Related Research Articles
Timpani or kettledrums are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands.
William Kraft was an American composer, conductor, teacher, timpanist, and percussionist.
Seiji Ozawa is a Japanese conductor known for his advocacy of modern composers and for his work with the San Francisco Symphony, the Toronto Symphony Orchestra, the Vienna State Opera, and the Boston Symphony Orchestra, where he served as music director for 29 years. He is the recipient of numerous international awards.
The Boston University Tanglewood Institute (BUTI) is a summer music training program for students age 10 to 20 in Lenox, Massachusetts, under the auspices of the Boston University College of Fine Arts.
Walter J. Light (1927–1979) was an American timpanist, percussionist, and drummaker. At the age of 16, he was appointed to a percussion position in the Denver Symphony Orchestra, joining his father, Walter E. Light, who was the timpanist. He began a 27-year stint as principal timpanist after his father's death in 1952.
Saul Goodman was the principal timpanist of the New York Philharmonic from 1926 to 1972.
Peter Donohoe CBE is an English classical pianist.
Mitchell Thomas Peters was a principal timpanist and percussionist with the Los Angeles Philharmonic Orchestra. He composed well-known pieces for the marimba such as "Yellow After the Rain" and "Sea Refractions"; it is said that these works were composed because Peters felt that there was a lack of musically interesting material that would introduce his students to four-mallet marimba techniques.
John Harvey Wyre was a U.S.-born Canadian percussionist, composer, and music educator. He worked as percussionist with a number of important orchestras in North America, notably serving for many years as the principal timpanist of the Toronto Symphony Orchestra. He was a founding member of the percussion ensemble Nexus, with which he performed for over 30 years. He was also Artistic Director of World Drums with whom he organized and directed performances at several major international events. His music compositions have been performed by ensembles throughout the world, including the New York Philharmonic, the Cleveland Orchestra, the CBC Radio Orchestra, and the Japan Philharmonic among others.
Everett Joseph "Vic" Firth was an American musician and the founder of Vic Firth Company, a company that makes percussion sticks and mallets.
Rainer Seegers, is a German percussionist, former timpanist of the Berlin Philharmonic, tutor of the European Union Youth Orchestra and guest professor at the Hochschule für Musik "Hanns Eisler". Seegers is also a timpani soloist who has championed the unusual repertoire for timpani and orchestra.
Gary Clifford Dennis Brain was a New Zealand timpanist and conductor. He was a principal timpanist with the New Zealand Symphony Orchestra until an accident permanently damaged his wrist. Following the accident, Brain retrained to become a conductor, studying under Rafael Kubelík for four years, and attended master classes with Lorin Maazel. He was a professional conductor from 1990 until his death.
This England is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by Dutch record label PentaTone Classics in November 2012. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon, at five performances in February and May 2012. It contains works by three English 20th-century composers: Edward Elgar's Cockaigne , Ralph Vaughan Williams' Symphony No. 5, and "Four Sea Interludes" and "Passacaglia" from Benjamin Britten's opera Peter Grimes. The recording was the orchestra's second under Kalmar's leadership, following Music for a Time of War (2011), which also included works by Britten and Vaughan Williams. This England received positive critical reception but failed to chart.
Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
Michael Alden Bayard is an American percussionist, drummer, composer, recording artist, music lecturer, and author. A graduate of the Juilliard School of Music Pre-College Division and the Curtis Institute of Music who made his Carnegie Hall debut at age 16, Bayard has performed percussion and timpani under numerous conductors. As a percussion soloist, he served with the Sacramento Symphony as the principal percussionist for 17 years and has been featured with the Philadelphia Orchestra, Boston Pops Orchestra, New Jersey Symphony, Queens Symphony, Joffrey Ballet Orchestra, Jacksonville Symphony, Reno Philharmonic, Stockton Symphony, and Santa Rosa Symphony. Bayard currently performs with Grammy award-winning Mary Youngblood.
Tatsuo Sasaki is a timpanist, percussionist, xylophonist and marimbist. He became a naturalized American citizen and lives in San Diego, California.
Stanley Sprenger Leonard is a timpanist, composer and educator who has been active in the percussion world for over seventy years. While Principal Timpanist of the Pittsburgh Symphony Orchestra for 38 years (1956-1994), he performed internationally with the symphony in concerts, television productions, and recordings." The Christian Science Monitor claimed, "...his performance of the solo part establishes him as perhaps the finest timpanist in the country." As a solo artist, he premiered several major new works for solo timpani and orchestra with the Pittsburgh Symphony Orchestra. In a review of "Celebrations—An Overture for Timpani and Orchestra," the Pittsburgh Post-Gazette said, "Leonard played it superbly, imparting a singing line to this most unvocal instrument." In 2010, he was inducted into the Percussive Arts Society Hall of Fame, where they summed up his musical contribution: "Leonard has left an indelible musical footprint for musicians, especially percussionists." He is currently resident timpanist, composer, was handbell director at Vanderbilt Presbyterian Church, Naples, Florida, and continues to compose and teach master classes.
Morris Goldenberg was an American percussionist, music teacher, and method book author. He wrote several books on orchestral snare drumming, mallet percussion, and timpani. He is a member of the Percussive Arts Society Hall of Fame.
Timothy K. Adams Jr. is the Mildred Goodrum Heyward Professor at the University of Georgia’s Hugh Hodgson School of Music. Prior to joining the faculty, he was the Principal Timpani with the Canton Symphony Orchestra, Florida Philharmonic Orchestra, Indianapolis Symphony Orchestra, and Pittsburgh Symphony Orchestra.
Elayne Viola Jones was an American timpanist. An African American woman, she broke the color barrier in classical music by becoming the first Black principal in a major American orchestra in 1972. In 2019 she became the fourth female member of the Percussive Arts Society Hall of Fame.
References
- ↑ Pollack-Fusi, Mindy (June 15, 2005). "Two BSO musicians". The Boston Globe.
- ↑ "Timothy Genis".
- ↑ T.J. Medrek (Nov 19, 2004). "BSO Percussionist is a WORLD-BEETER". Boston Herald . p. 19.
- ↑ "Timothy Genis » College of Fine Arts | Boston University". www.bu.edu. Archived from the original on September 8, 2010.
- ↑ "Jacksonville Symphony Newsletter by Design Extensions". ISSUU.com. Retrieved 2015-05-31.
- ↑ "The Daily Free Press - BU Percussionist Begins his First 2009-2010 BSO Season with a Bang". www.dailyfreepress.com. Archived from the original on March 8, 2010.
- ↑ "Kyle Brightwell Earns a Spot as Percussionist for Boston Symphony Orchestra". Connectionnewspapers.com. 2012-02-08. Retrieved 2015-05-31.
- ↑ Powers, Keith (2012-02-21). "Blog Archive » Boston Symphony Orchestra hires four new members". Bostonclassicalreview.com. Retrieved 2015-05-31.
- ↑ http://www.zildjian.com/DE-DE/news/newsDetail.ad2?newsID=1395 [ dead link ]
- ↑ "Detroit Symphony introduces Principal Flute and Principal Percussion « Detroit Symphony Orchestra News". Blog.dso.org. Archived from the original on 2016-01-17. Retrieved 2015-05-31.
- ↑ "Oregon Symphony Musician: Michael Roberts". Orsymphony.org. Retrieved 2015-05-31.
- ↑ "Percussion". Utahsymphony.org. 2013-10-14. Retrieved 2015-05-31.
 | This article about an American classical musician is a stub. You can help Wikipedia by expanding it. |