Timothy Verdon

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Timothy Verdon
Timothy Verdon.jpg
Personal details
BornApril 24, 1946
Hoboken, New Jersey, United States
Nationality American and Italian
Residence(s) Florence, Italy
Education M.A., M. Phil. -1973, Ph.D. - 1975 Yale University B.A. – 1968 St. Peter's College
OccupationArt Historian, Museum Director, Author
Known for Art History
Website https://web.archive.org/web/20120224031821/http://www.timothyverdon.com/

Timothy Christopher Verdon (born 24 April 1946), is a Roman Catholic priest and Art Historian, specialized in Christian Sacred Art on which he has written numerous books and articles. He has organized international scholarly conferences and curated exhibitions in Italy and the USA. He was born in New Jersey, United States, and has lived in Italy for more than 50 years, now residing in Florence. [1] [2]

Contents

Professional activity

Verdon is a Canon of Santa Maria del Fiore, Florence's Cathedral Church. He is Director of the Office of Sacred Art of the Archdiocese of Florence and of the Museo dell'Opera del Duomo (Cathedral Museum), whose new installation he designed in 2012–15 with the architects Adolfo Natalini, Marco Magni, and Piero Guicciardini. [3] [4] [5]

He is also the director of Centre for Ecumenism, Archdiocese of Florence [6] and Academic Director of the Ecumenical Center for Art and Spirituality, Mount Tabor, Barga. [2]

Verdon is an author in Italian and English of over 100 books and articles on Christian Sacred Art [7] and has been an Official Advisor to the Vatican Commission for Church Cultural Heritage. He has also been a Fellow of the Harvard University Center for Italian Renaissance Studies (Villa I Tatti)., [8] [3] [1] and for 20 years has taught in the Florence Program of Stanford University. [9]

From 2010 to 2015, he has curated museum art exhibitions in Florence, Seoul, New York, Washington D.C., and Turin. He regularly contributes to the cultural page of the Osservatore Romano. [3] [6] [1]

Academic career

After a year in Venice (1964–65), Verdon studied in Art History at St. Peter's College, New Jersey, with Sabine Spiero Gova, a former Bauhaus member and lecturer at the Ecole du Louvre. Then, following a semester in Paris and a second year in Venice as a Fulbright grant holder, he obtained a Ph.D. at Yale University, writing his dissertation on Italian Renaissance sculptor Guido Mazzoni under the direction of Charles Seymour, Jr., former head of the Renaissance sculpture department of the National Gallery of Art, Washington, D.C. [10] [11]

In 1976, Verdon entered a Benedictine priory, Mount Saviour Monastery, near Elmira, New York, later transferring to St. Anselm's Abbey, Washington, D.C., where he took courses in theology at the Catholic University of America. [12] In 1980, with John Dally of Yale Divinity School, he organized a two-part conference for the 1500th anniversary of the birth of St. Benedict of Nursia, Monasticism and the Arts, promoted by the Yale Divinity School, the National Gallery of Art, Dumbarton Oaks and the Catholic University. [13]

Leaving monastic life, in 1985 Verdon, with John Henderson of Cambridge (later London University), organized a second two-part conference on religion and the arts, Christianity and the Renaissance, promoted by Florida State University together with the Harvard University Center for Italian Renaissance Studies (Villa Tatti) and the Istituto di Studi sul Rinascimento, Florence. [14]

After teaching art history for American University programs in Florence, Verdon was ordained priest there in 1994, and in 1995 was invited by Archbishop (later Cardinal) Francesco Marchisano, Secretary of the Vatican Commission for the Conservation of the Church's Artistic and Historical Heritage, to serve as Consultor to the commission. [15] In the same period, he authored a Pastoral Note on art and faith for the Tuscan Bishops' Conference: La vita si è fatta visible. L'arte e la comunicazione della fede. [16]

Several years later Verdon was asked by the lay editor Arnoldo Mondadori to write a book on sacred art in Italy, and by another lay editor, Electa, to write on Mary in art, Maria nell'arte europea, [17] followed by a book on Christ, Cristo nell'arte europea. [18] Italy's main Catholic publisher, Le Edizioni Paoline, [19] commissioned him to organize and edit three volumes on Christian art in Italy, the second of which, on the Renaissance, is entirely by Verdon and for the National Bishops' Conference he wrote three volumes commenting on the readings of the Catholic liturgical cycle through traditional and contemporary Christian art. La bellezza nella parola. [20]

These texts, which Interweave iconographical analysis, theology and liturgical information, set a new benchmark for the interdisciplinary study of religion and culture, especially in the Renaissance, as do Verdon's four volumes on the scriptural sources of the Sistine Chapel frescoes, commissioned by Antonio Paolucci, then Director of the Vatican Museums, and published by the Vatican Museum Press. [21] Verdon's volume on Beato Angelico, published in Italian by 24 Ore Cultura in 2015 and in English by Brepols in 2021 (Fra Angelico), similarly opens new methodological perspectives. [22]

A member of the Florence Cathedral Foundation board of directors in 1997, when the Foundation or 'Opera di Santa Maria del Fiore' bought a former theatre adjacent to its museum in view of enlarging the latter, Verdon was asked to define the new structure's museological project, finally realized in 2012–2015. Since 2011, he has served as Museo dell'Opera del Duomo's director. [23]

Timothy Verdon has given invited lectures at Florence University, [9] Cambridge University, [24] Oxford University, [25] Yale University, [10] Stanford University, Palo Alto, CA, [26] the Gregorian University, Rome, the Vatican Museums, [27] the Courtauld Institute of Art, the Metropolitan Museum of Art, [28] the National Gallery of Art, London, the National Gallery of Art, Washington, D. C., [11] the Collège de France, the Louvre.

