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|Those Who Dance|
|Directed by||William Beaudine|
|Produced by||Robert North|
|Screenplay by||Joseph Jackson|
|Story by||George Kibbe Turner|
|Starring|| Monte Blue |
|Edited by||George Amy|
|Distributed by||Warner Bros. Pictures, Inc.|
Those Who Dance is a 1930 American Pre-Code crime film produced and distributed by Warner Bros., directed by William Beaudine, and starring Monte Blue, Lila Lee, William "Stage" Boyd and Betty Compson. It is a remake of the 1924 silent film Those Who Dance starring Bessie Love and Blanche Sweet.The story, written by George Kibbe Turner, was based on events which actually took place among gangsters in Chicago.
Monte Blue plays as a police detective who is after a famous gangster (played by William Boyd). He disguises himself and lives in the very house of the famous gangster by pretending he is an out-of-town gangster who has just murdered someone. He pretends he is the sweetheart of an innocent girl (played by Lila Lee) who suspects her brother has been framed for murder by Monte Blue. Blue's moll, played by Betty Compson, is also in on the conspiracy as she had become fed up with his cheating, lying and brutal treatment. The life of Lee's brother, who has been sentenced to death in the electric chair, depends on them getting evidence against Boyd.
Foreign-language versions were made in Spanish (Los Que Danzan), German The Dance Goes On (Der Tanz geht weiter) and French (Contre-Enquête). They are all apparently lost.[ citation needed ]
The film contains a lot of Pre-Code material. Some examples include: Lila Lee's character is called "a professional virgin". Two unmarried couples live together, with the unspoken understanding that this is not true love forever, just a temporary situation for the sake of convenient sex for all parties concerned and hot meals on the table for the men as long as the situation lasts. There is also a gay reference about a man being "that way" about Tim Brady (played by William Janney), etc.
The complete film survives in 16 mm. It was remastered in this format by Associated Artists Productions in 1956 and included in a package of vintage feature films syndicated to television stations. A 16 mm print is housed at the Wisconsin Center for Film & Theater Research. Another print exists at the Library of Congress.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Barker is a 1928 part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr..
On with the Show! is a 1929 American Pre-Code musical film released by Warner Bros. Filmed in Two-strip Technicolor, the film is noted as the first all-talking, all-color feature length film, and the second color film released by Warner Bros.; the first was the partly color, black-and-white musical The Desert Song (1929).
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. The film is now lost. The last known print of the film had been sent to Australia in the late 1950s. The film was returned to MGM and placed in their vaults where it was destroyed in the same vault fire that also claimed London After Midnight in 1965. A short trailer for the film survives at Cinémathèque française in France, but it does not include any footage from the film. This was Betty Compson's only film at MGM.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
Isle of Escape is a 1930 American Pre-Code film produced and released by Warner Bros.. The film stars Monte Blue and Myrna Loy and is set in the South Seas. Blue had been playing the man-stranded-on-island roles, in such films as White Shadows in the South Seas at MGM towards the end of the silent era and in this early talkie film continues on in the tradition.
Weary River is a 1929 American romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. Produced and distributed by First National Pictures, the film is a part-talkie, part-silent hybrid made at the changeover from silent to sound movies. Based on a story by Courtney Riley Cooper, the film is about a gangster who goes to prison and finds salvation through music while serving his time. After he is released and falls back into a life of temptation, he is saved by the love of a woman and the warden who befriended him. The film received a nomination for an Academy Award for Best Director in 1930.
Eve's Secret is a surviving 1925 silent film romantic comedy produced by Famous Players-Lasky and released by Paramount Pictures. It is based on a Broadway play, Moon-Flower, by Zoë Akins, adapted from a Hungarian play by Lajos Bíró. On Broadway Elsie Ferguson starred. Clarence Badger directed Betty Compson and Jack Holt. An extant film 35mm at the Library of Congress.
The Bonded Woman is an extant 1922 American silent drama film produced by Famous Players-Lasky and distributed by Paramount Pictures. It was directed by Phil Rosen and stars Betty Compson, John Bowers, and Richard Dix.
The Millionaire Kid is a 1936 B grade sound film produced and released by Reliable Pictures with former silent stars Bryant Washburn and Betty Compson in the leads and with several other familiar silent personalities in supporting roles.
She Got What She Wanted is an American pre-Code early talking film comedy-drama directed by James Cruze and starring his actress wife Betty Compson. The film was made for Tiffany Pictures with Cruze and Compson having recently completed The Great Gabbo (1929).
Misbehaving Ladies is a 1931 American Pre-Code comedy film directed by William Beaudine and starring Lila Lee, Ben Lyon and Louise Fazenda. It is also known as The Queen of Main Street.
The Enemy Sex is a 1924 silent film drama starring Betty Compson and directed by her husband James Cruze. It was produced by Famous Players-Lasky and released by Paramount Pictures. It is taken from the 1914 novel The Salamander by Owen Johnson.
Over The Border is a lost American drama film released by Paramount Pictures in 1922. It stars Betty Compson and Tom Moore in a story about "love and thrills beneath the northern lights". It was adapted from Sir Gilbert Parker's "She of the Triple Chevron".
The Czar of Broadway is a 1930 American pre-Code crime film produced and distributed by Universal Pictures, directed by William James Craft, and starring John Wray and Betty Compson.
The Green Temptation is a lost 1922 American silent melodrama film directed by William Desmond Taylor and starring Betty Compson. It was written by Julia Crawford Ivers and Monte Katterjohn based upon the short story "The Noose" by Constance Lindsay Skinner.
Skin Deep is a 1929 American pre-Code drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills.
The Intruder is a 1933 Pre code sound comedy-crime film directed by Albert Ray and starring Monte Blue and Lila Lee, two silent screen veterans. It was produced and distributed by Allied Pictures. The picture survives in the Library of Congress collection.
Killer at Large is a 1936 American mystery film directed by David Selman from a script by Harold Shumate, which stars Mary Brian, Russell Hardie, and George McKay.