Lwa, also called loa, are spirits in the African diasporic religion of Haitian Vodou and Dominican Vudú. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Joel Chandler Harris was an American journalist and folklorist best known for his collection of Uncle Remus stories. Born in Eatonton, Georgia, where he served as an apprentice on a plantation during his teenage years, Harris spent most of his adult life in Atlanta working as an associate editor at The Atlanta Constitution.
Anansi or Ananse is an Akan folktale character associated with stories, wisdom, knowledge, and trickery, most commonly depicted as a spider, in Akan folklore. Taking the role of a trickster, he is also one of the most important characters of West African, African American and West Indian folklore. Originating in Ghana, these spider tales were transmitted to the Caribbean by way of the transatlantic slave trade.
Uncle Remus is the fictional title character and narrator of a collection of African American folktales compiled and adapted by Joel Chandler Harris and published in book form in 1881. Harris was a journalist in post–Reconstruction era Atlanta, and he produced seven Uncle Remus books. He did so by introducing tales that he had heard and framing them in the plantation context. He wrote his stories in a dialect which was his interpretation of the Deep South African-American language of the time. For these framing and stylistic choices, Harris's collection has garnered controversy since its publication.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou. Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherents work and practice, are not gods but servants of the Supreme Creator Bondye. A lot of the Iwa identities come from deities formed in the West African traditional regions, especially the Fon and Yoruba. In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."
Nanabozho, also known as Nanabush, is a spirit in Anishinaabe aadizookaan, particularly among the Ojibwe. Nanabozho figures prominently in their storytelling, including the story of the world's creation. Nanabozho is the Ojibwe trickster figure and culture hero.
The Culture of Africa is varied and manifold, consisting of a mixture of countries with various tribes depicting their unique characteristic and trait from the continent of Africa. It is a product of the diverse populations that inhabit the continent of Africa and the African diaspora. Generally, Culture can be defined as a collective mass of distinctive qualities belonging to a certain group of people. These qualities include laws, morals, beliefs, knowledge, art, customs, and any other attributes belonging to a member of that society. Culture is the way of life of a group of people.
Caribbean folklore includes a mix of traditions, tales, and beliefs of the Caribbean region. Caribbean folklore was shaped by a history filled with violence, colonialism, slavery, and multicultural influences. Specifically, influences from African, Creole, Asian, Indigenous American, European, and Indian cultures converged in the Caribbean to create a blend of lore unique to the region. Caribbean folklore has a variety of different characters that portray different traits. Folklore has evolved by blending folk speech, Creole dialogue, and various other elements that create the literary form of folklore, which portrays the "spirit" and "soul" of the Caribbean. Many themes are covered in Caribbean folklore, including colonial legacies, diversity in cultures, and the search for identity. Writers such as Nalo Hopkinson use these folklore elements in their writings by weaving myths and traditions into their modern-day storytelling.
Djibril Diop Mambéty was a Senegalese film director, actor, orator, composer and poet. Though he made only five feature films and two short documentary films, they received international acclaim for their original and experimental cinematic technique and non-linear, unconventional narrative style.
The Laughing Place is a traditional African American folktale, featuring Br'er Rabbit, Br'er Fox and Br'er Bear. It is famous for its inclusion among Joel Chandler Harris' Uncle Remus stories.
Kassai and Luk is a children's animated television series produced by Marathon Productions. It was developed in 1996 and originally aired in English in 1997 on Teletoon, which classified it as a pre-school program. In Mexico, it was aired by Once Niños. Directed by Jean-Louis Bompoint and inspired in La Belle Histoire de Leuk-le-Lièvre written by Abdoulaye Sadji and Léopold Sédar Senghor in 1953.
The Matengo are an ethnic and linguistic group based in Mbinga District, Ruvuma Region in southern Tanzania. In 1957, the population estimate was 57,000, while in 2010, the Matengo population was estimated to number 284,000. Their religious affiliation is to Christianity. Their Affinity Bloc is Sub-Saharan African. Their main language is Matengo, which is one of the Bantu languages.
African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700s–1900s. Prevalent themes in African-American folktales include tricksters, life lessons, heartwarming tales, and slavery. African Americans created folktales that spoke about the hardships of slavery and told stories of folk spirits that could outwit their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits would liberate them from slavery.
Gris-gris is a Voodoo amulet originating in West Africa which is believed to protect the wearer from evil or bring luck, and in some West African countries is used as a purported method of birth control. It consists of a small cloth bag, usually inscribed with verses from an ancestor and a ritual number of small objects, worn on the person.
Br'er Rabbit is a central figure in an oral tradition passed down by African-Americans of the Southern United States and African descendants in the Caribbean, notably Afro-Bahamians and Turks and Caicos Islanders. He is a trickster who succeeds by his wits rather than by brawn, provoking authority figures and bending social mores as he sees fit. Popular adaptations of the character, originally recorded by Joel Chandler Harris in the 19th century, include Walt Disney Productions' Song of the South in 1946.
In mythology and the study of folklore and religion, a trickster is a character in a story who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior.
West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures, heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean, African-American and Brazilian mythology.
Touki Bouki is a 1973 Senegalese drama film written and directed by Djibril Diop Mambéty. It was screened at the 1973 Cannes Film Festival and the 8th Moscow International Film Festival.
Akhu Tönpa, or Uncle Teacher, is a fictional character portrayed as a trickster in Tibetan folklore. Akhu Tönpa is portrayed as a layperson who frequently plays harmless and not-so-harmless pranks on villagers, monks, and members of the aristocracy. However, he also acts as a leader or role model. He is believed to be sent by Chenrezig (Avalokiteśvara), the Buddha of compassion, to teach Tibetans the art of being shrewd and witty. As such, he frequently outwits the strong and mighty in society and is portrayed as a champion of the common man.