In 2016, he was keynote speaker at the United Nations World Tourism Organization Conference on Religious Tourism, Utrecht. [25]

Books

Notable articles

Books edited

Exhibitions

See also

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References

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  5. ↑ "'Lumen Christi: Easter Encounters with Art' - spring lecture series at Community of Jesus, Orleans". Barnstable Patriot.
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  14. ↑ "Reviewed Work: Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento by Timothy Verdon, John Henderson". Renaissance Quarterly. 44 (4): 824–826. Winter 1991. JSTOR   2862490.
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  39. 1 2 "Christ dans l'art européen". Citadelles et Mazenod.
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  42. ↑ Bellezza e identità. June 24, 2006 – via www.dimanoinmano.it.
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  53. ↑ "New Publication: Fra Angelico: Painter, Friar, Mystic, by Timothy Verdon". August 22, 2020.
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  55. ↑ Verdon, Timothy (October 1, 2014). Art and Prayer: The Beauty of Turning to God. ISBN   978-1-61261-572-1.
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  66. ↑ Nicholls, Audrey; Trobisch, David J.; Ricasoli, Corinna (January 2018). "The Living Dead: Ecclesiastes through Art". Exhibition catalogue edited by Corinna Ricasoli, Washington DC (Museum of the Bible), Paderborn: Ferdinand Schöningh– via www.academia.edu.
  67. ↑ Cook, William R. (April 1, 1985). "Timothy Gregory Verdon, editor. Monasticism and the Arts. Assisted by John Dally. Foreword by John W. Cook. Syracuse: Syracuse University Press. 1984. Pp. ix, 354. Cloth $34.95, paper $16.95". The American Historical Review. 90 (2): 397–399. doi:10.1086/ahr/90.2.397-a – via Silverchair.
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  73. ↑ Verdon, Timothy; Giannarelli, Elena (June 24, 2002). Alla riscoperta delle chiese di Firenze. Centro Di. ISBN   978-88-7038-371-3. OL   21887711M – via The Open Library.
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  77. ↑ "Talk | Monsignor Timothy Verdon: Gates of Paradise". Nelson Atkins.
  78. ↑ Stapleford, Richard (January 1, 1992). The Age of Lorenzo De Medici, Patronage and the Arts in Renaissance Forence. National Gallery of Art – via Amazon.
  79. ↑ "Il nuovo museo dell'Opera del Duomo - Timothy Verdon - Libro - Mandragora - | IBS". www.ibs.it.
  80. ↑ Robertson, Charles (June 24, 2018). "Michelangelo & Sebastiano (London: National Gallery, 15 March–25 June 2017). Accompanying book by Matthias Wivel, with contributions by Paul Joannides, Costanza Barbieri, Timothy Verdon, Piers Baker-Bates, Silvia Danesi Squarzina, Minna Moore Ede, Allison Goudie, and Jennifer Sliwka. London: National Gallery Company/Yale University Press, 2017. 272pp. with 180 colour illus. £35 (hb)". Renaissance Studies. 32 (5): 835–839. doi:10.1111/rest.12366 – via Wiley Online Library.
  81. ↑ Visions of faith: an exhibition of prints and drawings from the John and Mable Ringling Museum of Art, organized in collaboration with the Florida State University Fine Arts Gallery /. The Museum. June 24, 1985. ISBN   978-0-916758-18-9.
  82. ↑ Verdon, Timothy (June 24, 1997). Sotto il cielo della cupola: il coro di Santa Maria del Fiore dal Rinascimento al 2000: progetti di Brunelleschi, Bandinelli, Botta, Brenner, Gabetti e Isola, Graves, Hollein, Isozaki, Nouvel, Rossi. Electa. ISBN   978-88-435-6161-2. OL   289063M – via The Open Library.
  83. ↑ "Gesù. Il corpo, il volto nell'arte". La Venaria Reale. July 20, 2018.
  84. ↑ "The Gates of Paradise Worldwide". www.guildofthedome.com.
  85. ↑ "Picturing Mary: Woman, Mother, Idea | Exhibition".
  86. ↑ "Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral. Timothy Verdon and Daniel M. Zolli, eds" (PDF).
  87. ↑ Si fece carne: l'arte contemporanea e il sacro. Edizioni Polistampa. June 24, 2015. ISBN   978-88-596-1544-6 – via Library Catalog (Blacklight).
  88. ↑ Meier, Allison (March 18, 2015). "Donatello's Florence Cathedral Sculptures Cross the Atlantic for the First Time". Hyperallergic.
  89. ↑ "Exhibit at the Venaria Reale of Turin: Jesus, His Body and Face in Art" (PDF). Shroud of Turin. June 24, 2010. S2CID   16028772.
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