Theatrical release poster
|Directed by||Irving Reis|
|Produced by|| Isadore Goldsmith (producer)|
Anthony Z. Landi (associate producer)
|Written by|| Vera Caspary |
|Story by||Vera Caspary|
|Starring|| Eve Arden |
|Music by||Herschel Burke Gilbert|
|Edited by||Louis Sackin|
|Distributed by||United Artists|
|March 8, 1951|
Three Husbands is a 1951 American comedy film directed by Irving Reis and starring Eve Arden, Ruth Warrick, and Emlyn Williams.
Comedy is a genre of film in which the main emphasis is on humour. These films are designed to make the audience laugh through amusement and most often work by exaggerating characteristics for humorous effect. Films in this style traditionally have a happy ending. One of the oldest genres in film, some of the very first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1920s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue.
Irving Reis, was a radio program producer and director, and a film director.
Eve Arden was an American film, radio, stage, and television actress, and comedienne. She performed in leading and supporting roles for nearly six decades.
When a recently deceased playboy, Max, gets to heaven, he is granted a wish. His request: to watch his three best friends, with whom he regularly played poker, for the next 24 hours. That day, each man would receive a letter; tomorrow, Max's will is to be read. Each letter states that he had an affair with that man's wife, all of with whom he was close. With one, Max attended Friday symphony matinees and had tea afterwards; with another, he went to night clubs and taught French; the last, he repeatedly hired as his nurse through his long battle with heart disease.
Each husband reacts differently, as does each wife when she discovers that something has happened to make her husband distrust her. At the end of the 24 hours, each couple declares their intention to divorce, mistrust and disbelief having split each relationship. The lawyer reads the will, stating that Max's great fortune has been left to the three wives, as he believes that marriage is stronger when a wife is not dependent on her husband. It states in his will that Max wrote the letters to show each of his friends how much his wife was worth, as each had begun to take her for granted; he believed that jealousy was the perfect motivator to make someone re-appreciate something/someone.
Each wife reiterates her intention to divorce; each husband apologizes and begs her to reconsider. The three couples all reconcile, everyone grateful for having had Max and for his final gift to them - each other.
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The unnamed New York Times reviewer compared it unfavorably to the similar A Letter to Three Wives , which Three Husbands screenwriter Vera Caspary also had a hand in, writing " where 'A Letter to Three Wives' was a dramatic, biting commentary, which often was uproariously funny, 'Three Husbands' is merely a slick sleight-of-hand, ably performed, but chucklesome only in spots."
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