Tobor | |
---|---|
Directed by | Lee Sholem |
Written by | Carl Dudley Philip MacDonald |
Produced by | Richard Goldstone |
Starring | Charles Drake Karin Booth Billy Chapin |
Cinematography | John L. Russell |
Edited by | Basil Wrangell |
Music by | Howard Jackson |
Production company | Dudley Pictures Corporation |
Distributed by | Republic Pictures |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
Tobor the Great (a.k.a. Tobor) is a 1954 independently made American black-and-white science fiction film, produced by Richard Goldstone, directed by Lee Sholem, and starring Charles Drake, Karin Booth, and Billy Chapin. The film was written by Carl Dudley and Philip MacDonald and was distributed by Republic Pictures.
The film's storyline involves Dr. Ralph Harrison, who resigns his government post in protest against the inhumane treatment being inflicted upon spaceship pilots. His colleague, Professor Nordstrom, develops an alternative: a robot that he names "Tobor" (the reverse anagram of "robot" [1] ), which soon becomes a friend and playmate to Harrison's young son, "Gadge". Tobor is stolen by enemy agents, and only the two scientists' and Gadge's psychic link with the robot can save it from being reprogrammed and used for evil purposes against the United States.
At his underground laboratory in Los Angeles, Professor Nordstrom (Taylor Holmes), worried that crewed space exploration is too dangerous, enlists the help of Dr. Ralph Harrison (Charles Drake), who recently left the new government-appointed Civil Interplanetary Flight Commission. The two scientists embark on a research project to create a robot that can replace humans for space flight. Nordstrom's daughter, Janice Roberts (Karin Booth), and her 11-year-old son Brian (Billy Chapin), nicknamed “Gadge”, become very interested in the project.
When a press conference is called to announce the creation of "Tobor", reporters, such as the inquisitive journalist Gilligan (Alan Reynolds), are invited to Professor's Harrison's home to see the remarkable invention. In order to undertake space travel, the remote-controlled robot has been given some human capabilities, including the ability to "feel" emotions and react via a telepathic device built into his robotic brain. Under the watchful eyes of Harrison's trusted assistant Karl (Franz Roehn), the giant robot Tobor is unveiled and then demonstrated. Unknown to the scientists, a foreign spy chief (Steven Geray) has quietly joined the group of reporters; he quickly draws up a plan to steal the robot.
While trying to perfect the robot's control systems, an inadvertent episode involving Gadge, who sneaks into the laboratory and turns on Tobor, shows that the robot can make emotional connections with people. Gadge not only controls the robot, but when he is accidentally tossed about, Tobor appears to comfort him, as if he is sorry for hurting the boy. After cleaning up, the scientists realize that an additional chair was brought to the news conference, leading them to believe that someone has infiltrated the closely guarded laboratory. Aware that their robot could fall into the wrong hands, they construct a small transmitter in a fountain pen that is able to communicate with Tobor.
An organized attack by the foreign agents is thwarted by the defensive devices at the Nordstrom's home, so the spies devise another scheme. Sending Gadge and his grandfather an invitation to a space flight presentation at the Griffith Park Planetarium, they intend to hold them hostage. When Gadge and Nordstrom show up, the spies kidnap them. Dr. Gustav (Peter Brocco) tries to force Nordstrom to provide the crucial information needed to control Tobor.
When Nordstrom and Gadge do not return for the military demonstration of Tobor's abilities, Dr. Harrison contacts the local sheriff with his concerns that something dire has happened to them. Tobor is suddenly activated, reacting to messages sent by Nordstrom, and storms out of the house, driving away in a military Jeep. Nordstrom is actually controlling the robot remotely with the pen transmitter, while trying to fool Dr. Gustav. One of the spies realizes that the pen is important and snatches it away, breaking it.
Guessing that Tobor is going to rescue the professor and Gadge, Harrison and the military follow. At the agents' lair, when the transmissions stop, Tobor comes to an abrupt halt, but Harrison successfully re-activates the robot using telepathic commands. The spies threaten to hurt Gadge, who instinctively reacts and uses his mind to call out to Tobor. Nordstrom relents, writing out the control formula. With Harrison and the military, the robot breaks down the lair's door and attacks the enemy agents, rescuing the professor and Gadge. When one of the spies attempts to drive away with the coerced information, Tobor yanks him out of his car. Gadge is then gently carried out by the robot.
Later, when Tobor has been successfully reprogrammed, a spacecraft is launched with the robot in full control of the mission.
