Related Research Articles
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. The academic study of folklore is called folklore studies or folkloristics, and it can be explored at undergraduate, graduate and Ph.D. levels.
Li Tieguai is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He is sometimes described as irascible and ill-tempered, but also benevolent to the poor, sick and the needy, whose suffering he alleviates with special medicine from his Calabash gourd. He is often portrayed as an ugly old man with a dirty face, a scraggly beard, and messy hair held by a golden band. He walks with the aid of an iron crutch and often has a gourd slung over his shoulder or held in his hand. He often is depicted as a clown figure who descends to earth in the form of a beggar who uses his power to fight for the oppressed and needy.
Folklore studies, less often known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom, is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with Volkskunde (German), folkeminner (Norwegian), and folkminnen (Swedish), among others.
The cunning folk in Britain were professional or semi-professional practitioners of magic in Britain, active from the medieval period through the early 20th century. As cunning folk, they practised folk magic – also known as "low magic" – although often combined with elements of "high" or ceremonial magic, which they learned through the study of grimoires. Primarily using spells and charms as a part of their profession, they were most commonly employed to use their magic to combat malevolent witchcraft, to locate criminals, missing persons or stolen property, for fortune telling, for healing, for treasure hunting and to influence people to fall in love. Belonging "to the world of popular belief and custom", the cunning folk's magic has been defined as being "concerned not with the mysteries of the universe and the empowerment of the magus [as ceremonial magic usually is], so much as with practical remedies for specific problems." However, other historians have noted that in some cases, there was apparently an "experimental or 'spiritual' dimension" to their magical practices, something which was possibly shamanic in nature.
Chinese folklore encompasses the folklore of China, and includes songs, poetry, dances, puppetry, and tales. It often tells stories of human nature, historical or legendary events, love, and the supernatural. The stories often explain natural phenomena and distinctive landmarks. Along with Chinese mythology, it forms an important element in Chinese folk religion.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
Amenonuhoko is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea. It is often represented as a naginata.
The tradition of folklore—folktales, jokes, legends, and the like—in the Turkish language is very rich, and is incorporated into everyday life and events.
The King of England and his Three Sons is a Romani fairy tale collected by Joseph Jacobs in More English Fairy Tales. He listed as his source Francis Hindes Groome's In Gypsy Tents, where the informant was John Roberts, a Welsh Roma. Groome published the tale as An Old King and his three Sons in England.
Romani folklore encompasses the folktales, myths, oral traditions, and legends of the Romani people. The Romani were nomadic when they departed India during the Middle Ages. They migrated widely, particularly to Europe, while other groups stayed and became sedentary. Some legends say that certain Romani have passive psychic powers such as empathy, precognition, retrocognition, or psychometry. Other legends include the ability to levitate, travel through astral projection by way of meditation, invoke curses or blessings, conjure or channel spirits, and skill with illusion-casting.
The Folklore Society (FLS) is a national association in the United Kingdom for the study of folklore.
The Three May Peaches is a French fairy tale collected by Paul Delarue. He collected more than thirty French types of this tale, which is known in Europe, North Africa, and Asia as far as India.
Cornish mythology is the folk tradition and mythology of the Cornish people. It consists partly of folk traditions developed in Cornwall and partly of traditions developed by Britons elsewhere before the end of the first millennium, often shared with those of the Breton and Welsh peoples. Some of this contains remnants of the mythology of pre-Christian Britain.
The toadstone, also known as bufonite, is a mythical stone or gem that was thought to be found in the head of a toad. It was supposed to be an antidote to poison and in this it is like batrachite, supposedly formed in the heads of frogs. Toadstones were actually the button-like fossilised teeth of Lepidotes, an extinct genus of ray-finned fish from the Jurassic and Cretaceous periods. They appeared to be "stones that are perfect in form" and were set by European jewellers into magical rings and amulets from Medieval times until the 18th century.
A rock-cut basin is a natural cylindrical depression cut into stream or river beds, often filled with water. Such plucked-bedrock pits are created by kolks; powerful vortices within the water currents which spin small boulders around, eroding out these rock basins by their abrasive action. These basins are frequently found in streams and rivers with a relatively soft rock substrates such as limestones and sandstones. The rather unusual and man-made appearance of such depressions has led to various folk-tales becoming associated with them, such as their identification as petrosomatoglyphs, including knee prints, elbow prints, etc. of saints, heroes, kings or supernatural beings.
A nuggle, njuggle, or neugle, is a mythical water horse of primarily Shetland folklore where it is also referred to as a shoepultie or shoopiltee on some parts of the islands. A nocturnal creature that is always of a male gender, there are occasional fleeting mentions of him connected with the Orkney islands but he is more frequently associated with the rivers, streams and lochs of Shetland. He is easily recognised by his distinctive wheel-like tail and, unlike his evil counterparts the each-uisge or the nuckelavee, has a fairly gentle disposition being more prone to playing pranks and making mischief rather than having malicious intents.
Cunning folk, also known as folk healers or wise folk, were practitioners of folk medicine, helpful folk magic and divination in Europe from the Middle Ages until the 20th century. Their practices were known as the cunning craft. Their services also included thwarting witchcraft. Although some cunning folk were denounced as witches themselves, they made up a minority of those accused, and the common people generally made a distinction between the two. The name 'cunning folk' originally referred to folk-healers and magic-workers in Britain, but the name is now applied as an umbrella term for similar people in other parts of Europe.
This list of the works of William Crooke (1848–1923) represents much of his literary output in pursuit of his interests in ethnology and folklore, for which he was far many years considered to be a leading authority.
Susman Kiselgof was a Russian-Jewish folksong collector and pedagogue associated with the Society for Jewish Folk Music in St. Petersburg. Like his contemporary Joel Engel, he conducted fieldwork in the Russian Empire to collect Jewish religious and secular music. Materials he collected were used in the compositions of such figures as Joseph Achron, Lev Pulver, and Alexander Krein.
Danish folk dance is characterized by being easy going, gentle, and relatively easy to learn. Danish folk dance is mainly a social dance involving groups or groups of couples of dancers, often designed for large gatherings. The dances were supposed to be simple enough for everyone to join in. Danish folk dances are made for social and educational purposes, generally speaking not for exhibitional purposes.
References
- ↑ March, H. Colley (1899). "Miscellanea: Dorset Folklore collected in 1879". Folklore. Folklore Society. 10: 478–89. doi:10.1080/0015587x.1899.9720514 . Retrieved 2009-07-24. p. 479-80.
- ↑ Black, William George (1878). Folk Medicine: A Chapter in the History of Culture. Folklore Society. pp. 61–62.