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The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
Lucky Star is a 1929 sound part-talkie American romantic drama film starring Janet Gaynor and Charles Farrell, and directed by Frank Borzage. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The plot involves the impact of World War I upon a farm girl (Gaynor) and a returning soldier (Farrell).
The River is a 1929 sound part-talkie drama film directed by Frank Borzage, and starring Charles Farrell and Mary Duncan. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. Much of the film has been lost. A reconstructed version with the about 45 minutes of surviving film, using still images and explanatory titlecards to bridge the missing scenes, was produced by the Munich Filmmuseum, in collaboration with the cinémathèques of Switzerland and Luxembourg. This version was screened in 2006 by the American Museum of the Moving Image in New York City. Borzage also directed Farrell, opposite Janet Gaynor, in Seventh Heaven (1927), Street Angel (1928), and Lucky Star (1929) during this period.
Carol Marie Goodner was an American actress who appeared mostly in British films and television.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
Chasing Through Europe is a 1929 sound part-talkie American Pre-Code romance film directed by David Butler and Alfred L. Werker and starring Sue Carol, Nick Stuart and Gustav von Seyffertitz. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The film was produced by the Fox Film Corporation. Most of the film was shot on location in Europe.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
Wonder of Women is a 1929 American sound part-talkie pre-Code drama film directed by Clarence Brown and starring Lewis Stone, Leila Hyams, and Peggy Wood. While the film has a few talking sequences, the majority of the film features a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was nominated for Best Writing at the 2nd Academy Awards.
The Cohens and the Kellys in Atlantic City is a 1929 American sound part-talkie comedy film directed by William James Craft and starring George Sidney, Vera Gordon and Mack Swain. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film is the third entry in the series which began with The Cohens and Kellys, inspired by a play by Aaron Hoffman. Location shooting took place in Atlantic City. Originally shot as a synchronized film without dialogue, some talking sequences were later added at Universal Studios.
Brotherly Love is a 1928 sound part-talkie comedy film produced and distributed by MGM and directed by Charles Reisner. It is a starring vehicle for the comedy team of Karl Dane and George K. Arthur. Young Jean Arthur supports the comedy duo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system.
The Million Dollar Collar is a 1929 American sound part-talkie crime film directed by D. Ross Lederman. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is in unknown status which suggests that it may be lost. According to Warner Bros records the film earned $222,000 domestically and $90,000 foreign.
The Carnation Kid is a 1929 American sound part-talkie drama film directed by E. Mason Hopper and Leslie Pearce and written by Alfred A. Cohn, Arthur Huffsmith and Henry McCarty. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film stars Douglas MacLean, Frances Lee, William B. Davidson, Lorraine MacLean, Charles Hill Mailes, and Francis McDonald. The film was released on March 2, 1929, by Paramount Pictures.
Love in the Desert is a 1929 American sound part-talkie drama film directed by George Melford and starring Olive Borden, Hugh Trevor, and Noah Beery. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
Hit of the Show is a 1928 American sound part-talkie comedy film directed by Ralph Ince and starring Joe E. Brown, Gertrude Olmstead and William Bailey. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system.
The Love Trap is a 1929 American sound part-talkie comedy film directed by William Wyler and starring Laura La Plante, Neil Hamilton and Robert Ellis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system.
Two Men and a Maid is a 1929 American sound part-talkie romantic drama film directed by George Archainbaud and starring William Collier Jr., Alma Bennett and Eddie Gribbon. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Midstream is a 1929 American sound part-talkie science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
It Can Be Done is a 1929 American sound part-talkie comedy film directed by Fred C. Newmeyer and written by Joseph F. Poland, Earle Snell, Nan Cochrane and Albert DeMond. The film stars Glenn Tryon, Sue Carol, Richard Carlyle, Richard Carle, Jack Egan and Tom O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was released on March 24, 1929, by Universal Pictures.