Principal photography for Tobor the Great took place from early to mid-January 1954 on location at the Iverson Movie Ranch in Chatsworth, California. [2]
Contrary to popular belief, the robot was not designed by Robert Kinoshita, creator of Robby the Robot. According to both production sketches and "movie robot" authority Fred Barton, Tobor was designed by Gabriel Scognamillo and built by Mel Arnold, who also worked on Gort for The Day the Earth Stood Still . The original Tobor prop and remote control device is still in existence, having been stored away safely in a private collection for more than 50 years. [3]
There is an on-line company, Fred Barton Productions, that sells screen-accurate, full-size replicas of Tobor as seen in the film.
In a review in The New York Times Tobor the Great is characterized as "This children's sci-fi adventure (that) chronicles the friendship between an 11-year-old and his grandfather's robot Tobor, who was designed to explore deep space." [4] In DVD Savant film reviewer Glenn Erickson called it, "Like other low budget Republic shows of its day, the film is sturdy, slow and straightforward, taking little advantage of the ideas in its script. Yet it was a kiddie favorite simply because it was about a boy who shared an adventure with a massive metal man." [5] In an appraisal of Tobor the Great film, historian and reviewer Leonard Maltin noted "the film missed out on becoming an important sci-fi classic ... terrible acting and dialogue. A botched attempt at a heartwarming sci-fi comedy-thriller." [6]
The film inspired a Tobor the Great comic book story series, written by Denis Gifford and with artwork by James Bleach; it appeared in Star Comics #1-2 (1954), from D Publications.
Here Comes Tobor was a proposed American science-fiction TV series. Produced for the 1956–1957 season, the project was never picked up and only a pilot episode was filmed but never aired. [7]
A new film company, Diamond World Pictures, announced in 2011 that a sequel to Tobor the Great was to be the first film from the company. Plans were to star Patrick Dempsey and Christopher Plummer, and use the classic combination of live-action and stop-motion animation. To date, no film has been released. [8]
Tobor the Great was released on DVD on May 13, 2008 by Lionsgate Home Entertainment. The standard DVD, containing the film only, used an incorrect open matte transfer; it was originally shot for theatrical exhibition in the 1.66:1 widescreen aspect ratio. [9]
In December 2016, the film was announced for both DVD and Blu-ray reissue by Kino Lorber. [10]
Leonard Michael Maltin is an American film critic, film historian, and author. He is known for his book of film capsule reviews, Leonard Maltin's Movie Guide, published annually from 1969 to 2014. Maltin was the film critic on Entertainment Tonight from 1982 to 2010. He currently teaches at the USC School of Cinematic Arts and hosts the weekly podcast Maltin on Movies. He served two terms as President of the Los Angeles Film Critics Association, and votes for films to be selected for the National Film Registry.
Fast, Cheap & Out of Control is a 1997 documentary film by filmmaker Errol Morris.
Fiend Without a Face is a 1958 independently made British black-and-white science fiction-horror film drama directed by Arthur Crabtree, and starring Marshall Thompson, Kynaston Reeves, Michael Balfour, and Kim Parker.
Robot Monster is a 1953 independently made American black-and-white 3D science fiction horror film, remembered in later decades as one of the worst movies ever made. It was produced and directed by Phil Tucker, written by Wyott Ordung, and stars George Nader, Claudia Barrett, and George Barrows. The production company was Three Dimensional Pictures, Inc. The film was distributed by Astor Pictures.
Hangar 18 is a 1980 American science fiction action film directed by James L. Conway and written by Ken Pettus, from a story by Thomas C. Chapman and Conway. It stars Darren McGavin, Robert Vaughn, Gary Collins, James Hampton and Pamela Bellwood.
Steven Geray was a Hungarian-born American film actor who appeared in over 100 films and dozens of television programs. Geray appeared in numerous famed A-pictures, including Alfred Hitchcock's Spellbound (1945) and To Catch a Thief (1955), Joseph L. Mankiewicz's All About Eve (1950), and Howard Hawks' Gentlemen Prefer Blondes (1953). However, it was in film noir that be became a fixture, being cast in over a dozen pictures in the genre. Among them were The Mask of Dimitrios (1944), Gilda (1946), The Unfaithful (1947), In a Lonely Place (1950), and The House on Telegraph Hill (1951).
