mechanic Association. He died October 7, 1873 in Cortland, New York.
Augustine H. Folsom or A.H. Folsom was a photographer in the Boston, Massachusetts-area in the late 19th and early 20th centuries. Subjects included buildings in Massachusetts, Maine, and Georgia. Folsom showed photographic work in the Massachusetts Charitable Mechanic Association exhibitions of 1874 and 1881. He lived in Roxbury, c. 1870–1926. Works by Folsom reside in the collections of the Boston Public Library; Historic New England; Metropolitan Museum, NY; Museum of Fine Arts, Boston; the Georgia State Archives; and the American Antiquarian Society.
John B. Heywood was a photographer in 19th-century United States. He worked in Boston, Massachusetts, c. 1856-1861. Examples of his photographs reside in the New York Public Library and the Massachusetts Historical Society.
Shepard S. Woodcock (1824-1910) was an American architect practicing in Boston, Massachusetts during the second half of the nineteenth century.
Amory Nelson Hardy or A.N. Hardy (1835–1911) was a photographer in Boston, Massachusetts, in the 19th century. Portrait subjects included US president Chester A. Arthur, clergyman Henry Ward Beecher, politician James G. Blaine, abolitionist William Lloyd Garrison, doctor Oliver Wendell Holmes Sr., jurist Oliver Wendell Holmes Jr., writer Julia Ward Howe, labor activist Florence Kelley, suffragist Mary Livermore, philanthropist Isabella Somerset, and suffragist Frances Willard. He also made "electric-light portraits" of roller skaters in 1883.
Ernest Ferdinand Ritz was a Swedish-American photographer in Boston, Massachusetts during the 19th century.
Carl Caspar Giers was a German-born American photographer active primarily in Nashville, Tennessee, in the mid-19th century. In documenting Nashville's rapid postwar growth and expansion, he photographed numerous prominent individuals, including political leaders, Civil War generals, and important business and cultural figures. A popular resident of the city, he served one term in the Tennessee House of Representatives (1874–1875), having been the nominee of both the Democratic and Republican parties.
Eliphalet J. Foss (1840–1922/1923) or E.J. Foss was an American photographer active in Boston, Massachusetts. He lived/worked on Tremont Row. He belonged to the Boston Photographic Association; contemporaries included Thomas Rice Burnham. Around 1880, his business was taken over by A.B. Eaton. Examples of Foss' work are in Harvard University, the Henry Ford Museum, and Massachusetts Historical Society. His wife was the elocutionist, Louise Woodworth Foss.
Burnham Asa M, Bangor; Burnham John U.P., Bangor
T.R. Burnham & Co.