Titus Calpurnius Siculus was a Roman bucolic poet. Eleven eclogues have been handed down to us under his name, of which the last four, from metrical considerations and express manuscript testimony, are now generally attributed to Nemesianus, who lived in the time of the emperor Carus and his sons (latter half of the 3rd century). The separate authorship of the eclogues of Calpurnius and Nemesianus was established by Haupt. [1]
There is no doubt that Calpurnius's eclogues post-date Virgil's eclogues, as Calpurnius is heavily indebted, and frequently alludes to Virgil. However, the period in which Calpurnius was active has been debated and there is no overriding consensus. Edward Gibbon placed him in the reign of Carus (282 –283 AD). In the late nineteenth century, Haupt asserted that Calpurnius wrote during the reign of Nero (54 –68 AD). [2]
Evidence put forward for this Neronian dating includes the fact that, in Calpurnius's eclogues I, IV, and VII, the emperor is described as a handsome youth, like Mars and Apollo, whose accession marks the beginning of a new golden age, prognosticated by the appearance of a comet, which is argued to be the same that appeared some time before the death of Claudius; he exhibits splendid games in the amphitheatre (probably the wooden amphitheatre erected by Nero in 57); and in the words maternis causam qui vicit Iulis [lower-alpha 1] (i.45) there is a reference to the speech delivered in Greek by Nero on behalf of the Ilienses (Suetonius, Nero, 7; Tacitus, Annals , xii.58), from whom the Julii derived their family. [1]
In 1978 it was argued that Calpurnius was active in the reign of Severus (193 –211 AD). [3] Arguments for such later dating of Calpurnius's work are based on internal stylistic, metrical and lexical grounds [4] – including what are considered by some to be allusions in Calpurnius's poetry to Flavian-era literature. There has been subsequent disagreement among scholars as to the date of Calpurnius's poetry, with some arguing for a Neronian Date, [5] others for a later date. [6]
Nothing is known of the life of Calpurnius with any certainty. Some scholars have argued that Calpurnius is represented, in his poetry, by the character of Corydon and have attempted to draw conclusions about Calpurnius's life from the life of Corydon portrayed in the eclogues.
From this it is deduced that Calpurnius was in poor circumstances and was on the point of emigrating to Spain, when a patron (represented in the poems by a certain Meliboeus) came to his aid. Through his influence Calpurnius apparently secured a post at Rome. The poet's patron, has been variously identified with Columella, Seneca the philosopher, and Gaius Calpurnius Piso. Although the sphere of Meliboeus's literary activity (as indicated in Eclogue iv.53) suits none of these, what is known of Calpurnius Piso fits in well with what is said of Meliboeus by the poet, who speaks of his generosity, his intimacy with the emperor, and his interest in tragic poetry. His claim is further supported by the poem De Laude Pisonis (ed. C.F. Weber, 1859) which has come down to us without the name of the author, but which there is considerable reason for attributing to Calpurnius, [1] the other main contender being Lucan.[ citation needed ]
The eclogues are a collection of Latin poetry attributed to Calpurnius Siculus. Of his models the chief is Virgil, of whom (under the name of Tityrus) he speaks with great enthusiasm; he is also indebted to Ovid and Theocritus. [1]
The Laus Pisonis exhibits a striking similarity with Calpurnius's eclogues in metre, language, and subject-matter. The author of the Laus is young, of respectable family and desirous of gaining the favour of Piso as his Maecenas. Further, the similarity between the two names can hardly be accidental; it is suggested that the poet may have been adopted by the courtier, or that he was the son of a freedman of Piso. The attitude of the author of the Laus towards the subject of the panegyricus seems to show less intimacy than the relations between Corydon and Meliboeus in the eclogues, and there is internal evidence that the Laus was written during the reign of Claudius (Teuffel-Schwabe, Hist. of Rom. Lit. 306,6). [1]
Mention may here be made of the fragments of two short hexameter poems known as the Einsiedeln Eclogues, which share similarities with the poetry of Calpurnius. [1]
Publius Vergilius Maro, usually called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues, the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious.
