Tim Crosbie | |
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Occupation | Visual effects supervisor |
Years active | 1995–present |
Tim Crosbie is an Australian visual effects supervisor.
He was nominated for the Best Visual Effects at the 87th Academy Awards for his work on the film X-Men: Days of Future Past . His nomination was shared with Richard Stammers, Lou Pecora, and Cameron Waldbauer. [1] [2] He is part of Rising Sun Pictures production team which does visual effects. [3]
Framestore is a British animation and visual effects studio based on Chancery Lane in London, England. The company was founded in 1986. Framestore specialises in effects for film and prestige TV, advertising, rides and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognised for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.
Rhythm & Hues Studios was an American visual effects and animation company that received the Academy Award for Best Visual Effects in 1995 for Babe, in 2007 for The Golden Compass, and in 2012 for Life of Pi. It also received four Scientific and Technical Academy Awards.
Matt Sloan is an Australian visual effects supervisor. He was previously a special effects and animatronics technician.
Marc Weigert is an Emmy-award-winning film producer and film/TV visual effects supervisor and 2nd unit director.
Bill Westenhofer is an American visual effects supervisor. He worked for Rhythm and Hues Studios until its closure in 2013.
Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.
X-Men: Days of Future Past is a 2014 superhero film directed and co-produced by Bryan Singer and written by Simon Kinberg from a story he created with Jane Goldman and Matthew Vaughn. The film is based on the Marvel Comics superhero team the X-Men, the fifth mainline installment of the X-Men film series, a sequel to X-Men: The Last Stand (2006) and X-Men: First Class (2011), a follow-up to The Wolverine (2013), and the seventh installment overall. It stars an ensemble cast, including Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Halle Berry, Anna Paquin, Elliot Page, Peter Dinklage, Ian McKellen, and Patrick Stewart. The story, inspired by the 1981 Uncanny X-Men storyline "Days of Future Past" by Chris Claremont and John Byrne, focuses on two time periods, with Logan traveling back in time to 1973 to change history and prevent an event that results in unspeakable destruction for both humans and mutants.
Tim Webber is a Welsh visual effects supervisor and is chief creative officer at visual effects studio Framestore. He is known for his work on Harry Potter and the Goblet of Fire (2005), The Dark Knight (2008), Children of Men (2006), and Gravity (2013), for which he received an Academy Award for Best Visual Effects at the 86th Academy Awards.
Richard Stammers is a British visual effects artist.
X-Men: Apocalypse is a 2016 American superhero film directed and produced by Bryan Singer and written by Simon Kinberg from a story by Singer, Kinberg, Michael Dougherty, and Dan Harris. The film is based on the fictional X-Men characters that appear in Marvel Comics. It is the sixth mainline installment in the X-Men film series and the ninth installment overall. It is the sequel to X-Men: Days of Future Past (2014) and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, and Lucas Till. In the film, the ancient mutant En Sabah Nur / Apocalypse is inadvertently revived in 1983 and plans to recreate the world in his own image, leading the X-Men to try to stop him and defeat his team of mutants.
Timothy Miller is an American filmmaker, animator, and visual effects artist. He made his feature-film directing debut with the superhero film Deadpool (2016). He then directed Terminator: Dark Fate (2019), the sixth installment in the Terminator franchise. He is the creator of the animated anthology series Love, Death & Robots (2019-present), for which he has won three Primetime Emmy Awards for Outstanding Short Form Animated Program.
Cameron Waldbauer is a Canadian special effects supervisor.
Ander Langlands is a visual effects supervisor.
Tom Wood is an English visual effects supervisor.
The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.
FuseFX is an American special visual effects company which was founded in Los Angeles, California in 2006 by David Altenau, Tim Jacobsen and Jason Fotter. The company is best known for developing special visual effects for television series, films, commercials and virtual realities.
Peter Maximoff is a fictional character appearing in 20th Century Fox's X-Men film series, portrayed by Evan Peters and based on the Marvel Comics character Quicksilver, a mutant with the ability to move at superhuman speed. The character appeared in the films X-Men: Days of Future Past (2014), X-Men: Apocalypse (2016), and Dark Phoenix (2019), and had a cameo appearance in Deadpool 2 (2018).
Lou Pecora is an American visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film X-Men: Days of Future Past.