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Thuraya Al-Baqsami | |
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| Born | 1952 |
| Nationality | Kuwaiti |
Thuraya Al-Baqsami (born 1952) is a Kuwaiti artist, writer, and internationally acclaimed printmaker. [1] She comes from a large family of creators. [2] [3] Her daughters are Fatima Al Qadiri and Monira Al Qadiri. [2] [3]
The Qadiriyya are members of the Sunni Qadiri tariqa. The tariqa got its name from Abdul Qadir Gilani, who was a Hanbali scholar from Gilan, Iran. The order relies strongly upon adherence to the fundamentals of Sunni Islamic law.
Hyperdub is a British, London-based electronic music record label and former webzine, founded by Steve Goodman, a.k.a. Kode9. The label was formed in 2004, and grew out of the UK's early dubstep scene. Artists signed to the label have included Burial, Cooly G, Dean Blunt, DJ Rashad, DVA, Fatima Al Qadiri, Ikonika, Jessy Lanza, Klein, Laurel Halo and Zomby.
Mohammed ibn al-Tayyib al-Qadiri was a Moroccan historian most known as the author of Nashr al-Mathani. This work is a biographical dictionary of 18th-century Morocco, but each year is usually accompanied by a summary of events. In this sense, the form of the book tends toward being both that of a biographical dictionary and a chronicle. Mohammed al-Qadiri is the grandson of the genealogist Abd as-Salam al-Qadiri.
The Sursock Museum, officially known as the Nicolas Ibrahim Sursock Museum, is a modern and contemporary art museum in Beirut, Lebanon.
Blaffer Art Museum is a non-collecting contemporary art museum located in the Arts District of the University of Houston campus. Housed in the university’s Fine Arts Building, it is part of the Kathrine G. McGovern College of the Arts. It was founded in 1973 and has won several awards, including the Coming Up Taller Award as part of the President's Committee on the Arts and Humanities. The museum presents focus and major monographic and group exhibitions of national and international contemporary artists as well as artwork by University of Houston School of Art students.
The women of Kuwait have experienced many progressive changes since the early 20th century. Since then, women have had increased access to education, gained political and economic rights, and financial power. They can serve in the police, military, and as judges in courts. However, women in Kuwait struggle against a patriarchal culture which discriminates against them in several fields. Kuwait's Bedoon (stateless) women are at risk of significant human rights abuses and persecution, Kuwait has the largest number of Bedoon in the entire region.
Thuraya AlArrayed is an Arabic language Saudi poet and writer she was born in 1948, and received a bachelor's degree from the College of Beirut, in 1966, and then an MBA from American University of Beirut in 1969 and PhD from the University of North Carolina, United States General in 1975.
Thuraya al-Hafez (1911-2000), was a Syrian politician who campaigned against the niqab and for women's rights.
Fatima Al Qadiri is a Senegalese-born Kuwaiti musician and conceptual artist.
The Sharjah Biennial is a large-scale contemporary art exhibition that takes place once every two years in the city of Sharjah, United Arab Emirates. The first Sharjah Biennial took place in 1993, and was organized by the Sharjah Department of Culture and Information until it is reorientation in 2003 by Hoor bint Sultan Al Qasimi.
Sana Bagersh was born on May 2, 1963, in Addis Ababa, Ethiopia, to Yemeni parents. She is the daughter of Abubaker Bagersh, and Fozia Baobeid, whose origins are Shibam, Hadhramut in Yemen. She studied at the Sandford English School in Addis Ababa, and the University of Tennessee in Knoxville, Tennessee.
Johann König is a German art dealer, and the founder of König Galerie.
Events in the year 2017 in Morocco.
Videoart at Midnight is an international forum fostering contemporary art, in particular film, new media art and video art. In a monthly program international artists are invited to show their work in the big cinema hall of the Kino Babylon in the Mitte neighborhood of Berlin.
Brute is the second studio album of Kuwait musician Fatima Al Qadiri. A protest album inspired by events such as the 2015 Baltimore protests and the Ferguson unrest, the album regards the authoritarian power of law enforcement in the United States and the illusion of democracy existing in the western part of the world. Its cover art by Josh Kline, Babok Radboy, and Joerg Lohse is a photograph of one of the "police teletubbies" found in Kline's art piece "Freedom," which was intended to present how civil rights were being destroyed in the 21st century. Brute features samples of the Ferguson protest, an MSNBC report of Occupy Wall Street by Lawrence O'Donnell, and an interview with a former member of the LAPD regarding the power of the police.
Desert Strike is the third extended play of Kuwait musician Fatima Al Qadiri. The record is based on Desert Strike: Return to the Gulf (1992), a video game that in turn is based on events of Operation Desert Storm of the Gulf War. As a kid who lived in Kuwait during the Gulf War, Qadiri played the game a year after it took place, which messed with how she remembered experiencing the actual war. Given how dark the game portrayed the Gulf War, she intended the extended play to represent a positive and "innocent" view of it by pairing a palette of childlike sounds with war sound effects. Released on 23 October 2012 by the label Fade To Mind, Desert Strike garnered generally favorable reviews from professional music journalists and landed on Spin magazine's list of the "Best Dance Albums of 2012."
Genre-Specific Xperience is a project by Kuwait musician Fatima Al Qadiri that serves as her second extended play in her discography. Its intention is to reinterpret five musical genres through audio and visuals: juke, hip hop, dubstep, electronic tropicalia, and what the press release labeled as "‘90s Gregorian trance." The main idea of the project regards what would happen if the "limitations" of a genre were bypassed or altered. The visuals for the tracks were produced by Tabor Robak, Sophia Al-Maria, Ryan Trecartin, Rhett LaRue, Kamau Patton, and production company Thunder Horse. The music videos premiered at New Museum on 21 October 2011, and the extended play itself was released by UNO Records on 25 October to favorable reviews from professional music journalists. A remix record titled GSX Remixes was released in May 2012 and features re-edits of tracks from Genre-Specific Xperience by acts such as Ikonika and DJ Rashad.
Asiatisch is the debut full-length studio album of Kuwaiti musician Fatima Al Qadiri, released by the label Hyperdub on 5 May 2014. The record is about what Qadiri called "Imagined China," an environment of stereotypes about East Asian nations and respective cultures formed in media of the Western world. Thus, it musically derives from sinogrime, a style of grime music that utilizes elements of East Asian music. In representing Asian stereotypes, the album includes digital traditional Chinese and Japanese-styled drum kits and synth presets alongside "scrambled" ancient Chinese poems. One of the main inspirations for Qadiri producing Asiatisch was the making of a "nonsense Mandarin" a cappella version of the song "Nothing Compares 2 U" that would later be the record's opening track.
Shaneera is an extended play by Kuwait musician Fatima Al Qadiri, released on 13 October 2017 via the label Hyperdub. Marking Qadiri's move towards more dance-orientated material, Shaneera is conceptually about an "evil queen" that defies "binary status quo gender roles," a character that Qadiri appears as on the EP's cover art. Many critics found Shaneera much better than Qadiri's previous records for its playful use of its concept.
Monira Al Qadiri is a Senegalese-born Kuwaiti visual artist, who is currently based in Berlin. Her work employs various media, including video, sculptures, installation art and performances. She's had several solo exhibitions, which include the Blaffer Art Museum in Houston, Haus der Kunst in Munich, and Sursock Museum in Beirut. Her works have also been part of group exhibitions in internationally renowned museums, including the Museum of Modern Art in New York and Palais de Tokyo in Paris. Recurring themes in Al Qadiri's work are petrostates and gender identity.
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