Marcus Annaeus Lucanus, better known in English as Lucan, was a Roman poet, born in Corduba, in Hispania Baetica. He is regarded as one of the outstanding figures of the Imperial Latin period, known in particular for his epic Pharsalia. His youth and speed of composition set him apart from other poets.
Gaius Calpurnius Piso was a Roman senator in the first century. He was the focal figure in the Pisonian conspiracy of AD 65, the most famous and wide-ranging plot against the throne of Emperor Nero.
Jacopo Sannazaro was an Italian poet, humanist and epigrammist from Naples.
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.
An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics.
GrattiusFaliscus was a Roman poet who flourished during the life of Augustus. He is known as the author of a Cynegeticon, a poem on hunting.
Marcus Aurelius Olympius Nemesianus was a Roman poet thought to have been a native of Carthage and flourished about AD 283. He was a popular poet at the court of the Roman emperor Carus.
The Eclogues, also called the Bucolics, is the first of the three major works of the Latin poet Virgil.
Saleius Bassus was a Roman epic poet. He lived during the reign of Vespasian, being a contemporary of Gaius Valerius Flaccus.
The gens Calpurnia was a plebeian family at ancient Rome, which first appears in history during the third century BC. The first of the gens to obtain the consulship was Gaius Calpurnius Piso in 180 BC, but from this time their consulships were very frequent, and the family of the Pisones became one of the most illustrious in the Roman state. Two important pieces of Republican legislation, the lex Calpurnia of 149 BC and lex Acilia Calpurnia of 67 BC were passed by members of the gens.
Corydon is a stock name for a shepherd in ancient Greek pastoral poems and fables, such as the one in Idyll 4 of the Syracusan poet Theocritus. The name was used by the Latin poets Siculus and, more significantly, Virgil. In the second of Virgil's Eclogues, it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book Corydon.
The Laus Pisonis is a Latin verse panegyric of the 1st century AD in praise of a man of the Piso family. The exact identity of the subject is not completely certain, but current scholarly consensus identifies him with Gaius Calpurnius Piso, the leader of a conspiracy against Nero in AD 65. The Latinity is straightforward; the subject is praised for his oratorical ability as an advocate in law cases, for the kindness with which he maintains his house open to poor men of talent, but also for his skill at playing ball and especially the board game of latrunculi, for which the poem is one of our main sources.
Publio Fausto Andrelini was an Italian humanist poet, an intimate friend of Erasmus in the 1490s, who spread the New Learning in France. He taught at the University of Paris as "professor of humanity" from 1489, and became a court poet in the circle around Anne of Brittany, the queen to two kings.
Moduin, Modoin, or Mautwin was a Frankish churchman and Latin poet of the Carolingian Renaissance. He was a close friend of Theodulf of Orléans, a contemporary and courtier of the emperors Charlemagne and Louis the Pious, and a member of the Palatine Academy. In signing his own poems he used the pen name Naso in reference to the cognomen of Ovid. From 815 until his death he was the Bishop of Autun.
Eclogue4, also known as the FourthEclogue, is the name of a Latin poem by the Roman poet Virgil.
The Eclogues is a collection of Latin poetry attributed to Calpurnius Siculus and inspired by the similarly named poems of the Augustan-age poet Virgil.
The Eclogues is a book of four Latin poems, attributed to Marcus Aurelius Olympius Nemesianus.
The Einsiedeln Eclogues are two Latin pastoral poems, written in hexameters. They were discovered in a tenth century manuscript from Einsiedeln Abbey and first published in 1869, by H. Hagen.
The Cynegetica is a didactic Latin poem about hunting by Marcus Aurelius Olympius Nemesianus. The poem is usually dated to 283/284 A.D. - as it refers to the reign of the Roman Emperors Carinus and Numerian.