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Galaxy Science Fiction was an American digest-size science fiction magazine, published in Boston from 1950 to 1980. It was founded by a French-Italian company, World Editions, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made Galaxy the leading science fiction magazine of its time, focusing on stories about social issues rather than technology.
If was an American science fiction magazine launched in March 1952 by Quinn Publications, owned by James L. Quinn.
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Infinity Science Fiction was an American science fiction magazine, edited by Larry T. Shaw, and published by Royal Publications. The first issue, which appeared in November 1955, included Arthur C. Clarke's "The Star", a story about a planet destroyed by a nova that turns out to have been the Star of Bethlehem; it won the Hugo Award for that year. Shaw obtained stories from some of the leading writers of the day, including Brian Aldiss, Isaac Asimov, and Robert Sheckley, but the material was of variable quality. In 1958 Irwin Stein, the owner of Royal Publications, decided to shut down Infinity; the last issue was dated November 1958.
Imagination was an American fantasy and science fiction magazine first published in October 1950 by Raymond Palmer's Clark Publishing Company. The magazine was sold almost immediately to Greenleaf Publishing Company, owned by William Hamling, who published and edited it from the third issue, February 1951, for the rest of the magazine's life. Hamling launched a sister magazine, Imaginative Tales, in 1954; both ceased publication at the end of 1958 in the aftermath of major changes in US magazine distribution due to the liquidation of American News Company.
Beyond Fantasy Fiction was a US fantasy fiction magazine edited by H. L. Gold, with only ten issues published from 1953 to 1955. The last two issues carried the cover title of Beyond Fiction, but the publication's name for copyright purposes remained as before.
Fantastic Adventures was an American pulp fantasy and science fiction magazine, published from 1939 to 1953 by Ziff-Davis. It was initially edited by Raymond A. Palmer, who was also the editor of Amazing Stories, Ziff-Davis's other science fiction title. The first nine issues were in bedsheet format, but in June 1940 the magazine switched to a standard pulp size. It was almost cancelled at the end of 1940, but the October 1940 issue enjoyed unexpectedly good sales, helped by a strong cover by J. Allen St. John for Robert Moore Williams' Jongor of Lost Land. By May 1941 the magazine was on a regular monthly schedule. Historians of science fiction consider that Palmer was unable to maintain a consistently high standard of fiction, but Fantastic Adventures soon developed a reputation for light-hearted and whimsical stories. Much of the material was written by a small group of writers under both their own names and house names. The cover art, like those of many other pulps of the era, focused on beautiful women in melodramatic action scenes. One regular cover artist was H.W. McCauley, whose glamorous "MacGirl" covers were popular with the readers, though the emphasis on depictions of attractive and often partly clothed women did draw some objections.
Space Science Fiction Magazine was a US science fiction magazine published by Republic Features Syndicate, Inc. as part of a package of radio shows and related genre magazines. Two issues appeared, both in 1957. It published short stories by well-known writers, including Arthur C. Clarke and Jack Vance, but it was not successful, and the magazine ceased publication late in 1957.
Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers.
Authentic Science Fiction was a British science fiction magazine published in the 1950s that ran for 85 issues under three editors: Gordon Landsborough, H.J. Campbell, and E.C. Tubb. The magazine was published by Hamilton and Co. in London and began in 1951 as a series of novels appearing every two weeks; by the summer it became a monthly magazine, with readers' letters and an editorial page, though fiction content was still restricted to a single novel. In 1952 short fiction began to appear alongside the novels, and within two more years it completed the transformation into a science fiction magazine.
Fantastic Story Quarterlywas a pulp science fiction magazine, published from 1950 to 1955 by Best Books, a subsidiary imprint of Standard Magazines, based in Kokomo, Indiana. The name was changed with the Summer 1951 issue to Fantastic Story Magazine. It was launched to reprint stories from the early years of the science fiction pulp magazines, and was initially intended to carry no new fiction, though in the end every issue contained at least one new story. It was sufficiently successful for Standard to launch Wonder Story Annual as a vehicle for more science fiction reprints, but the success did not last. In 1955 it was merged with Standard's Startling Stories. Original fiction in Fantastic Story included Gordon R. Dickson's first sale, "Trespass", and stories by Walter M. Miller and Richard Matheson.
Famous Fantastic Mysteries was an American science fiction and fantasy pulp magazine published from 1939 to 1953. The editor was Mary Gnaedinger. It was launched by the Munsey Company as a way to reprint the many science fiction and fantasy stories which had appeared over the preceding decades in Munsey magazines such as Argosy. From its first issue, dated September/October 1939, Famous Fantastic Mysteries was an immediate success. Less than a year later, a companion magazine, Fantastic Novels, was launched.
Science Fiction Adventures was a British digest-size science fiction magazine, published from 1958 to 1963 by Nova Publications as a companion to New Worlds and Science Fantasy. It was edited by John Carnell. Science Fiction Adventures began as a reprint of the American magazine of the same name, Science Fiction Adventures, but after only three issues the American version ceased publication. Instead of closing down the British version, which had growing circulation, Nova decided to continue publishing it with new material. The fifth issue was the last which contained stories reprinted from the American magazine, though Carnell did occasionally reprint stories thereafter from other sources.
Fantastic Novels was an American science fiction and fantasy pulp magazine published by the Munsey Company of New York from 1940 to 1941, and again by Popular Publications, also of New York, from 1948 to 1951. It was a companion to Famous Fantastic Mysteries. Like that magazine, it mostly reprinted science fiction and fantasy classics from earlier decades, such as novels by A. Merritt, George Allan England, and Victor Rousseau, though it occasionally published reprints of more recent work, such as Earth's Last Citadel, by Henry Kuttner and C. L. Moore.
Dynamic Science Fiction was an American pulp magazine which published six issues from December 1952 to January 1954. It was a companion to Future Science Fiction, and like that magazine was edited by Robert W. Lowndes and published by Columbia Publications. Stories that appeared in its pages include "The Duplicated Man" by Lowndes and James Blish, and "The Possessed" by Arthur C. Clarke. It was launched at the end of the pulp era, and when publisher Louis Silberkleit converted Future to a digest format in 1954, he decided not to do the same with Dynamic, simply cancelling the magazine.
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
References
- Ashley, Mike (2005). Transformations:The Story of the Science-Fiction Magazines from 1950 to 1970 . Liverpool: Liverpool University Press. ISBN 0-85323-779-4.
- Clute, John; Nicholls, Peter (1993). The Encyclopedia of Science Fiction . New York: St. Martin's Press, Inc. ISBN 0-312-09618-6.
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