 |
 Cover of 1997 edition (paperback) | |
| Editors | Jack Dann and Gardner Dozois |
|---|---|
| Cover artist | Jean-Francois Podevin |
| Country | United States |
| Language | English |
| Series | Jack Dann and Gardner Dozois Ace anthology series |
| Genre | Science fiction |
| Publisher | Ace Books |
Publication date | 1997 |
| Media type | Print (Paperback) |
| Pages | 244 |
| ISBN | 0-441-00428-8 |
| OCLC | 36381503 |
| Preceded by | Hackers |
| Followed by | Clones |
Timegates is a 1997 anthology of short stories edited by American writers Jack Dann and Gardner Dozois.
Terence Kemp McKenna was an American ethnobotanist and mystic who advocated the responsible use of naturally occurring psychedelic plants. He spoke and wrote about a variety of subjects, including psychedelic drugs, plant-based entheogens, shamanism, metaphysics, alchemy, language, philosophy, culture, technology, ethnomycology, environmentalism, and the theoretical origins of human consciousness. He was called the "Timothy Leary of the '90s", "one of the leading authorities on the ontological foundations of shamanism", and the "intellectual voice of rave culture".
Claremont McKenna College (CMC) is a private liberal arts college in Claremont, California. It has a curricular emphasis on government, economics, public affairs, finance, and international relations. CMC is a member of the Claremont Colleges consortium.
Richard Milton McKenna was an American sailor and novelist. He was best known for his historical novel The Sand Pebbles, which tells the story of an American sailor serving aboard a gunboat on the Chinese Yangtze River in 1925.
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Dame Virginia Anne McKenna is a British stage and screen actress, author, animal rights activist, and wildlife campaigner. She is best known for the films A Town Like Alice (1956), Carve Her Name with Pride (1958), Born Free (1966), and Ring of Bright Water (1969), as well as her work with the Born Free Foundation.
The Irish flute is a conical-bore, simple-system wooden flute of the type favoured by classical flautists of the early 19th century, or to a flute of modern manufacture derived from this design. The majority of traditional Irish flute players use a wooden, simple-system flute.
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