| Tico Records | |
|---|---|
| Founded | 1948 |
| Founder | George Goldner |
Tico Records was a New York City record label that was founded in 1948. It was originally owned by George Goldner and later acquired by Morris Levy and incorporated into Roulette Records. It specialized in Latin music and was significant for introducing artists such as Ismael Rivera, Ray Barretto and Tito Puente. In 1974, it was sold to Fania Records and stopped issuing new releases in 1981; however, the label's extensive catalog continues to be reissued under the Tico Records name.
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Julio "Julito" Collazo was a master percussionist.
Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Carlos Manuel "Charlie" Palmieri was a Puerto Rican bandleader and musical director of salsa music. He was known as the "Giant of the Keyboards".
Eddie Palmieri is an American Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
Pablo Rodríguez Lozada, better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
George Goldner was an American record label owner, record producer and promoter who played an important role in establishing the popularity of rock and roll in the 1950s, by recording and promoting many groups and records that appealed to young people across racial boundaries. Among the acts he discovered were the Crows, Frankie Lymon and the Teenagers, and Little Anthony and the Imperials.
Lupe Victoria Yolí Raymond, better known as La Lupe, was a Cuban singer of boleros, guarachas and Latin soul, known for her energetic, sometimes controversial performances. Following the release of her first album in 1961, La Lupe moved from Havana to New York and signed with Tico Records, which marked the beginning of a prolific and successful career in the 1960s and 1970s. She retired in the 1980s due to religious reasons.
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.
Ángel Santos Vega Colon, aka Santitos Colón, was a Puerto Rican bolero and mambo singer, born in Sabana Grande, Puerto Rico and raised in Mayagüez. He was also known by the moniker: "The Man with The Golden Voice".
"Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on El Rey Bravo. The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959.
Sonny Bravo, born Elio Osacar, is an Afro-Cuban jazz and Latin jazz pianist. He was once a very good baseball player with many prospects born in New York, New York, though due to an injury in 1956 he sought out a career in music. It was then he started performing with Many Campo, El Casino de Miami, José Fajardo and many others. He also recorded with Tito Puente and Bobby Paunetto.
Manny Oquendo was an American percussionist of Puerto Rican ancestry. His main instruments were the timbales and the bongos.
Jimmy Sabater was an American musician of Puerto Rican ancestry. A three-time winner of the ACE Awards, he was a singer and timbales player. He gained international fame thanks to his work with the Joe Cuba Sextet in the 1960s and '70s, and later became the lead singer of various groups including Charlie Palmieri's Combo Gigante. His son, Jimmy Sabater Jr., is a trumpeter and bandleader.
John Rodríguez Jr., better known as Johnny "Dandy" Rodríguez, is an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fe. He belonged to several popular bands of the salsa era such as Tico All-Stars, Fania All-Stars and Típica 73.
Ernest AnthonyPuente Jr., commonly known as TitoPuente, was an American musician, songwriter, bandleader, timbalero, and record producer. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va".
Orlando Marin is an American band leader and timbales player. He formed his first band, Eddie Palmieri and his Orchestra, in 1951–52 with himself as director and Eddie Palmieri as musical director and later on the piano. He is of Puerto Rican descent.
Jacinto "Pupi" Campo was a Cuban entertainer, dancer and bandleader who spent most of his life in the United States. As a bandleader in the 1940s and 50s, he made recordings for labels such as Seeco and Tico. His band featured percussionist and musical director Tito Puente and pianist Joe Loco.
Al Castellanos was a Cuban bandleader of the 1940s and 1950s. He was one of the first three acts, with Tito Puente and Tito Rodríguez, to record for Tico Records in New York. In 1955 Castellanos signed a three-year deal with leading New York Latin label Mardi Gras Records and had his first big hit "The Speak-Up Mambo". Castellanos' orchestra was based around the La Playa Sextet.
Tito Puente Swings, The Exciting Lupe Sings, also known as La exitante Lupe canta con el maestro Tito Puente is an album by La Lupe and Tito Puente. It was released by Tico Records in 1965. AllMusic gave the album a rating of two-and-a-half stars.