Captain Video: Master of the Stratosphere is an American adventure horror science fiction film 15-chapter serial released by Columbia Pictures in 1951. It was directed by Spencer Gordon Bennet and Wallace A. Grissel with a screenplay by Royal G. Cole, Sherman I. Lowe and Joseph F. Poland, based on a treatment by George H. Plympton. The serial is unique for several reasons--- in particular, it is the only film serial ever based on a television program, Captain Video and His Video Rangers.
The Lost Planet is a 1953 American science fiction serial film 15-chapter serial which has the distinction of being the last interplanetary-themed sound serial ever made. It was directed by Spencer Gordon Bennet with a screenplay by George H. Plympton and Arthur Hoerl. It appears to have been planned as a sequel to the earlier chapterplay Captain Video: Master of the Stratosphere and shares many plot-points, props and sets, as well as some of the same cast. However, the Video Rangers do not appear, and their uniforms are instead worn by "slaves" created electronically by Reckov, the dictator of the Lost Planet with the help of mad scientist Dr. Grood and enslaved "good" scientist Professor Dorn.
The Astro-Zombies is a 1968 American science fiction horror film written, directed and produced by Ted V. Mikels, and starring John Carradine, Wendell Corey, and Tura Satana.
The Creation of the Humanoids is a 1962 American science fiction film release, directed by Wesley Barry and starring Don Megowan, Erica Elliot, Frances McCann, Don Doolittle, and Dudley Manlove. The film is not based on the plot of Jack Williamson's novel The Humanoids (1949), to which it bears little resemblance, but on an original story and screenplay written by Jay Simms.
Dark Intruder is a 1965 horror TV movie that was released theatrically, and starring Leslie Nielsen, Mark Richman and Judi Meredith. The film is set in San Francisco in 1890 concerning playboy sleuth and occult expert Brett Kingsford. This atmospheric black-and-white film, only 59 minutes long, was directed by Harvey Hart and was the pilot for a failed television series called The Black Cloak. It was written by Barré Lyndon.
The Lady and the Monster is a 1944 American science fiction horror film directed by George Sherman, and starring Vera Ralston, Richard Arlen, and Erich von Stroheim. The film is about the attempts to keep alive the brain of a multimillionaire after his death, only to create a telepathic monster. The man then takes over the medical assistant's mind, and the "lady" of the title has to fight it. The film's copyright was renewed in 1971, so it will enter the American public domain in 2040.
The Phantom Creeps is a 1939 12-chapter science fiction horror serial starring Bela Lugosi as mad scientist Doctor Zorka, who attempts to rule the world by creating various elaborate inventions. In a dramatic fashion, foreign agents and G-Men try to seize the inventions for themselves.
The Wasp Woman is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave. To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.
From Hell It Came is a 1957 American science-fiction horror film directed by Dan Milner and written by Richard Bernstein, from a story by Bernstein and Jack Milner. It was released by Allied Artists on a double bill with The Disembodied.
The Cyclops is a 1957 American science fiction horror film written, produced and directed by Bert I. Gordon, starring James Craig, Lon Chaney Jr. and Gloria Talbott.
Night Caller from Outer Space is a British 1965 science fiction film directed by John Gilling and starring John Saxon, Maurice Denham and Patricia Haines. It was written by Jim O'Connolly based on Frank Crisp's 1961 novel The Night Callers. A colourised version of the film was released in 2011.
Mystery Liner is a 1934 American Pre-Code film directed by William Nigh, starring Noah Beery, Sr., and based on an Edgar Wallace story originally published in the Saturday Evening Post in 1924. The film was entered as a feature attraction at the 1934 International Exhibition of Cinematographic Art in Venice, Italy, the forerunner of the Venice Film Festival.
Here Comes Tobor (1956) was a proposed American science fiction television series, meant as a spin-off off the 1954 film Tobor the Great. The 26-minute pilot was produced by Richard Goldstone for the 1956–1957 season, written by Arnold Belgard and directed by Duke Goldstone. The photography director was Mack Stengler and the art director was Gabriel Scognamillo, with music by composer Howard Jackson and special effects by Warner E. Leighton. However, the project was not aired and only a pilot episode was filmed.
Satellite in the Sky is a 1956 British CinemaScope science fiction film in Warner Color, produced by Edward J. Danziger and Harry Lee Danziger, directed by Paul Dickson, and starring Kieron Moore, Lois Maxwell, Donald Wolfit, and Bryan Forbes. It was distributed by Warner Bros. Pictures. Special effects were by Wally Veevers, who would later work on Stanley Kubrick's 2001: A Space Odyssey (1968).