Johnny Speight was an English television scriptwriter of many classic British sitcoms.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became the one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Michael James Andrews was a British painter.
Jack Hildyard, B.S.C. was a British cinematographer who worked on more than 80 films during his career.
Trevor Griffiths is an English dramatist.
Cyril Alexander Garland Luckham was an English film, television and theatre actor. He was the husband of stage and screen actress Violet Lamb.
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, which was at that point still in central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series. It was filmed by Walter Lassally.
Dennis Vance was a British television producer, director, and occasional actor.
Stephen Woolley is an English film producer and director, whose prolific career has spanned over three and a half decades, for which he was awarded the BAFTA award for Outstanding British Contribution to Cinema in February 2019. As a producer he has been Oscar-nominated for The Crying Game (1992), and has also produced multi-Academy Award nominated films including Mona Lisa (1986), Little Voice (1998), Michael Collins (1996), The End of the Affair (1999), Interview with the Vampire (1994), and Carol (2016). He currently runs the production company Number 9 Films with his partner Elizabeth Karlsen.
Wilkie Cooper BSC was a British cinematographer.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London, on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
Momma Don't Allow is a short British documentary film of 1956 about a show of the Chris Barber band with Ottilie Patterson in a north London trad jazz club. The film features skip jiving by the audience.
Sequence was a short-lived but influential British film journal founded in 1947 by Lindsay Anderson, Peter Ericsson, Gavin Lambert and Karel Reisz.
Vernon Campbell Sewell was a British film director, writer, producer and, briefly, an actor.
San Francisco was an impressionistic documentary film directed by Anthony Stern. The film, cut to a version of "Interstellar Overdrive" as performed by Pink Floyd in 1966, pioneered the use of 16 mm single frame cinematography in the late 1960s and went on to win awards for cinematography at the Oberhausen, Melbourne and Sydney Film Festival.
The Fire Raisers is a 1934 British drama film directed by Michael Powell. It was described by Powell as "a sort of Warner Brothers newspaper headline story;" and marked the first of his four films with actor Leslie Banks.
You Lucky People! is a 1955 British comedy film directed by Maurice Elvey and starring Tommy Trinder, Mary Parker and Dora Bryan. Originally titled Get Fell In, the film was renamed to match Trinder's familiar catchphrase. It was shot in a rival French process to CinemaScope, called 'CameraScope', with the attendant publicity describing "the first feature to be made with an anamorphic lens in black and white! It's a camerascoop!". It was shot at Beaconsfield Studios near London with sets designed by the art director Ray Simm.
The BFI Production Board (1964-2000) was a state-funded film production fund managed by the British Film Institute (BFI) and "explicitly charged with backing work by new and uncommercial filmmakers." Emerging from the Experimental Film Fund, the BFI Production Board was a major source of funding for experimental, art house, animation, short and documentary cinema, with a continuing commitment to funding under-represented voices in filmmaking.
Lorenza Mazzetti was an Italian film director, novelist, photographer and painter.
