Tiziana Lauri | |
---|---|
Born | Rome, Italy | 25 December 1959
Alma mater | Teatro dell'Opera di Roma |
Occupation(s) | Prima Ballerina on stage and screen |
Years active | 1975–2011 |
Spouse | Fabio Grossi |
Tiziana Lauri (born 25 December 1959) is a retired Italian ballet dancer.
Daughter of noted dancers [1] Guido Lauri [2] [3] and Anna Maria Paganini, [4] she followed in her parents's footsteps [5] (although against their will) by training with Attilia Radice at the Rome Opera House. She entered the Rome Opera Ballet school at age 13, without having taken any previous dance classes. [6] [7]
After less than three years at the Rome Opera Ballet school she joined the Rome Opera Ballet company, becoming a soloist at the age of 18. [6]
A very versatile, gifted and impetuously talented artist, [8] [9] [10] [11] she danced a wide range of Ballerina roles [12] [13] [14] [15] [16] from Kitri in Don Quixote to Juliet in Romeo and Juliet. [17] [18]
She worked with a variety of personalities [19] [20] such as Rudolf Nureyev, André Prokovsky, Ekaterina Maximova, Vladimir Vasiliev, Patrick Dupond and many others.
Lauri often appeared on Italian television [21] as a performer but also as a brilliant anchorwoman and interviewer.
Lauri was a recipient of the Gold medal at Carlo Blasis 1981 competition in Turin and of various prizes (Apollon Musagète 1986, Golden Perseus 1987, Michelangelo's David 1988, Talenti dello Spettacolo Internazionale 1989, and Berlin's Golden Bear and Cup 1990).
In 1987 American review Dance Magazine wrote about her unusual kinship with several artists: four cousins were her colleagues and two paternal aunts, a paternal uncle and a maternal aunt and uncle were all Rome Opera Ballet dancers of the older generation. Her genealogical tree also includes grandfather Eliseo Paganini, a world-champion athlete, and famed opera singer Giulio Neri, her uncle.
Carlos Yunior Acosta Quesada is a Cuban-British ballet director and retired dancer who is director of the Birmingham Royal Ballet. He danced with many companies including the English National Ballet, National Ballet of Cuba, Houston Ballet and American Ballet Theatre. He was a permanent member of The Royal Ballet from 1998 to 2015. In 2003, he was promoted to principal guest artist, a rank which reduced his commitment, enabling him to concentrate on a growing schedule of international guest appearances and tours. He celebrated his farewell after 17 years at The Royal Ballet, dancing his last performance in November 2015 in Carmen, which he both choreographed and starred in.
Fabio Grossi is a retired Italian dancer and ballet teacher.
Misa Kuranaga is a Japanese ballerina. She is a principal dancer at the San Francisco Ballet. She was formerly a dancer at Boston Ballet, and was the first Asian person to be promoted to principal dancer there.
Carolina "Carla" Fracci was an Italian prima ballerina, actress and ballet director. Considered one of the greatest ballerinas of the 20th century, she was a leading dancer of La Scala Theatre Ballet in Milan, then worked freelance with international companies including the Royal Ballet, London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre. Fracci is known for her interpretation of leading characters in several Romantic ballets, such as La Sylphide, Giselle, Swan Lake, and Romeo and Juliet. She also performed in ballets such as Nijinsky and Complete Bell Telephone Hour Performances: Erik Bruhn 1961–1967. She danced with partners including Erik Bruhn, Rudolf Nureyev and Mikhail Baryshnikov. Later, she directed several ballet companies in Italy, including at the Teatro San Carlo in Naples and the Teatro dell'Opera di Roma in Rome.
Wayne Eagling is a Canadian ballet dancer, now retired. After more than twenty years as a popular member of The Royal Ballet in London, he became well known as an international choreographer and company director.
Viviana Durante is an Italian ballet dancer, considered one of the great dramatic ballerinas of recent times. She was a principal dancer of The Royal Ballet, American Ballet Theatre, Teatro alla Scala and K-Ballet. She is the artistic director of English National Ballet School and of the Viviana Durante Company.
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Giuseppe Picone is an Italian principal ballet dancer, choreographer, artistic director of the Ballet Company of Teatro San Carlo in Naples.
Ji-young Kim is a South Korean prima ballerina and is currently a principal dancer with the Korea National Ballet (KNB) in Seoul, South Korea.
Manuel Legris is a French ballet dancer. He was an étoile of the Paris Opera Ballet for 23 years. On September 1, 2010, he began direction of the Vienna State Ballet. He was appointed artistic director of La Scala Theatre Ballet in December 2020.
José Carlos Martínez is a Spanish dancer and choreographer. He was a danseur étoile of the Paris Opera Ballet and artistic director of the Spanish National Dance Company. He became the director of dance at Paris Opera Ballet in December 2022.
Isaac Eleazar Hernández Fernández is a Mexican ballet dancer and actor who is a lead principal with the English National Ballet.
Giorgio Madia is an Italian choreographer and stage director active in the fields of opera, ballet, operetta, musical and event.
Eleonora Abbagnato is an Italian ballet dancer, model, and actress. Between 2013 and 2021 she was Étoile at the Paris Opera Ballet.
Attilia Radice (1914–1980) was an Italian ballerina at La Scala in Milan. She is remembered above all for the roles she created at the Rome Opera.
Guido Lauri was an Italian dancer, actor, choreographer, ballet master, company director.
Francesco Ventriglia is an Italian ballet dancer, choreographer and artistic director. In 2010 he was appointed as Europe's youngest artistic director by the Florence Opera House at the age of 32, where he held the role as artistic director and principal choreographer for Maggio Danza until 2013. In 2014, he was named the artistic director of the Royal New Zealand Ballet until June 2017, and from January 2018, as adjunct artistic director of the National Ballet of Uruguay, Ballet Nacional Sodre alongside Igor Yebra. Ventriglia is also a choreographer of classical and contemporary ballet, having works performed internationally by companies such as the La Scala Ballet, Arena di Verona, Bolshoi Theatre, the Mariinsky Ballet, Grande Theatre du Geneve, Royal New Zealand Ballet, Ballet Nacional Sodre and at the Venice Biannale.
Sara Renda is an Italian classic ballet dancer, on 15 December 2015 nominated Étoile at the Opéra National de Bordeaux, one of the youngest dancers to receive this recognition.
Elisabetta Terabust was an Italian ballerina and company director. She trained at the Teatro dell'Opera di Roma and worked for the London Festival Ballet and the Ballet National de Marseille. Terabust served as director of the Teatro dell'Opera di Roma, La Scala, MaggioDanza of the Maggio Musicale Fiorentino and of the Corps de ballet at the Teatro di San Carlo at various points between 1990 and 2009. The primary ballet rehearsal room at the Teatro dell'Opera Di Roma Dancing School was renamed for her.