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The Red Book of Hergest is a large vellum manuscript written shortly after 1382, which ranks as one of the most important medieval manuscripts written in the Welsh language. It preserves a collection of Welsh prose and poetry, notably the tales of the Mabinogion and Gogynfeirdd poetry. The manuscript derives its name from the colour of its leather binding and from its association with Hergest Court between the late 15th and early 17th century.
The National Library of Wales, Aberystwyth, is the national legal deposit library of Wales and is one of the Welsh Government sponsored bodies. It is the biggest library in Wales, holding over 6.5 million books and periodicals, and the largest collections of archives, portraits, maps and photographic images in Wales. The Library is also home to the national collection of Welsh manuscripts, the National Screen and Sound Archive of Wales, and the most comprehensive collection of paintings and topographical prints in Wales. As the primary research library and archive in Wales and one of the largest research libraries in the United Kingdom, the National Library is a member of Research Libraries UK (RLUK) and the Consortium of European Research Libraries (CERL).
Waldo Goronwy Williams was one of the leading Welsh-language poets of the 20th century. He was also a notable Christian pacifist, anti-war campaigner, and Welsh nationalist. He is often referred to by his first name only.
The White Book of Rhydderch is one of the most notable and celebrated surviving manuscripts in Welsh. Mostly written in southwest Wales in the middle of the 14th century it is the earliest collection of Welsh prose texts, though it also contains some examples of early Welsh poetry. It is now part of the collection of the National Library of Wales, having been preserved in the library at Hengwrt, near Dolgellau, Gwynedd, of the 17th century antiquary Robert Vaughan, who inherited it from the calligrapher John Jones and passed it to his descendants. The collection later passed to the newly established National Library of Wales as the Peniarth or Hengwrt-Peniarth Manuscripts.
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Welsh-language literature has been produced continuously since the emergence of Welsh from Brythonic as a distinct language in around the 5th century AD. The earliest Welsh literature was poetry, which was extremely intricate in form from its earliest known examples, a tradition sustained today. Poetry was followed by the first British prose literature in the 11th century. Welsh-language literature has repeatedly played a major part in the self-assertion of Wales and its people. It continues to be held in the highest regard, as evidenced by the size and enthusiasm of the audiences attending the annual National Eisteddfod of Wales, probably the largest amateur arts festival in Europe, which crowns the literary prize winners in a dignified ceremony.
Brut y Brenhinedd is a collection of variant Middle Welsh versions of Geoffrey of Monmouth's Latin Historia Regum Britanniae. About 60 versions survive, with the earliest dating to the mid-13th century. Adaptations of Geoffrey's Historia were extremely popular throughout Western Europe during the Middle Ages, but the Brut proved especially influential in medieval Wales, where it was largely regarded as an accurate account of the early history of the Celtic Britons.
Siôn Dafydd Rhys, in Latin Joannes David Rhaesus, also called John David Rhys, or John Davies, was a Welsh physician and grammarian. He wrote the first Welsh grammar in Latin, published in 1592.
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Claf Abercuawg is the modern title of a 32-stanza medieval Welsh englyn-poem. According to Jenny Rowland, 'most critics would classify it among the most sophisticated and moving all the early englynion poems'; it is 'the classic example' of meditative, lyric, at least implicitly religious, early Welsh poetry.
John Gwilym Jones was a Welsh dramatist, novelist, short-story writer, drama director, academic and critic, considered a pre-eminent figure in those fields. In particular, he is widely acknowledged to be one of the two greatest 20th-century Welsh playwrights, along with Saunders Lewis; of his many plays, Hanes Rhyw Gymro (1964), Ac Eto Nid Myfi (1976) and Yr Adduned (1979) are considered masterpieces. Almost all of his work was written in the Welsh language. A writer in the modernist tradition, he is credited with introducing Brechtian techniques, stream-of-consciousness narrative and Freudianism to Welsh literature. Creative writers such as Kate Roberts and John Rowlands owed him a profound debt, and a whole generation of critics were influenced by his work as a teacher of Welsh literature.
"The Poet's Burial for Love" or "The Poet's Burial" is a Welsh-language love poem in the form of a cywydd in which the poet foresees his own death from unrequited love. It was formerly attributed to the 14th-century Welsh poet Dafydd ap Gwilym, but in 1952 was rejected from the canon of his works by Dafydd's editor, Thomas Parry and is now widely considered to be a 15th-century poem of uncertain authorship. The poem has nevertheless remained very popular with translators and it continues to appear in anthologies, including Thomas Parry's own Oxford Book of Welsh Verse.
"The Ruin" is a cywydd by the 14th-century Welsh poet Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets. In it the poet, considering a ruined house and remembering the love-affair he once conducted there, reflects on the transience of all worldly pleasures. "The Ruin" is commonly supposed to have been written in Dafydd's old age. It has been called one of his most poignant poems, and it was included in The Penguin Book of Welsh Verse, The Oxford Book of Welsh Verse, The Oxford Book of Welsh Verse in English and The Longman Anthology of British Literature.
Evan Evans, was a Welsh clergyman, poet, hymnwriter, journalist, translator and devotional writer, who was three times chaired at the National Eisteddfod. His works were almost all written in the Welsh language, the poems being published under his bardic name, Ieuan Glan Geirionydd. Seven of his poems are included in The Oxford Book of Welsh Verse. His best-known poems are perhaps Ysgoldy Rhad Llanrwst, Glan Geirionydd and Cyflafan Morfa Rhuddlan, and his hymns include Rwy'n sefyll ar dymhestlog lan and Mae 'nghyfeillion adre'n myned.
"The Snow" is a 14th- or 15th-century Welsh-language poem in the form of a cywydd evoking a landscape which, to the poet's chagrin, is covered with snow. It has been described as an imaginative tour de force. Manuscripts of the poem mostly attribute it to Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets, though some name Dafydd ab Edmwnd or Ieuan ap Rhys ap Llywelyn as the author. Modern literary historians have differed as to whether it is indeed by Dafydd ap Gwilym, but the two most recent editions of his poems have rejected it. The poem has nevertheless remained popular with translators and it continues to appear in anthologies, including Thomas Parry's own Oxford Book of Welsh Verse and Gwyn Jones's Oxford Book of Welsh Verse in English.
"The Mirror" is a poem in the form of a cywydd by the 14th-century bard Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets. The poem describes how Dafydd, languishing with lovesickness for an unnamed Gwynedd woman, is appalled by the wasted appearance of his face in the mirror. "The Mirror" can be grouped with several other of Dafydd's poems, possibly early ones, set in Gwynedd, or alternatively with the many poems in which he expresses his love for a woman he calls Morfudd. It has been called "perhaps Dafydd's greatest masterpiece in the genre of self-deprecation".
References
- 1 2 3 4 5 6 “Wiliems, Thomas (b. 1545/6?, d. in or before 1623?),” J. E. Caerwyn Williams in Oxford Dictionary of National Biography, ed. H. C. G. Matthew and Brian Harrison (Oxford: OUP, 2004); online ed., ed. David Cannadine, October 2005, http://0-www.oxforddnb.com/view/article/29549 (accessed August 28, 2017).
- ↑ Rhyddiaith Gymraeg: Y gyfrol gyntaf, Detholion o Lawysgrifau 1488–1609, ed. T. H. Parry Williams (1954).
- ↑ Thomas Parry, Hanes Llenyddiaeth Gymraeg hyd 1900 (Gwasg Prifysgol Cymru, 1944).
- ↑ Jenny Rowland, Early Welsh Saga Poetry: A Study and Edition of the "Englynion" (Cambridge: Brewer, 1990), p. 393.