Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognized for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
Pacific Data Images (PDI) was an American computer animation production company based in Redwood City, California, that was bought by DreamWorks SKG in 2000. It was renamed PDI/DreamWorks and was owned by DreamWorks Animation.
Foundation Imaging, Inc. was a CGI visual effects studio, computer animation studio, and post-production editing facility.
Evan Jacobs is an American visual effects and 3D stereoscopic supervisor. Jacobs has overseen visual effects and served as miniatures supervisor on the feature films such as Olympus Has Fallen, Ed Wood, What the #$*! Do We Know?!, and Resident Evil: Extinction.
Digital Molecular Matter (DMM) is a proprietary middleware physics engine developed by Pixelux for generating realistic destruction and deformation effects. The offline version can support high-resolution simulations for use in film special effects. The real-time version is designed for video games, and other simulation needs by attempting to simulate physical real-world systems. Unlike traditional real-time simulation engines, which tend to be based on rigid body kinematics, the use of finite element analysis (FEA) allows DMM to simulate a large set of physical properties. Developers can assign physical properties to a given object or portion of an object, which allow the object to behave as it would in the real world. In addition, the properties of objects or parts of objects can be changed at runtime, allowing for additional interesting effects.
Nik Ranieri is a character animator who is primarily known for his work at Walt Disney Animation Studios. He has been supervising animator of many characters and remained so until his layoff in 2013.
Charlotte Louise Fullerton is an American writer of television, novels, comic books and video games.
Roscoe Wayne Marquand is an American actor. He has played Aaron on the television series The Walking Dead (2015–2022), Red Skull and Ultron in various projects connected to the Marvel Cinematic Universe, and has voiced numerous characters on the streaming television series Invincible (2021).
Meteor Studios was a Canadian production company based in Montreal that worked in computer animation for many films and TV series. Founded in 2001 by American director Pierre De Lespinois and parent company Discovery Communications, the company specialized in creating "realistic CG on TV budgets". In 2002, it won an Emmy Award in association with the Discovery Channel for Walking With Prehistoric Beasts. By 2005, it was the largest visual effects studio in eastern Canada. Meteor's film credits included movies such as 300, Fantastic Four, Scooby-Doo 2, and Catwoman. After wrapping its first 3D VFX project, Journey to the Center of the Earth, the company closed in November 2007 without having paid its workers for three months.
Simon James Smith is a British animator, film director, and voice actor. He is best known for his work at DreamWorks Animation. Smith came to PDI/DreamWorks in 1997 as head of layout for the company's feature film division. A CG animation veteran with nearly 35 years of experience, Smith supervised the layout department on PDI/DreamWorks' first animated feature Antz, serving as the Head of Layout in Shrek. He then directed the Universal Studios Theatre experience Shrek 4-D, followed by the short Far Far Away Idol. His first feature film as a director was in 2007, with Bee Movie. He then directed another DVD short, Megamind: The Button of Doom, before co-directing, with Eric Darnell, the comedy/spy action spin-off from the Madagascar series, Penguins of Madagascar, the mini series "Baymax Dreams" for Disney, and is executive producer "Batwheels" for Warner Bros.
Base FX is a visual effects and animation company with production studios in Beijing, Kuala Lumpur, Wuxi and Xiamen, and an office in Los Angeles. The company was founded in 2006 and has completed more than 150 films.
Zero Point Zero Production, Inc. is a television, film, print, and digital content company founded in 2003 by Executive Producers Chris Collins and Lydia Tenaglia. Since its inception, the company has produced hundreds of hours of documentary content in over 100 countries around the world, including the critically acclaimed, Emmy and Peabody Award-winning series Anthony Bourdain: Parts Unknown, the Emmy Award-winning The Mind of a Chef, and Emmy nominated The Hunt with John Walsh. As of 2019, ZPZ has received 27 Emmy Awards with 80 Nominations, A Peabody Award, 2 PGA Awards, 5 ACE Eddie Awards, and 5 James Beard Awards. The company also publishes Food Republic.
Avengers: Age of Ultron is a 2015 American superhero film based on the Marvel Comics superhero team the Avengers. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to The Avengers (2012) and the 11th film in the Marvel Cinematic Universe (MCU). Written and directed by Joss Whedon, the film features an ensemble cast including Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Linda Cardellini, Stellan Skarsgård, James Spader, and Samuel L. Jackson. In the film, the Avengers fight Ultron (Spader)—an artificial intelligence created by Tony Stark (Downey) and Bruce Banner (Ruffalo) who plans to bring about world peace by causing human extinction.
SilhouetteFX began as a rotoscoping tool for the visual effects industry. SilhouetteFX has been expanded to include capabilities facilitating paint, warping and morphing, 2D to 3D conversion and alternative matting methods. As of V6, SilhouetteFX retains all of the aforementioned capabilities now embedded in a node-based digital compositing application.
The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.
Tony Stark has worn different versions of the Iron Man armor throughout the Marvel Cinematic Universe (MCU). He has also built armor for James Rhodes, the Iron Spider suit for Peter Parker, and Pepper Potts' Rescue armor.
Trent Claus is a visual effects supervisor with Lola VFX. He is known for his work on the Marvel Cinematic Universe (MCU), having contributed to 21 of their films.
"What If... Ultron Won?" is the eighth episode of the American animated television series What If...?, based on the Marvel Comics series of the same name. It explores what would happen if the events of the Marvel Cinematic Universe (MCU) film Avengers: Age of Ultron (2015) occurred differently, with Ultron using the Infinity Stones to kill virtually all life in the universe after successfully transferring his consciousness into Vision's body. It also serves to set up the first season's finale, as Ultron finds a way to traverse to other universes, threatening the balance of the multiverse. The episode was written by story editor Matthew Chauncey and directed by Bryan Andrews.
